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| | #121 | |
| Lives for gear Joined: Nov 2003 Location: Oregon
Posts: 1,778
| Quote:
That would be doable, using the DAW. But we really shouldn't be complaining. Nothing comes close in features (desktop faders, analog panning, direct outs, etc.) except possibly the tonelux, and the price difference there is major. So, I look on the + side. | |
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| | #122 |
| Gear maniac Joined: Mar 2008 Location: San Francisco, CA
Posts: 219
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Agreed... Fader automation would be key. I am on the fence with a few of these but none of them really address everything I need. It seems as though the new breed of summing mixers are incorporating all these components (pan, inserts, aux, fader automation, tasty output tx flavor option on 2 bus). I know this sounds just like a damn console but I ain't got the space. I guess it is just a waiting game. A custom Tonelux system is exactly what I want/need/drool but the pesky price tag keeps it just out of reach.
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| | #123 | ||||
| Lives for gear Joined: Nov 2003 Location: Oregon
Posts: 1,778
| Quote:
Nothing will have everything you want, except a large format top quality console. Quote:
Quote:
It just doesn't make sense for a home studio. And if you don't pick the one that you can live with long term..... ![]() Just remember, you can wait forever on the promise of the next version.............just like computers. Quote:
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| | #124 |
| Gear maniac Joined: Mar 2008 Location: San Francisco, CA
Posts: 219
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It appears to be starting with the SSL Matrix (sans the tasty output tx ) I have a feeling there will be other companies following suit (and hopefully a ton cheaper). I am not really waiting for the newer/better/different version of anything. Just one that fits my immediate needs. The Speck Xtramix pretty much does it but no inserts. I was really interested in the Mixdream but no adjustable panning. The Tonelux really is the way I want to go. All stars point to Tonelux. |
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| | #125 | |
| Lives for gear Joined: Nov 2003 Location: Oregon
Posts: 1,778
| Quote:
The 8816/8804 setup is my 3rd summing/mixer. They are all different. | |
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| | #126 | |
| Gear addict Joined: Oct 2005 Location: Wagga Wagga, NSW, Australia
Posts: 493
| Quote:
I have in the past listend to various wave files posted here and other places comparing ITB and Summing mix's and never been impressed with the outboard summing. BUT I did recently build a passive mixer in the vain of the Fulcrum and did a mix the other day running it into a dual Manley Pre. I only built it originaly because I was using outboard compressors which made 1 less digital conversion by summing while still in the analog domain. OMFG .... Words cannot describe how happy I am with this. I am assuming it's in the way you use it. I am so happy that I guess I WILL still be laughing in 20 years time. | |
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| | #127 | |
| Lives for gear Joined: Mar 2003 Location: Seoul, Korea
Posts: 546
| Quote:
In what ways? How many outputs? thx | |
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| | #128 | |
| Gear maniac Joined: Mar 2008 Location: San Francisco, CA
Posts: 219
| Quote:
No aux sends and no inserts on each line... only insert on the master and some weird "IMR" parallel processing blend feature designed for DJs. I did play around with one and thought it sounded great but I really need those features. I want to effective use my outboard gear without a crazy patchfest which can drive me bonkers when I am not in the right state of mind. | |
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| | #129 | |
| Lives for gear Joined: Nov 2003 Location: Oregon
Posts: 1,778
| Quote:
My patchbays work just fine for me. I have lots of outboard gear, so I need patchbays for routing, regardless of the console/mixer/summer I use. I simply have converters and Ins/Outs for all my gear on the patchbays, for routing tracks prior to going to the 8816's. Then, I use the Direct Outs (i.e., sends) from the 8804's to go to reverbs/delays/effects. And I have three 8816's, so I have 48 inputs. That is adequate for what I do. As I said earlier, the shortcomings of my setup versus (certain) consoles are: (1) No automation on individual tracks AFTER outboard processing (2) No built-in way to merge tracks/subs, and then further process. Enough of a problem to force me to buy (and maintain and cool) a high end console? No. With your list of must-haves, you need a top quality console. I'd suggest you consult with thethrillfactor. I've found him to be a super resource regarding consoles, mixers, etc. Many choices, just a matter of prioritizing needs.................and $$. | |
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| | #130 | |
| Gear maniac Joined: Mar 2008 Location: San Francisco, CA
Posts: 219
| Quote:
Ken mentioned the lack of panning and using the API into the cascade input into the Mixdream. Couldn't someone simply bus their panned tracks to stereo stems in the DAW and send that to Mixdream's stereo inputs? I see the problem with off centered but not hard panned individual tracks requiring inserted external processing. I guess that could be handled with an extra set of DA/AD to get it back into the DAW before apply the pan and sending it back to the MixDream in a stereo stem of some sort. I have heard the Mixdream, like it, but want to be sure I can make it work before going down that road. I really want a small Tonelux rig but I just can't justify the price required for a simple signal routing configuration. | |
