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| | #1 |
| Gear addict Joined: Aug 2005 Location: Minneapolis, MN
Posts: 329
Thread Starter | 3124+, AEA TRP, AEA r84 VS 3124+ and Horch RM2J
I usually am not a fan of these kinds of posts... but now that I'm in the position of making a purchase, I understand the need! I've got quite a wide range of mics and pres available to me at the studio.... your typical collection of SDCs, LDCs, tube mics, nothing real special, nothing stands out other than two Heine-modified U87s and two Neumann M269s. Millenia (racks of Millenia), GML, Neve pres, and a two-channel API lunchbox. I'm looking to enlarge my personal collection. I do mostly jazz recording, in-studio, but am expanding to do on-location as well. My VERY small collection: Royer SF-12 2x Beyer m160s 1x Beyer m88 I want to compliment what is already available to me and the work I do... I've come up with two possibilities: ONE API 3124+ pre AEA The Ribbon Pre AEA r84 (perhaps 2 of these) TWO Horch RM2J tube mic API 3124+ pre Option TWO is a little more than I originally intended to spend... but I like the idea of having a killer tube around. I usually want to buy mics in pairs, but I can't justify buying two of the Horch! Thoughts? Rob |
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| | #2 |
| Lives for gear |
It depends what your primary use would be. I consider Horch to be an amazing vocal mic - definitely one of the best on the planet ... So for vocals - there is no doubt it would be a incredible upgrade for you. But if your intention is to record instruments, I don´t know. At one moment I had a pair of Horchs here (demo and my new). I tried to record few instruments, but always a pair of Schoeps did much better sounding work (I was actually quite happy about it ). What sounds great on vocals, does not always sound great on instruments ...As for as preamp is concerned if you have a possibility to try Pendulum MDP-1 preamp, you may find it sounding a lot better than API (I had both here for quite some time), so it may be another nice upgrade ... Just a thought (based on a personal experience), nothing more ... (So buying just one Horch, you can still have 2 AEA R84 + TRP preamp, which is my future gearlust intention too |
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| | #3 |
| Gear addict Joined: Aug 2005 Location: Minneapolis, MN
Posts: 329
Thread Starter |
Now you've really got me thinking... the comparisons I've heard so far of the Pendulum sound GREAT. I have a feeling that pre would sound really good on piano. Have you ever used the Horch on sax? -Rob |
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| | #4 |
| Lives for gear | |
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| | #5 |
| Lives for gear Joined: Nov 2002 Location: Hollywood
Posts: 3,632
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I've always gotten great results using the R84/3124 combo. They compliment each other quite well. |
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| | #6 | |
| Gear maniac Joined: Nov 2003
Posts: 250
| Quote:
It is great as a room mic where distance from the source/s compensates for the bump in the capsule response . Best, Vari-Mu | |
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| | #7 |
| Gear addict Joined: Aug 2005 Location: Minneapolis, MN
Posts: 329
Thread Starter |
Anyone have experience with ribbons through the Pendulum? From what I'm reading on searches there's not enough gain? Rob |
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| | #8 |
| Lives for gear Joined: Nov 2002 Location: Bucks County/Philly, PA
Posts: 2,344
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I've had limited luck with an R84 through the Pendulum MDP-1 with the Jensen mod. In this case (for me) the source has to be fairly loud. Recently, this combination worked well on a vocalist. However, I've had fewer gain issues running ribbons through the Focusrite ISA 430 than through the MDP-1. Typically, I use ribbons with the TRP and would consider it a worthwhile investment for this reason alone. I really like the R84. I have two. My go-to mic for sax and a nice option for vocals. Especially, on warm smooth vocalists or to tame a harsh vocal.
__________________ Jim Salamone http://cambridgesoundstudios.com http://www.facebook.com/pages/Newtow...9272438?ref=ts http://www.reverbnation.com/cambridgesoundstudios |
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| | #9 |
| member no 666 Joined: Jun 2002 Location: Durham, NC
Posts: 10,108
| We have had quite different experiences... I have used the RM-2J on horns with quite pleasing result... other instruments too, I have found it to absolutely be my microphone of choice for archtop acoustic guitars... but as always, YMMV.
__________________ CN Fletcher Professional Affiliations: R/E/P Professional Recording Engineer and Producer forums - serious hobbyists welcome SoundPure.com mwagener wrote on Sat, 11 September 2004 14:33 We are selling emotions, there are no emotions in a grid Roscoe Ambel once said: Pro-Tools is to audio what fluorescent is to light |
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| | #10 |
| Lives for gear | Do you use one Horch, Horch pair or Horch in combination with other microphones ?
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| | #11 | |
| Gear maniac Joined: Nov 2003
Posts: 250
| Quote:
What type of horns did you like it on? What sort of music? With horn players with a hard tone I found that the Horch emphasised some of the upper harmonics to the point where the result was a little harsh and the midrange-ie the most useful bit - seemed to get a bit obscured. The players' tone was obviously a factor and with softer toned players the result would be different. Like I said I can see it working better for tenor than for alto or soprano. Obviously it also depends on what sort of sound you're after from the part. I mostly record jazz so on horns, I tend to be looking for something a little darker than the RM2J provides. I can see the Horch working for a more "modern" bright vibe given the right player but the people I work for tend to prefer the sound of a ribbon or the darker LDCs. I hardly ever get to record archtop. Next time I do, I'll give the Horch a go. This discussion reminds me of the limited usefulness of forums in making decisions on what to get. The right thing to do is get the piece and see if it produces results you like in your environment . Cheers Vari-Mu | |
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| | #12 | |
| Gear addict Joined: Aug 2005 Location: Minneapolis, MN
Posts: 329
Thread Starter | Quote:
I agree 100%... and this is exactly what I'm doing! I've ordered the Pendulum with 2 AEA r84s and an AEA TRP... and have foregone the Horch. I don't necessarilly plan on using the 84s in conjunction with the Pendulum.... but I'm gonna give all these a shot with my various other gear on a few sessions and see what I like! It WAS useful to me to read your comments about the Horch, though, Vari-Mu. | |
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| | #13 |
| Lives for gear Joined: Sep 2005 Location: Ithaca, NY
Posts: 639
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[QUOTE=Robobo1;1050931]Anyone have experience with ribbons through the Pendulum? From what I'm reading on searches there's not enough gain? I use the pendulum with a roeyer 121 all the time and have absolutely no problem with gain -- i don't the r84, though, so i guess that could be a lot lower gain, but from what i know that's not the case... |
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| | #14 | |
| Lives for gear Joined: Nov 2002 Location: Bucks County/Philly, PA
Posts: 2,344
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| | #15 | |
| Lives for gear | Quote:
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| | #16 |
| Gear addict Joined: Aug 2005 Location: Minneapolis, MN
Posts: 329
Thread Starter | |
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