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| | #1 |
| Lives for gear Joined: Apr 2006 Location: ITB now unfortunately!
Posts: 1,725
Thread Starter | Suggestions for a good compressor to help a real bass sit in the mix?
I'm getting quite good result from the SSL superanalogue comps at the moment but just wondering what everyone else is using. I'm looking at alternative comps that will keep the bass upfront, punchy and constant in a busy mix (just assume its been played well for now!) Cheers Steve |
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| | #2 |
| Gear maniac Joined: Jan 2007 Location: Italy
Posts: 157
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Dbx 160x! try the limit section!
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| | #3 |
| Gear addict Joined: Jul 2006 Location: Oromocto
Posts: 334
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1176 and LA4. Waves RComp for plugins. |
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| | #4 |
| Gear maniac Joined: Sep 2006 Location: Melbourne, Australia
Posts: 228
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Cranesong STC-8... magic on bass
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| | #5 |
| Lives for gear Joined: May 2005 Location: France
Posts: 538
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+1 on STC-8. |
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| | #6 |
| Lives for gear Joined: Jul 2004 Location: Charlotte
Posts: 1,034
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I just got a Purple MC77 and must say I love it on bass. It smooths it out and adds attitude. |
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| | #7 |
| Lives for gear Joined: Oct 2005
Posts: 3,145
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+1 STC8 thumbsup
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| | #8 |
| Lives for gear Joined: Apr 2006 Location: ITB now unfortunately!
Posts: 1,725
Thread Starter | |
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| | #9 |
| Gear maniac Joined: Jan 2007
Posts: 217
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you might also want to consider a multi-band compressor (such as the Waves C4, in the plugin world) which could help you address certain frequencies of the bass that might be boomy/ringing or what not...
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| | #10 | |
| Lives for gear Joined: Apr 2006 Location: ITB now unfortunately!
Posts: 1,725
Thread Starter | Quote:
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| | #11 |
| Gear nut Joined: Apr 2007
Posts: 136
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1176 black face F series for me. Almost anything running through it seats in the mix here. |
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| | #12 |
| Lives for gear Joined: Apr 2006 Location: ITB now unfortunately!
Posts: 1,725
Thread Starter | |
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| | #13 |
| Gear maniac Joined: Mar 2007
Posts: 262
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All my old toys do that very well. Atomic Squeeze Box, Manley ELOP, API 525, Chandler LTD-2. AND my new favorite, the Germanium Compressor.
__________________ Arys Chien Deep White Studio |
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| | #14 |
| Lives for gear Joined: May 2007 Location: Sydney
Posts: 519
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DBX 160x i love it great controls too nice and easy |
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| | #15 |
| Lives for gear Joined: Apr 2006 Location: ITB now unfortunately!
Posts: 1,725
Thread Starter | |
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| | #16 |
| Gear maniac Joined: Mar 2007
Posts: 262
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| | #17 |
| Lives for gear Joined: Apr 2006 Location: ITB now unfortunately!
Posts: 1,725
Thread Starter | |
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| | #18 |
| Gear maniac Joined: Mar 2007
Posts: 262
| Not as good as those other toys that I mentioned, but good enough for some songs. 1 out of 5 times I even like it better than anything else, and that's why I mentioned it in my first post. You said "upfront, punchy and constant in a busy mix", and from my experience that 525 is able to do that sometimes. In my ears the 525 prefers a crunchy bass that has a lot of bites. The 525 allows more high frequency content to pass through, and that's what I love to hear from a crunchy bass that has a lot of bites. The Atomic Squeeze Box is the best at producing a beautiful bass sound, very euphonic. The Manley ELOP is less "sur-real" but still beautiful enough. The LTD-2 is the most neutral of all; you get to enhance all the details while still keeping the sound intact, and use your favorite eq to add the color you want, if that "clean and creamy" character of the LTD-2 is not enough for you. The Germanium Compressor is like nothing I've heard. It's hard to explain here in one post; I'd just say that it's like 10 FET compressors in one hardware unit, while all of the 10 work great and deliver different characters. |
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| | #19 |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 5,450
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On the cheap - Summit TLA50. Can be had for $400 ish secondhand Higher end- I LOVE the combination of the Focusrite Red 3 and the Summit DCL200. Great on the 2bus also.
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams |
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| | #20 |
| Gear maniac Joined: Apr 2007 Location: San Francisco
Posts: 220
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1176 for bass.
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| | #21 |
| Gear Guru Joined: Jun 2002 Location: New York City
Posts: 14,177
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Compressor/EQ on the bass track, a comp/EQ on the mult and both multed over to a drum/bass sub comp/EQ group. Also the EQ you choose to articultate the notes is important. Sometimes this and some automation is all you need. |
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| | #22 |
| Gear maniac Joined: Jan 2007 Location: USA
Posts: 182
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CL-1A for a less aggresive approach. 1176 otherwise. that's my comfort zone
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| | #23 |
| Lives for gear Joined: Oct 2003 Location: Orange County California
Posts: 1,700
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I didn't know it was even possible to compress bass with anything other than an 1176! JK DBX 160,160X,160XT,165,LA2A,LA3A,BA6A etc. the list could go on forever, but I ussually opt for the 1176.
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| | #24 |
| Lives for gear Joined: Apr 2006 Location: ITB now unfortunately!
Posts: 1,725
Thread Starter |
Yep its looking like an 1176. I wanted one for tracking vocals anyway.
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| | #25 |
| Lives for gear Joined: Jul 2003 Location: Czech republic
Posts: 1,086
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I got old MAP 3320 compressor in API 500 format and this is the most magic thing on the bases what I've heard..GREAT!
__________________ www.soundevice-studio.cz |
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| | #26 |
| Lives for gear Joined: Jan 2005 Location: Sydney, Australia
Posts: 1,525
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I know I'm gonna sound like a broken record on this but I'd check out a Buzz Soc 1.1 also, they are outstanding on bass and vox, Buzz essence is great on bass too.
__________________ If you don't like it don't do it, its like banging your head into a brick wall, you always feel better once you stop. http://au.myspace.com/mandalatheband http://www.myspace.com/lizard42c http://www.myspace.com/eggshellrecords http://www.underworldmusicproductions.com http://www.myspace.com/poetlaureatte http://www.myspace.com/thanorthernlightscrew http://www.myspace.com/originaldrzeus |
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| | #27 |
| Lives for gear Joined: Jan 2003 Location: San Jose, CA
Posts: 5,582
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Another vote for the dbx 160X. I'm going to have to try the suggestion to use it in limit mode. Brad
__________________ plotagainstrachel.bandcamp.com Little Red Wagon Studios How to integrate your analog tape deck with your DAW: http://youtu.be/bswx5zrFRl0 http://youtu.be/W-II32AvVd8 |
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| | #28 |
| Gear addict Joined: Feb 2006
Posts: 426
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ADR Vocal Stressor.
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| | #29 |
| Lives for gear Joined: Aug 2004 Location: Upstate NY
Posts: 1,605
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I've had the most luck with an Inovonics 201, lately. It's a peak limiter with an "average" compressor. Kind of like a Urei BL-40, but I did not have luck with the Urei on bass. While we owned one, the Chandler LTD2 was really sweet, though.
__________________ Seamus Upstate New York |
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| | #30 |
| Gear Guru Joined: Nov 2005 Location: S.Carolina
Posts: 11,472
| good luck...
__________________ Don't Fu*k with my Tone !!!. I need a spell check app ![]() Harrison~ API~ Dan Alexander~ Fuchs~ John Hardy~ JLM~ Urei/UA Fuchs Amps = Amazing Tone !! |
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