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| | #1 |
| Gear nut Joined: Feb 2007
Posts: 116
Thread Starter | Best Hi end Mics for acoustic guitar
Hi, Say I wanted to get a pair of mics that would be used specifically for acoustic guitars. Could you give any recomendations/ prefrences for the following: Earthworks qtc1 AKG 480 Schoeps cm6/cardoid capsule Gefell m295 dpa 4011 |
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| | #2 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
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That's a wide open question and depends on what type of music you're doing. As for me, I generally go in this order if I'm looking to go stereo: Neumann km84-km84 Neumann U87/km84 Gefell 692/M70-692/M70 Gefell 692/M70-M71S AKG C451/CK1-C451/CK1 mono? Any one of those mic's sound great, but again, it depends on what your'e after. They are all classics for ac gtr. Country? 451's. Darker? km84's Or???? |
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| | #3 |
| Gear maniac Joined: Mar 2006
Posts: 236
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This is really kind of a thread duplication but..... DPA 4011- great choice; very high fi Brauner Phantom C (AE)- very crisp.... tons of excellent transient response Telefunken AK47- for that over the top punchy; almost slappy 90's 'Babyface' acoustic guitar sound |
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| | #4 |
| Gear maniac Joined: Feb 2006
Posts: 206
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Yes, I second the u87, and you will also be able to use it on many other sources. I had never tried using them on an acoustic gutar until a couple of weeks ago and was very surprised. I also used it on a classical in the same session with great results. MWP |
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| | #5 |
| Gear nut Joined: Jan 2007
Posts: 84
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lots of folks swear by the Sony C48, mainly for ac. guitar but also for vocals, overheads. No firsthand experience, but I've been on the same search and that's what I've come across. Hoping to try one very soon, will report.
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| | #6 |
| Lives for gear Joined: Aug 2004 Location: Up here
Posts: 6,180
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KM54 is my favorite. I like the CMC6 also but it can be too pristine, too hi-fi, for acoustic. Depends largely on the guitar.
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| | #7 |
| Gear Head |
not necessarily high end, but i would really give the AKG C391B's a listen. They really surprised me when i first used them on an acoustic.
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| | #8 |
| Lives for gear Joined: Mar 2006 Location: Houston, TX
Posts: 1,956
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Peluso 2247LE for body. Peluso cemc6 for air. acoustic heaven |
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| | #9 |
| Lives for gear |
Schoeps give me everything I want. Sounds great going into a Mercury M72. No sterility there.
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| | #10 |
| Lives for gear |
I've been using 451's on acoustics - they sound great...
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| | #11 |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 2,048
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Beyer M160 & an AKG C414 EB with Ck12 capsule
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| | #12 |
| member no 666 Joined: Jun 2002 Location: Durham, NC
Posts: 10,108
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Cut a dobro track with the M-295... I thought it was pretty damn cool sounding... the artist seems to agree [then again, the player was absolutely fantastic]
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light |
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| | #13 |
| Lives for gear Joined: Aug 2004 Location: tx
Posts: 8,802
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km84 is still the king, as far as I go.
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| | #14 |
| Lives for gear Joined: Feb 2003 Location: Western North Carolina
Posts: 3,659
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Schoeps 221B with phase ring is king (and rhymes to boot ). Even better than my KM54, KM84s and 4011s...
__________________ "I know that most men, including those at ease with problems of the greatest complexity, can seldom accept even the simplest and most obvious truth if it be such as would oblige them to admit the falsity of conclusions which they have delighted in explaining to colleagues, which they have proudly taught to others, and which they have woven, thread by thread, into the fabric of their lives." Tolstoy |
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| | #15 |
| Lives for gear Joined: Feb 2004 Location: MO USA
Posts: 2,153
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There sure a lot of good choices. I think with acoustic stringed instruments, it is similar to singing voices -- just have to match the instrument with the right mic(s) (and the room, song, preamp, whatever...). Of the Gefells, Neumanns, Schoeps, Audio-Technica, Peluso, AEA, Brauner, etc. I've used for guitar, the Sony C48s that were mentioned are one choice I almost always liked, for a nice dry and "earthy" balanced tone. But the most emotional and *musical* mic I have ever used on acoustic strings is the Sanken CU-44X. It's a dual diaphragm design, and requires a dedicated power supply. Not cheap. But a truly remarkable mic, I'm saving up. Steve |
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| | #16 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
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KM84 Oktava MK012 AEA R84 Earthworks TC series All of those float my boat pretty hardcore for totally different reasons, and could cover any style you threw their way by having them around. War |
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| | #17 |
| Gear addict Joined: May 2006
Posts: 319
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What would be the best miking choice if you wanna record "spanish guitar" type of thing?
