16th August 2007
|
#1 | | Gear maniac
Joined: Sep 2006 Location: Silver Spring, MD
Posts: 216
Thread Starter | What is a good console for recording rock music?
I'm looking to spend no more than 150K on a console to track and mix rock, hard rock, metal and alt rock. Just wondering what suggestions so of you might have.
I'll be using Samp 9 along with a Studer or MCI 16 track analog deck and mixing down to a Ampex ATR 102 with switchable 1/2" and 1" headstacks.
Thanks........
|
| |
16th August 2007
|
#2 | | Lives for gear
Joined: Jan 2007 Location: Dallas
Posts: 2,091
|
I would imagine that anything sounds good through 150K console with a good engineer.
|
| |
16th August 2007
|
#3 | | Lives for gear
Joined: Jan 2007 Location: Dallas
Posts: 2,091
|
I'm sure the usual suspects will do (Neve, SSL etc). If you have that kind of money to spend, I would suggest going to your local studios and mess around with what they've got. Determine what you like and don't like about their consoles, then make an educated decision. If I were to spend 150K, I would post on this site for opinions, but ultimately would rather go test consoles out myself.
|
| |
16th August 2007
|
#4 | | Pragmatic Snob
Joined: Oct 2004 Location: The Land of Sunshine
Posts: 12,005
| Quote:
Originally Posted by bexarametric ...I would suggest going to your local studios and mess around with what they've got. Determine what you like and don't like about their consoles, then make an educated decision. If I were to spend 150K, I would post on this site for opinions, but ultimately would rather go test consoles out myself. |
for the love of god, follow the above quoted advice! 150K is a hell of a lot of money to be dropping on a desk you're not familiar with, and the fact that you're asking this question seems to indicate you're not familiar with consoles in this price range.
there's a HUGE variety of workflow, ergonomic, routing, wiring, and maintenance issues among the desks in this league, all of which are as important as the sonics. some are better at recording (which is your question), some are better at mixing, and every one involves compromises.
spend time on any serious contender, working with an engineer who knows the creature inside and out and will be honest with you about its strengths, weaknesses, and quirks. it'll be time and money well spent, because you're gonna have to live with this thing for a long, long time.
gregoire
del
ubk
.
|
| |
16th August 2007
|
#5 | | Lives for gear
Joined: Jul 2003
Posts: 4,577
|
Spend 10K trying out all kinds of consoles and spend the 140K on the final one you like. This is a pretty good figure so you'll be able to get a nice console with this but remember, the engineer is as important as the console.....
__________________ THE MPCIST |
| |
16th August 2007
|
#6 | | Gear maniac
Joined: Jul 2002 Location: The Big Apple
Posts: 278
|
That would be a Neve 8068.
Dave
|
| |
16th August 2007
|
#7 | | Gear Guru
Joined: Jun 2002 Location: New York City
Posts: 14,175
| Quote:
Originally Posted by mcsnare That would be a Neve 8068.
Dave | You won't be able to find one anymore at that price.
You will have to add another $35K-$50K.
To be honest there aren't that many great dual tracking/mixing consoles at that price range.
Even the API's have gone up into the $200K range.
|
| |
16th August 2007
|
#8 | | Lives for gear
Joined: Oct 2003 Location: Orange County California
Posts: 1,701
| Quote:
Originally Posted by thethrillfactor Even the API's have gone up into the $200K range. | Really? That high? That sucks for me. I always wanted to spend my last working years on a vintage API. I guess I better start saving now. |
| |
16th August 2007
|
#9 | | Lives for gear
Joined: May 2005 Location: Los Angeles
Posts: 1,528
|
Maybe a Daking, Neotek, or Euphonix? They're all available under $150....
|
| |
16th August 2007
|
#10 | | Gear maniac
Joined: May 2006
Posts: 241
|
wunderbar
|
| |
16th August 2007
|
#11 | | Gear Guru
Joined: Jun 2002 Location: New York City
Posts: 14,175
| Quote:
Originally Posted by patrox247 Really? That high? That sucks for me. I always wanted to spend my last working years on a vintage API. I guess I better start saving now.  | Yeah unfortunately everyone wants an API or a Neve they can track & mix with.
