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| | #1 |
| Lives for gear | Germanium 500 series in da house!!
So... I guess if you buy enough gear... there are some perks.... HA HA! I got the germanium 500 series pre to check out for few days before I have to give it back to Dave from Vintage King. Here's a couple of pics (oh yeah... 2nd one is my new coveted MW-1 guitar tool!!): (click on the pic to see full size) [IMG]******//www.clubcubasenashville.com/FILES/rack_t.jpg[/IMG] [IMG]******//www.clubcubasenashville.com/FILES/mw1_t.jpg[/IMG] Anyway... I would say this germanium sounds almost identical to it's rack mount counterparts. When I switched back and forth on the patchbay I noticed only that the 500 unit seemed an infentismal bit darker and tighter... but I chalk that up to cable, or the point on the patchbay (I had to switch about 10 times just to be sure it wasn't mental... and then I still wasn't sure). In all the different settings I tried the 500 series sounded virtually identical to the rack unit. On guitar it just rules!!! I only wish we could get the TG-2 pre's in this format. I would fill out my rack with those pretty quick since the TG-2 is the next "must have" pre on my list. The germaniums are amazingly lovely though... and I could do a whole record with them for sure (500 series, or Rack!!). Great work Wade!!!
__________________ Steve Lamm Cryptic Globe Recording CGR Studios - Engineering, Mixing, and Production Cryptic Globe Recording - Custom PC DAW Systems! Ask me about my Custom Mac!! |
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| | #2 |
| Gear nut Joined: May 2007 Location: Stockholm, Sweden
Posts: 135
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WOW! When will they be out on the market, or are they allready there? Do you know any price? They look extremely sexy!
__________________ /Lady in red. |
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| | #3 |
| Gear maniac |
Mmmmm. I'm a bit envious of your seventh circle kits. I'd put a few together myself if I felt capable. Anyway, badass. |
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| | #4 |
| Gear Head |
looks good, so when they come out i got no excuse to not fill up my lunchbox not to hijack the thread, but looking at the pic and seeing the valleypeople dynamite cramped in your rack, don´t you have any problems with hum or did you put a xformer on the I/O? i can only use my dynamite when i put it a little off the side from my rack... anyway, have fun checking out more gear... cheers jan |
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| | #5 |
| Lives for gear |
Ooooooooh wee! That's very exciting news for me! I love my Germ pair, and I was considering selling them off to start filling up a 500 rack with them instead. Any opinions on this? I wonder how many other people are considering selling off the independent units to switch to 500's...
__________________ Matthew Sawicki www.suburbanprostudios.com follow me on twitter! twitter.com/matthewsawicki |
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| | #6 |
| Lives for gear Joined: Mar 2007 Location: London
Posts: 506
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the germ looks so cute!
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| | #7 |
| Lives for gear Joined: Dec 2004 Location: In a house
Posts: 1,378
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What are your thoughts on the rackmount one vs the 500? Thanks CT |
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| | #8 |
| Lives for gear |
I am not sure when they will be on the market. There is another thread about them here: ******//www.gearslutz.com/board/new-p...m-500-pic.html Wade made a few comments there, I just don't remember what they were. My thoughts on the difference between the rack and the 500 are on the original post... almost no discrenable difference. About the Valley's.... no noise or hum..... but the top one needs some work. On most days... all the leds light up and it won't pass signal. On a few rare days... it works perfectly! Just haven't had a chance to pull it and send it to my tech. I honestly never even looked to see if they were balanced or not.... but wired em up balanced, and based on signal.... they appear to be.
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| | #9 | |
| Gear nut Joined: May 2007 Location: Stockholm, Sweden
Posts: 135
| Quote:
I don´t mean to be rude, but I think he answered that question kind of well in his post... EDIT: Sorry, crypticglobe was faster answering that than me... | |
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| | #10 |
| MonsterIsland.com Joined: Sep 2005 Location: New York City
Posts: 4,233
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What is that Furman box? Is that some kind of guitar distribution system?
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| | #11 | |
| Lives for gear | Quote:
The base unit is what you interface with, and the then you have the remote units for the talent. The only thing I don't like about it is that it interfaces with these big centronics connectors, and it makes running cable a real PITA. But... it's worth it. All analog... sounds great, and always works! The remote units are DA BOMB! There is an internal talkback system that let's the talent talk to each other. You can even use footswitches to activate the switch. There is an out on the main box that lets you run their talkback into the console. Each remote box even has it's own effects loop and you can put a little cheap verb or something on them so the talent can dial in their own verb. Love it!! ![]() Anyway, back to Chandler.... I was at blackbird today... they bought 10 Tone Benders, and 10 Zener Limiters..... oh man.... i love that place. | |
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| | #12 |
| Lives for gear Joined: Mar 2006 Location: Houston, TX
Posts: 1,956
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| | #13 | |
| Lives for gear | Quote:
Just e-mail him rob AT robwolford DOT com He used to be here in Nashville, but he's in Branson now. | |
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| | #14 |
| Lives for gear Joined: Dec 2004 Location: In a house
Posts: 1,378
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| | #15 |
| Gear nut Joined: May 2007 Location: Stockholm, Sweden
Posts: 135
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| | #16 |
| Lives for gear Joined: Mar 2007 Location: London
Posts: 506
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where is the south-park-lookin bloke who is always hanging around 500 threads with a bulge in his trousers? thought he would have shown up by now......don't tell me he's actually working?!
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| | #17 |
| Lives for gear | |
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| | #18 |
| Gear maniac Joined: Jun 2005 Location: Iowa
Posts: 286
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That Germ looks sweet! Great gear too. Btw....how do you like that API 5500?? Thinking about one of those.