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| | #18 | |
| Gear addict Joined: Dec 2008 Location: Northern Sky
Posts: 312
| never to late for ac gtr Quote:
Articulation, clarity, depth is there and gets even cheaper guitars sound better. Hope it helps! | |
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| | #19 |
| Lives for gear Joined: Feb 2010 Location: Dallas, TX
Posts: 1,174
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Can't believe no one has mentioned using a pair of Gefell M300s - so tasty! Check this ORTF test I did last week with them: http://soundcloud.com/scott-whigham/ariel-scratch-20110207 I probably don't need to say it but this sounds sooooo much better when you download the WAV file rather than using the SoundCloud player
__________________ Dallas/Fort Worth area musician forum: http://musicdfw.com http://www.scottwhigham.com |
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| | #20 |
| Lives for gear Joined: Dec 2005
Posts: 2,462
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try u67 or km54 for a classic tone. i never liked km84s on acoustic. i dont understand how this came up. because they look similar to km54s? i had and still have a pair that i once bought just for guitar...and i never felt good about the tone for this instrument. but im into oldschool 60s sound so you might take it with a grain of salt. still, i always felt like there were way too much transients picked up for my taste. it just sounds a little harsh to me on acoustic. i still enjoy my km84s. but thats on snare. |
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| | #21 |
| Lives for gear Joined: Jan 2006 Location: Black Gnat, Kentucky
Posts: 1,440
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Royer 122v
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| | #22 |
| Gear maniac Joined: Oct 2009 Location: New York, NY
Posts: 173
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My friends and i have been REALLY digging the Mojave MA100 on acoustic. sounds real badass! kp |
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| | #23 |
| Lives for gear Joined: Feb 2010
Posts: 4,188
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I might use anything. The last combo that I really dug was a C-28 with a KM-84. But I've also used LDCs, ribbons, and dynamics on the body. If I had the small Schoeps, I'd like to try them. (I used a pair on solo piano and it was great. but the player was world-class.) I like various DPAs, too. But I don't own them. I started out using 451s. (shrug...)
__________________ "We have a situation where somebody has learned that 'tape' sounds good. Tape doesn't sound good. Tape sounds like crap. But sometimes good stuff gets put on tape." "Putting crap to tape...sounds like crap." Show business: we're all here because we're not all there. Resistance is not futile. It is voltage divided by current. "I do not think that the wireless waves I have discovered will have any practical application,..." Heinrich Rudolf Hertz |
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| | #24 | |
| Lives for gear Joined: Sep 2004 Location: Philadelphia
Posts: 2,714
| Quote:
Got good results from various Earthworks, AKG and Neumann models, but the M300 is the king. JSL
__________________ Take the pledge: "I have actually used all the gear discussed above." Here's another good pledge: "I have actually used my brain." | |
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| | #25 |
| Lives for gear |
I think if there is one mic that would be the benchmark of comparison it would be the Neumann KM54. Also, I think ribbon mics are too often overlooked in this application. Although with ribbons one must think ahead a little more than usual about how the sound will fit in a mix. - Cheers
__________________ Looking for: 201/1 to pair up, 44C to pair up, Church mic to pair up, C12 to pair up, orig 1084 in mono Averill chassis to pair up... all lonely pieces that need a mate. PLATINUM AUDIO RENTALS For the Slutz that need stuff now... Please check out my friend's site below. http://PlatinumAudioRentals.com/ |
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| | #26 |
| Lives for gear Joined: Oct 2006 Location: Chicago, IL USA
Posts: 1,259
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Neumann U67. also great for much less money are, in no particular order: Pearlman TM LE AKG 451 EB (CK1 capsule) Gefell M71 Sony C38b Neumann KM 84 or KM 86 AKG 414 B ULS or EB AKG C12a and yes, sometimes a Shure SM57 works best. for a completely different sound (bigger and darker), try a Coles 4038 or any nice figure 8 ribbon for that matter........ any of the above mentioned mics might be better than any of the others at any given time dependent on the source, your ears and your intention. |
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| | #27 |
| Gear addict Joined: Jul 2002 Location: Woodland Hiils, CA
Posts: 438
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| | #28 | |
| Lives for gear Joined: Apr 2006 Location: Ghent, Belgium
Posts: 1,294
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Schoeps cmc with card capsule, Gefell M300 or the flat version of the M29x series, The Gefell UM70 fet mic in all it's variations, Neumann TLM170, ... or even dynamic mics like a SM57 or a RE15 or ribbons like an aea r84 or beyer M160 work very well, they all can do it depending on what you're after...