They are the only consoles right now that are increasing in value not just holding their own.
I looked into some 8058/8068 and 8088's and the demand was high.
An 8078 is almost impossible to find and the brokers all told me when they go on the market they get snatched up pretty quickly. Going price is between $275K-$325K.
Now they guys who can't afford or find Neves are gobbling up the big API's.
The sudden craze with the 500 series thing hasn't helped either. |
| |
16th August 2007
|
#12 | | Lives for gear
Joined: May 2005
Posts: 2,454
|
Personally, If I was to spend $150K on a console I would look seriously into a Neve Portico console, configured to your liking.
The portico modules sound great and I bet the rest of the console is up there aswell, quality wise.
And better yet, it's a new console with possibly very little maintenance worries for a long time. And if a module blows, you can get a replacement fast and easy.
|
| |
16th August 2007
|
#13 | | Gear addict
Joined: Mar 2007 Location: Cleveland, OH - USA
Posts: 402
|
there are a few different consoles out there that can be had for a lot less than $150K. Neve, SSL, Amek, D&R, MCI, TL Audio, just to name a few. Just remember to have some backup cash. The larger consoles like the SSL and NEVE have tons of wiring involved, not to mention the power supplies. You'll probably spend a bit getting the electrical up to spec in your room.
__________________ "Never let your sense of morals prevent you from doing what's right." - Isaac Asimov |
| |
16th August 2007
|
#15 | | Lives for gear
Joined: Sep 2003 Location: Los Angeles
Posts: 2,552
|
I asked the same question, to myself, about a year ago. I chose the Daking. Does everything I want and sounds amazing. Super low maintenance, great support, and oh yeah, did I mention it sounds amazing ?
Other options, get a small Wunder, Daking or Chandler sidecar and a used SSL 4000. You could probably swing all that for under 150K.
|
| |
16th August 2007
|
#16 | | Lives for gear
Joined: Nov 2006 Location: Suburban Chicago
Posts: 865
| New API
If you've got that kind of $$, look into the new API 1608. You could put 2 together loaded with reissue 550a's and Uptown Automation for a bit over 115k. That will leave you around 30-40k for patchbays, cabling and commisioning.
Been a long time in the works but VK supposedly has a fully working protoype in their possesion.
__________________ Visit our Internet Store featuring EA replica A*P*I transformers, killer aluminum knobs and more...www.classicapi.com GroupDIY 51x Racks |
| |
16th August 2007
|
#17 | | Lives for gear
Joined: Nov 2004 Location: Stavenisse
Posts: 1,838
| Raindirk
I'd try to diversify. A Raindirk is a console with a name. Maybe a Harrison. Both are good consoles.
Is enough spend on room acoustics? A nice console is one thing. A Beautiful room WILL SELL.
So if acoustics are allready present, is enough outboardgear available. If you get a desk of let's say 100.000 you will get more than 24 channels. So may be you'd want another studer.
Personally I'd buy a Tascam X-48 aswell. And a Protools HD system. So the user can choose between analog and digital.
Muziekschuur
|
| |
16th August 2007
|
#18 | | Gear maniac
Joined: Apr 2006 Location: The Vortex of Sound
Posts: 297
| Quote:
Originally Posted by thethrillfactor You won't be able to find one anymore at that price.
You will have to add another $35K-$50K.
To be honest there aren't that many great dual tracking/mixing consoles at that price range.
