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| | #1 |
| Lives for gear Joined: Jan 2007 Location: Middlebury CT
Posts: 824
Thread Starter | Is it me or is the c800g well overpriced??
Don't get me wrong it's a great mic, but after using it for awile, it seems to me that the quality of the mic is nowhere near the price of it. I think for the quality it should be near $2500-$3000 not over $6000-$7000.. Anyone agree with mee?? |
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| | #2 |
| Lives for gear |
to me the c800 is a hot product, but you are right and i go one step further: to me the best mics, and the c800 g belongs to them shouldn't be prived over 3000 or 4000 bucks! the market is full of hot mics that cost less. so a price of more than 4k is totally unrealistic |
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| | #3 |
| Lives for gear Joined: Jul 2002 Location: MIAMI FLA
Posts: 1,685
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i dont think a Lamborghini is worth $$400,000...so i didnt buy one My customers think the mic is well worth it...some consider it the best purchase they have ever made...cause it brings them business. did you buy it because.. a. someone told you to ? b. everyone else was ? c. you actually listened to it & liked it ? d. you just wanted to be kool ? you have no legit frame of reference...from your other posts...it seems as what you need is knowledge...something even an excess of cash cant buy
__________________ harrisaudiosystems.com |
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| | #4 |
| Lives for gear Joined: Apr 2007
Posts: 660
| No reason to feel stupid, that's definitely a very nice microphone. A lot of prime cuts have been made using that mic for a reason, and it isn't the cooling technology. Keep it. The more you use it, the more value you will get out of it. All the best! |
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| | #5 |
| Lives for gear Joined: Jan 2004 Location: Nashville, TN
Posts: 938
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its a great mic.... I'm sure youll love it in time. Ive used mine for a few years and it has nevr let me down... very clear and present. Regularly beats a lot of other mics in shootouts. -s0nguy |
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| | #6 |
| Gear Guru Joined: Jun 2005 Location: Miami FL
Posts: 10,065
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the cooling technology really is only a hunk of metal...no big new technology there. the price is probably in that huge power supply, twice as big as any other mic. and maybe its just ours, but the c800g breaks ALL THE TIME. bad tubes, bad power supply, all that BS. |
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| | #7 |
| Gear addict Joined: Sep 2006 Location: SF Bay Area
Posts: 432
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Probably the cost of the mic is in the amount of specialized labor that goes into making it. There also may be a low yield of capsules that are good enough to go into this mic, which drives up the cost as well. Regards, John |
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| | #8 |
| Lives for gear Joined: Apr 2007 Location: Santa Cruz
Posts: 2,402
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Of all the mics in that price range, it's almost always the last choice. And rarely does it ever win a shoot out. That doesn't mean it's a bad mic. But what the post means is that for that kind of money it doesn't often hold up with the other mics in that price range. More often than not a U87 (a good one) will beat out a C800g. So it can be hard to justify the cost of the Sony mic at times. And comparing it to a Lamborghini? It a good mic, but that's not a very fair comparison. To consider in the range of cars that the Sony C-800g is a Lamborghini? What does that make the ELAM 251? The space shuttle? |
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| | #9 |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
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The short answer is no, it's not overpriced. The mic just works and when something works that well, straight out of the box, on so many different styles of music... sometimes you can't put a price on that.
__________________ Hybrid mixing is the present for some and the future for us all! http://petesplaceaudio.com/ Mark VIII/BAC-500/Electrodyne 501 Mic Pre/511 EQ/Blast Pad |
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| | #10 |
| Gear nut Joined: Feb 2006 Location: Twin Cities, MN
Posts: 126
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Its a great mic, but I think it is overpriced. For that kind of money I would rather have a U67.
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| | #11 |
| Lives for gear |
Once you recorded with a 251 67 47 and a good C12, you'd appreciate how wonderful this mic is, when it works, I find it amazing. Which pre are you using BTW ..?
__________________ "Tolerance becomes a crime when applied to evil" ... - Thomas Mann |
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| | #12 |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
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Wow, that could be part of the problem. The Martech is a fantastic pre, but absolutely no character at all. If you use a pre with more individual character, I think you might actually like the mic a lot more. Try it with a 1073, the Pacifica, the Tonelux or the API. All of those pres have a unique richness they bring to the mic. My favorite chain is the Sony C800 to Neve 1073 to Tube Tech CL1B. |
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| | #13 |
| Lives for gear Joined: Jan 2005 Location: Alaska
Posts: 1,385
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Has anybody tried the Korby KAT800?
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| | #14 |
| Lives for gear Joined: Jun 2003 Location: On the Move
Posts: 619
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Great Singer->C800G ->LTD-1 or 1073->CL1B->Lavry Blue AD. Astonishing! |
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| | #15 |
| Lives for gear Joined: Mar 2006 Location: Houston, TX
Posts: 1,956
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| | #16 | |
| Lives for gear | Quote:
When it comes to quality issues and number of handmade things on the car I would say the Lamborghini is overrated and a Porsche offers much more for your bucks. And it is cheaper! So which mic is that one? I will kick anyones ass if she or he say Behringer! ![]() And please remember that Sony has to feed a lot more hungry mouths than Neumann, Brauner, Peluso... | |
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| | #17 |
| Lives for gear Joined: Apr 2007
Posts: 660
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No car is better than a Lamborghini, regardless of price. I guarantee a Lambo will get you 100x more skirt than a Bentley or a Porsche, unless you're chasing tennis wives! The only other car that comes close is a Bugatti, but not even that has the panty elastic-stretching capabilities of a Lambo Murcielago. |
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| | #18 | |
| Lives for gear | Quote:
As far as the Sony goes, WHAT IS IT WORTH TO YOU? I'd probably pay $1,000 for an SM57 if that's what they were asking because on guitar cabs it give me the EXACT tone I desire. The U87 on the other hand is pretty much worth what I paid for it (1700) which doesn't stop others from spending 3K. | |
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| | #19 |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
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I have driven a few Lamborghini's and owned a 308 Ferrari and 911 Porsche in the 80's. The Lamborghini is the most impractical car I ever driven. It may be because I am 6' 1" 250 lbs., but that car (no pun intended) drives me crazy! |
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| | #20 |
| Lives for gear Joined: Apr 2007
Posts: 660
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I don't view cars the way I view music production. They couldn't be more opposite. Cars are trivial to me: "Point A to Point B, Don't Forget To Look At Me!" but they are a fun way to mess around. Lambos aren't made for driving. They're made for showing up in. Driving, you say? That's what McLaren F1's are for, baby! Apart from that, I'm 5' 1" and 100 lbs. |
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| | #21 |
| Lives for gear | |
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| | #22 | |
| Lives for gear Joined: Oct 2006 Location: Los Angeles, CA.
Posts: 3,728
| Quote:
It was the Magnum P.I. era and I was straight outta college driving those cars. But after my first tune-up, ($3,500), I bought my 911... | |
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| | #23 |
| Lives for gear Joined: Mar 2003 Location: NYC, NY
Posts: 629
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The C800g is an odd mic. It's the absolute wrong mic on most singers I put it up on. However, on some singers it's just pure magic and nothing can touch it. I've had the most success with it on breathy female vocalists. It's also pretty great on acoustic guitars, although I prefer an SDC for that these days.
__________________ - Jan Folkson www.janfolkson.com If you can't make it good, the least you can do is make it perfect. |
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| | #24 |
| Lives for gear | |
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