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| Lives for gear | 1176, LA2A or LA3A on vocals?
I've used all of them - I thought I liked the quick attack of the 1176, but lately, I've been digging the LA2A. The main use will be vocals...Just wanted to get people's opinions. I've seen great prices on all of them...Even a great price on an MC77. The LA3 is the cheapest with the 76 and the LA2 being more expensive...I'm looking at the reissues...
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| | #2 |
| Gear addict Joined: Jul 2007 Location: UK
Posts: 460
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Try out the LA3A, it's sort of in between the 2a and the 1176... I think it's an overlooked piece of gear; compress or limit. It feels a little less squashed and a little more modern than the la2a. Not a bad thing but it's opinion. One man's cheesecake and all that.. |
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| | #3 |
| Lives for gear |
Come on, this is Gearslutz - so you have to buy ALL of them.
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| | #4 |
| Lives for gear Joined: Jan 2007 Location: Middlebury CT
Posts: 824
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| | #5 |
| 70% coffee & 30% beer Joined: Dec 2006 Location: Quincy, MA
Posts: 7,728
| Crane Song Trakker Hey Guys, While these are all great units, I have found that the Crane Song Trakker, can do all the tricks of these above compressors, and them some! The Trakker has an extremely cool "grit" when on the "HARD" "V" setting that can give you the character and size of the above units, but with less apparent artifacts in the gain reduction cell. If you desire a slightly more aggressive tone, go for the Purple MC77, you won't be disappointed in the slightest! peace mixwell
__________________ Adam Brass adam@dspdoctor.com DSPdoctor "Pro Audio Gear And Advice for the Modern Recording Studio" ________________ "Any opinions above are worth exactly what you paid for them." Anonymous "If I find 10,000 ways something won't work, I haven't failed. I am not discouraged, because every wrong attempt discarded is another step forward. Thomas Edison RTFM |
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| | #6 |
| Lives for gear |
What about the Distressor?
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| | #7 |
| Lives for gear Joined: Jan 2006 Location: Gothenburg, Sweden
Posts: 592
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I would suggest the LA-3a if the reissues are good. I have the original UREI version and it is the best vocal compressor I´ve heard. Simply amazing. I use mine after Gefell - V72. It is impossible to go wrong with it, just compress alot and gain up - two knobs. I guess in an all solid state chain a LA-2a would be good also. Best, Carl-Johan |
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| | #8 |
| Gear interested Joined: Apr 2006 Location: Where the Music is
Posts: 27
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Mmmmm,, Distressor, So Versitile. I Just Usd an LA-4 with My M-147 for a metal Screamo Voice, Kept in Nicely Warm and in Control but and LA-3..Nice!
__________________ If at first you dont succeed...Destroy all evidence that you tried! |
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| | #9 |
| Gear addict Joined: Nov 2006 Location: Greensboro, NC
Posts: 386
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get uad-1 card and get the licenses for all of them |
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| | #10 |
| Lives for gear Joined: Jan 2006 Location: Gothenburg, Sweden
Posts: 592
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UAD plugs are great but - not the same. No, no.
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| | #11 |
| Gear interested Joined: Jun 2007 Location: Arizona
Posts: 3
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I just recorded vocals at a studio this weekend the guy had all of the above we used the Distressor on almost everything.
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| | #12 |
| Lives for gear Joined: Nov 2006 Location: Greater San Francisco
Posts: 2,142
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none of the above. Give me an Aphex 660 "Tubessence". |
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| | #13 |
| Gear Guru Joined: Oct 2004 Location: The Land of Sunshine
Posts: 11,289
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your choice here comes down to coloration. la3a has the least obtrusive sonic footprint, and works smoothly on damn near any kind of vocal. la2a has more vibe than attitude and softens the top considerably, is a dream on showcase vocals, but is not quite as well suited for spiky uncontrolled singers. 1176 can level anything, but will make a voice edgy and aggressive if you do any kind of serious GR, which also means the sound will cut in a dense arrangement. so if you're gonna have just one, figure out which mojo you're willing to have on every vocal in every mix and choose accordingly. gregoire del ubk . |
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| | #14 |
| Gear interested Joined: Jul 2005 Location: Berlin, Germany
Posts: 28
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Most often I like LA2A for vibe and smooth levelling into an 1176 for catching the peaks. Best of both worlds, if you could only have one you could also replace the 1176 in that chain with a distressor or any other reasonably fast compressor. LA3A is sweet too, but most of the time on the guitar bus.
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| | #15 |
| Lives for gear Joined: Sep 2003 Location: Sudbury, On. Canada
Posts: 1,780
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I never tried a real La2a or 3a but I really like the 1176 on vocals... It's really fast and if you're into compression like I am... you can really slam it without pumping. It's got a lot of mojo J.
__________________ If it don't sound like a record... don't press record |
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| | #16 |
| Gear nut Joined: Jun 2007 Location: Eugene, OR
Posts: 86
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I have the LA2A and LA3A reissues and the MC77 at home right now. If I could only keep one, it would probably be the MC77, but what you really want is: mic -> preamp -> LA3A -> MC77 or mic -> preamp -> MC77 -> LA2A This combination is magic. The whole greater than the sum of the parts. Don't waste your time/money like I did on modern imitation do-all boxes. |
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| | #17 | |
| Lives for gear Joined: Apr 2004
Posts: 5,695
| Quote:
LOL... ![]() The Trakker ROCKs. Anyway, I use my Trakker and MC77 together just like Twinskin above... very very good vocal sounds.
__________________ Michael | |
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