__________________ Measure it with a micrometer. Mark it with a grease pencil. Cut it with an ax. |
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| | #19 | |
| Lives for gear | Quote:
LOVE IT!!!! API 550's are one of my favorite EQ's of all time, and the 5500 does not disappoint. It gave me everything I expected (sounds just like a 550B), but the "range" feature that allows you to change (globally) the cut/boost steps from the old standard (2db) to either 1gb, or .5DB is DA BOMB!!! Really fantastic for mastering.... and just for tracking... since you often don't need a full 2DB. | |
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| | #20 |
| Lives for gear Joined: Apr 2006 Location: ITB now unfortunately!
Posts: 1,725
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| | #21 |
| Lives for gear Joined: Aug 2004 Location: Escaped from Slipperhell
Posts: 1,697
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| | #22 | |
| Gear nut Joined: Aug 2007 Location: Hawaii, USA
Posts: 132
| Quote:
Thanks, Scott | |
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| | #23 | |
| Lives for gear | Quote:
So... I would no qualms using these instead of hte rack units. I was very, very happy with it. So... how about an API 1608 with a bunch of these babies as your pre's? Old Neve meets old API! A match made in heaven?!?!? | |
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| | #24 |
| Lives for gear Joined: Aug 2005 Location: Racine, WI
Posts: 1,210
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Since this thread has taken so many turns... Steve, Just wondering why? / What are your thoughts and reasons for both Auroras and the UA converter? Do you use them differently for different sources or mixing? I tried both extensivly and found the Lynx to be the some of the most transparent "I am not here" converters in their price range, while the UA had a more forward, tight dare I say analogish sound (much more close, but to my ears still better than Apogees). Nice set up by the way. XJ
__________________ "...learning it is far different from getting a good sound out of it" Mike Caffrey "The gear doesn't really care what kind of music you pump through it, be it rap or classical " thethrillfactor "Maybe it doesn't sound much like the original, but given that only 0.00000000000000137% of the population would know and only 0.00000041% of those would care, I'm not too worried about it." Dean Roddey |
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| | #25 | |
| Lives for gear | Quote:
Hey there. Why??? Money. ![]() I really do love the Auroras as well. That's why I have 3 of them. They are definitely fantastic. However, the 2192 is my favorite converters of all time. I love them for what I do (mostly rock). There is just nothing better in my experience. So... I would love to have 25, 2192's... but that is WAY more change than I have. Here is what I currently do: The first 2 Aurora 16's provide 32 i/o to the console. That more than handles all my tracking needs (thus far, but the console is 40 channels, so I could use the third one for that as well). The 3rd Aurora get's pressed into action for mixing mostly. It allows me to have 16 i/o that I use to interface my hardware (in the rack) in my Nuendo mixes (like the ultimate plug-in). So... I often (for speed) mix to stems on the console (I just set the faders to unity). I create the fully latency compensated "hardware plug-in's" in Nuendo and insert them on the tracks I need them on. The extra i/o allows me to do this. When I am doing a big production and have the time/budget, I have a second computer that runs at very, very low latency and allows me to turn verb and delay plugs (UA, Waves, PSP, etc) at under 1ms latency. At this point I interface the 3rd Aurora to that computer and I have the ultimate multi-effects processor! I have up to 16 inputs/outputs that I can send (running Nuendo, or reaper, or whatever) to the effects loaded in that host. It works great, sounds amazing (Digital reverbs and delays are the same as a plug-in, with converters... and these converters are better than what's in most digital processors), and everything (settings) can be saved right to the project folder on the main DAW because everything is networked. I can even syncronize the 2 computers and automate the effects in the "effect" machine. I have a monitor switcher that allows me to switch the main studio monitors between the 2 production computers with hot key commands on the keyboard. So.. the 2192 is wired to a digital patch bay (as are 8 channels coming off one of the AES sound cards in the computer). I can patch it in, so that I can use it for tracking overdubs... or even in the main tracking process. It mostly get's used for mixdowns though. The 2192 goes into the SPDIF of the FF-400. That is attached to a 3rd computer (that is completely silent by the way), and it runs Wavelab. It's my "mixdown deck". So I mix to, and monitor back off the 2192. The mixes also go directly to the project folder of the main DAW over the network. This keeps everything in one place, and makes backup super easy. ![]() Hope that helps. ![]() I build all the computers, and designed the network etc. That's part of what I do for the other business I own (Cryptic Globe Recording). I build high end DAW's (for Michael Wagener, Sawyer Brown, etc...), and also design and implement the studio network for storage, backup, redundancy, etc. ![]() So... I am a tech geek to the nth.... lol!! Between my wife and 2 small kids, tech stuff and the production and engineering I stay super busy... | |
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| | #26 |
| Lives for gear Joined: Aug 2005 Location: Racine, WI
Posts: 1,210
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Wow thanks for the detailed post! XJ |
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| | #27 | |
| Gear nut Joined: Aug 2007 Location: Hawaii, USA
Posts: 132
| Quote:
BTW, I second XJ's kudos on your reply to him. Had to read it a couple times. Unfortunately, it's got me adding to my lust list! Cheers, Scott | |
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| | #28 |
| Lives for gear |
interesting post steve!
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| | #29 |
| Lives for gear Joined: Nov 2004 Location: Maryland
Posts: 1,389
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I'm trying hard to resist. The only thing holding me back is the upcoming germ channel. Since there's no germ lovin smilee, this will have to do. |
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| | #30 |
| Gear nut Joined: Nov 2002
Posts: 86
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When is the lil' Germ coming out? I have two spaces to fill and money burning a small hole in me pocket. haha
__________________ Don't be a puppet on strings! |
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