__________________ Quote:
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| | #29 |
| Lives for gear Joined: Sep 2009 Location: los angeles
Posts: 1,719
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I've had quite good results with a Gefell UM70, as well as a vintage AKG 451. The UM70 doesn't quite have the transient response of the 451, but it has more body. The 451 has the transient response but not the body of the UM70. One could combine the two if you are careful about phase issues. It depends on your program material. Is this for finger-picking, chord strumming, steel strings, nylon, classical etc? |
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| | #30 |
| Gear nut Joined: Jun 2008 Location: Honolulu, HI
Posts: 101
| Many Will Work. But CMC641 Pair is the Best!
Aloha Friends, Old post revised. This is for people looking for acoustic guitar studio mics. It's always hard to find a "best." That's because "best" is always changing with the application, player, even the day. With most mic's you have to consider the mic/pre/guitar/room/song combo first to find a "best" for a given situation. FWIW, I'm a longtime gigger who records, not an engineer. But I have auditioned hundreds of mic's, mostly high-end pairs, over the decades looking for what works best on my self-made guitars. And I NEED the best I can afford for my very discerning ears. I let them decide. So we all should try 'em out BEFORE we buy. All of the mic's on Meathman's original list are winners on acoustic guitar. You can't lose with any of them. You just gotta match 'em up to the right pre's, guitars, songs & your signal chain for best results. My favorite "best" is a pair of S/D Schoeps CMC641 hypercardioids. It has all of the best qualities that my ears like to hear in my guitars: Smoothest, most accurate, most musical & detailed. It works great with all my guitars & pre's! No edges in any frequency. No ear fatigue. Absolutely Great for fingerstyle! As a hyper, the 641 is more forgiving of less-than-perfect recording environments. If your room is perfect, a 64 is excellent. The Gefell 295 is amazing. There's just something about its metal diaphragm that creates such a beautiful sound with a nice acoustic guitar. Such presence! If you go with the AKG 480, have Jim Williams of Audio Upgrades in Carlsbad, CA work his magic on it first with an upgrade - it's really worth it!. I have a pair of AKG 460's (now 480) that he upgraded that I truly swear by - just about as good as the 641's, & much cheaper. In L/D's, the Brauner VM-1 is my favorite for fingerstyle (I don't own one yet), though a U87 works very well too (I have a pair). Here's Doug Young comparing the VM-1 to the 641: http://www.dougyoungguitar.com/mp3/m...er_Schoeps.wav If you have the great sounding room for it, combining a close-miked X-Y pair of S/D's with a spaced pair of L/D's several feet out (for room) can create some very "complete" results - especially for solo acoustic guitar tracks. I do that with 641's close, U87's spaced farther out. Check it out. For strumming tracks, my favorite mic of all is definitely the Mojave MA-200. It just works for that app & is great on vocals too. Very Affordable L/D. The third example down here is a good example of its "strumming" abilities: Mojave Audio If you want to do some Mid-Side recording (for more directness), then combining an AEA R-84 L/D ribbon mic & a 641 hyper S/D produces some real magic. Or, you could get a Schoeps MK8 ribbon capsule & combine it with a 641 for M-S. Here's Doug Young playing one of his nice songs with that combo in M-S (check out his stacked 641's, one w/ the CK8 ribbon cap): YouTube - Missing You A real sleeper is the Peluso P-28, an S/D tube mic that sounds great to me, especially on larger guitars that are bass-heavy. Very affordable at around $700 ea. I have a pair of these too: Santa Cruz VS Custom Koa Summer NAMM Sn 5730 Acoustic Guitar I've heard the stories about vintage Schoeps 221B's but have never heard one first hand. Hard to find too. S/D's work better for fingerstyle, IMO. Check out the Schoeps CMC641's. Your ears will be very happy. One costs $1743 (2011) - Schoeps American set price. Note: a cool thing about Schoeps is that you can buy one mic now, save up for a second, & they will find the nearest match to your first mic through their records. It helps soften the $ blow. Or get a matched pair from Soundpure or Sweetwater. Listen to as many mic's through your guitars as you can before you buy. Good Luck Friends! alohachris |
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