Even the API's have gone up into the $200K range. |
Vintage King has a 48ch API Legacy listed at $135K. Even has automation! API Legacy 48 Channel |
| |
16th August 2007
|
#19 | | Lives for gear
Joined: May 2005 Location: Providence, RI
Posts: 3,047
|
Behringer Eurodesk... |
| |
16th August 2007
|
#20 | | Lives for gear
Joined: Oct 2005 Location: Athens, GA
Posts: 1,173
|
What about the new Portico console and a sh!tload of his modules stuffed in it?
|
| |
16th August 2007
|
#21 | | Lives for gear
Joined: Jul 2007 Location: Reading, PA
Posts: 702
|
I always liked SSL 4000 G and 9000 J. I've seen 64 channel Gs go for $60-75k on eBay.
|
| |
16th August 2007
|
#22 | | Lives for gear
Joined: Dec 2005
Posts: 1,008
|
Honestly, I would rather just free-lance and go to studios to do the work. Why have the overhead and hassle of upkeep and housing the board and equiptment? I just feel that after all the years and work I have put in I still would rather build a relationship with a studio and go use their stuff.
|
| |
16th August 2007
|
#23 | | Lives for gear
Joined: Sep 2002 Location: Seattle USA
Posts: 2,864
|
I'm waiting to see how the new API 1608 pans out. Hopefully it's not vaporware. Sonic Circus has a couple of API consoles and a Neve 8048 that fall within your budget. I wouldn't turn my nose up at any of those. You could also look into a new Neotek Elite.
|
| |
17th August 2007
|
#24 | | Lives for gear
Joined: Feb 2006
Posts: 597
|  I'll build you a console that will make you shit your pants for $150k.
__________________ Resonant Electronic Design
"If you want to make an apple pie from scratch, you must first create the universe." -Carl Sagan
|
| |
18th August 2007
|
#25 | | Lives for gear
Joined: Nov 2004 Location: Stavenisse
Posts: 1,838
| interesting consoles in the 150 grand range
Neve 88RS
D&R Octagon
SSL AWS 900 (incl. 5.1)
Raindirk
AMEK APC1000 revised (second hand)
API Legend or Vision (vision = incl. 5.1)
Good acoustics room design & a less expensive console is preferrable above largest console & no representation whatsoever.
|
| |
18th August 2007
|
#26 | | Gear Guru
Joined: Nov 2005 Location: S.Carolina
Posts: 12,242
|
If i were you i would use a desk for mixing and "some" eq. Use high end hardware preamps to track, unless you wanting to drop a ton on money on a SSL/Neve console.
|
| |
19th August 2007
|
#27 | | Lives for gear
Joined: Dec 2004 Location: mexico
Posts: 5,050
| Quote:
Originally Posted by CaptCrunch | i was going to mention that one. there was another API for sale for years for about that price also with moving faders. if i remmeber correctly it had more channels but it wasn't a legacy. if you have a little patience 8068s pop up every once in awhile, for even less $.
|
| |
19th August 2007
|
#28 | | Gear nut
Joined: Jul 2007 Location: Sydney
Posts: 113
|
Anything with a strong frame that doesn't bend in the middle when you shag a groupy on it!
__________________
"There are no normal solutions in this game - every situation is completely bloody different!"
Half Normal Studio and Location Solutions www.halfnormal.net.au |
| |
19th August 2007
|
#29 | | Lives for gear
Joined: Jun 2002 Location: Belgium
Posts: 5,846
| Quote:
Originally Posted by Scott 1/2 Normal Anything with a strong frame that doesn't bend in the middle when you shag a groupy on it! | I guess you could add, a large flat area for chopping coke AND a phase meter so the band can ask "Dude, what's that for??"
|
| |
20th August 2007
|
#30 | | Harmless Wacko
Joined: Dec 2002 Location: A prison cell with soffit mounts
Posts: 1,734
| Quote:
Originally Posted by Wes Kuhnley  I'll build you a console that will make you shit your pants for $150k. | In terror?
LMFBO.
Best regards, Wes.
Just busting your stones.
I'm sure you could.
SM.
__________________
“No plan survives contact with the enemy”
:Erwin Rommel
|
| | | |