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| | #131 |
| Gear Head Joined: Mar 2005 Location: sanford FL
Posts: 73
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Maybe im crazy... but i had a mixdream here at the studio for about 4 months about two years ago... I thought it was the BIGGEST waste of money in history. Id have more fun lighting $3500 bucks on fire and then pissing on it to put it out. I heard no difference in depth or width between that and the HD summing and i thought the stereo widener effect was a joke. I also personally dont feel like it felt to well built either, but hey, to each his own. I just cant justify why anyone would want to buy this box. Now the chandler mini rack mixer... i cant even describe how incredibly different and to my ears how much better this box sounds than the SPL. Huge bottom end, sweet highs more present and aggressive midrange and an overall glue that just makes everything great. Im eager to hear the shadow hills and neve, im sure they are both great. As you can see, im not into clean summing at all, i def prefer colored boxes. |
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| | #132 | |
| Lives for gear Joined: Nov 2003 Location: Oregon
Posts: 1,778
| Quote:
Too much color for me...............but if you love really heavy coloration, this is the box. | |
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| | #133 | |
| Lives for gear Joined: Aug 2007
Posts: 1,613
| Quote:
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| | #134 |
| Gear maniac | Equinox
another thumbsup for the Equinox. I wont go through all of its features in detail as you can find it elsewhere here on GS. But if you can live without separate volume and panning for each channel, just consider what you are getting: 2 top of the line preamps with three different sound options 32 channel summing with three different sound options a great master section with; 4 stereo speaker outputs, talkback, 2 Tr in etc and most importantly, a great sound with huge headroom if you are into getting a summing box you should at least give this baby a chance. I don´t think you will be disappointed. |
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| | #135 | |
| Lives for gear Joined: Jan 2007 Location: Oxnard
Posts: 1,032
| Quote:
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| | #136 |
| Lives for gear Joined: Mar 2003 Location: Minneapolis and Wiesbaden
Posts: 1,452
| Now I'm starting to wonder. Should companies start putting inserts after their line inputs just to satisfy those users who fail to grasp how utterly unnecessary and silly that is? This is exactly the same as walking up to the last person in line and asking if you can cut behind them.
__________________ Justin Ulysses Morse Roll Music Systems Minneapolis, MN Put a bottle of juice in your Lunchbox. |
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| | #137 | |
| Lives for gear Joined: Jan 2006 Location: London
Posts: 1,434
| Quote:
For me, an ideal channel strip would have dual inputs (for mic and line inputs) and dual outputs (for monitor and record). You would have an insert point where you can choose which input goes to the insert and outputs. I would like to see something like this as an independent unit then it could be in conjunction with any of the summing units that are already available. | |
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| | #138 | |
| Gear addict Joined: Apr 2006 Location: Holland? What's Poland?
Posts: 421
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I use Neve 8816 here and it doesn't have a button called "mix doctor", "Bob Clearmountain mix ", "Trevor Horn mix" nor "mix improvement circuit". And trust me, I searched the whole faceplate and manual looking for at least one of these buttons ![]() There's nothing like a good, carefully drawn mix before you feed it to a summing box. Summing box doesn't work miracles. It's just as if you took hundred small fragments of china, formed them into something resembling a mug and poured some glue on it. It won't become a Trevor Horn's mug ![]() In fact I really doubt that spending so much money on a summing box is a clever decision. I'd rather spend it for things like TC Powercore 6000 and UAD-2 Quad Nevana. Just for the usefullness sake.
__________________ ****************************** "If 50 million people say a foolish thing, it is still a foolish thing.” Anatol France "Nobody goes there anymore; it's too crowded." Yogi Bear | |
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| | #139 |
| Gear maniac Joined: Mar 2005 Location: I wish I was on Cape Cod
Posts: 253
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API DSM. Love it. Sounds fat and punchy and contemporary. Guido |
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| | #140 | |
| Lives for gear Joined: Jan 2007 Location: Oxnard
Posts: 1,032
| Quote:
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| | #141 |
| Lives for gear |
hhhmmmmm, summing. some good units i think i might like to try: nicerizer 8 ssl x desk sumthang d-box |
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| | #142 |
| Gear nut Joined: Apr 2010
Posts: 83
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If you will allow me to distil the question... can I uses a fulcrom out of my PT9 003 and use my A-Pacifica pres? This sounds like a killer solution.Anyone doing it?
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