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Old 31st August 2012   #1
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Trying a new project need help

I own a 1976 Fender Super Twin which is way too much for Studio recording, but I like the sound I can pull out of it when I have certain effects on it, plus it is super clean with the JJ tubes I have on it. So, I read something interesting here: Fender Super Twin | Ampwares

The idea is the simple circuit with switches for each power tube set. I have never attempted anything like this. Where do I start and how do I do it? Any help would be awesome.
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Old 31st August 2012   #2
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Hi
Using this as a 'starter' project seems a little crazy to me.
Can you solder neatly and reliably, understand schematics and are happy working with 600 Volts DC power supplies?
If you get it wrong you risk trashing either a half decent amp, yourself, or someone else who may use the amp.
Doing any mods like this stands to devalue the amp completely so it may be better to get something 'smaller' and either keep or sell while it has value.
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Old 6th September 2012   #3
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My soldering is pretty good and I have done some HVAC work before. I do alot of custom electric guitar mods for people in my area, but I have not really done too much work with amplifiers, other than changing out tubes or a cap. here or there. My understanding of schematics is good, but it has been awhile since I have really had to use them. I do most of my work from memory anymore (wiring pickups, pots, etc...). So, I may be a little rusty, but I have a good friend and nephew that are both electrical engineers. As far as the devalue thing, the previous owner did a great job of that by spray painting their initials on the top. I have been thinking about refinishing it, but I am affraid that will have the same effect. I am really good with woodworking and have everything I need to do it. So, I am really at a crossroads with this amp in general.
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Old 7th September 2012   #4
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this is not a good place to start. Tube voltages are above 250 volts and can easily kill you. It takes special gear to bring tube circuits down to a safe voltage for testing like a variac transformer. Go start with building battery powered guitar effects get a few years under your belt before you play with the big boys.
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Old 7th September 2012   #5
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No need to be condescending here. For starters, read this web site about tube amp repair Tube Amp FAQ 1/20/99 (Frames supported) If you understand it and the dangers involved, you should go ahead with your project. Proceed slowly, with help from your friend/nephew/etc. and by asking questions here. Start by learning how to safely discharge caps (if you don't already know).
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Old 12th September 2012   #6
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Thanks for the suggestions (minus doulos30). I think I am just going to focus on refinishing it and keeping it factory other than the tubes and speakers. I do feel pretty comfrontable in building the circuit, but as Matt pointed out, the value is a concern. Plus, my guitar work has picked back up and I have to put this on the back burner yet again.
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Old 12th September 2012   #7
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Hi
One of the less obvious issues with 'switching' between valves is that of timing. You can damage various parts by 'randomly' switching 600 Volts DC around. The old trick of pulling one pair of valves has the inbuilt 'switch it off and let it cool' which protects against some of the effects (I don't think anyone is silly enough to try pulling or adding valves while it is on, at least not without good oven gloves)!
Yes this kind of thing can be done but you need to be aware of all consequences.
A relatively 'stock' amp has at least a reasonable expectation of decent life.
Matt S
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Old 20th November 2012   #8
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The "super twin" and sister "studio bass" combos are not popular for guitar, perhaps the most despised of non-reverb fender "twin" amps, with ultralinear silverface sound in a blackface amp disappointing those who expect it to sound like it looks. The later "super twin w/ reverb" is not any more popular for having springs. No love from guitarists looking for some dirt, even the pull-distortion feature sucks. Huge trannys make it top-heavy, huge speaker magnets make it an inconvenient combo. Usually seen with broken knobs from falling over.

BUT if you put the chassis into a head cabinet, it's a GREAT bass head, or good for pedal steel. The ultra-linear operation doesn't make for good distortion. But as a head it's also a wonderful extension for any other amp. For me, it's a mini-svt head and the big trannys make good bass. As a head it's still huge but portable. And 180 watts drives inefficient sealed cabinets well if you like that sound. It will easily push an SVT bottom, or 4 to 12 12's, or 4 15's. As a combo with 2 12's it's just plain crazy. The Motor City Madman used 6 super twins onstage, but even he had enough sense to plug an additional bottom into each of them.

It's common to unplug or switch off the cathode connection to a pair of tubes in a parallel push-pull amp, making a simple push-pull. But you usually minimize the impedance mismatch at the input to the output transformer by altering the speaker impedance load or switching the output impedance selector to use other output taps. The super twin doesn't have selectable impedance taps because it was meant to be a combo. Cutting power in half doesn't alter the volume much, it just brings on the dirt a bit earlier. You have to cut power a lot more to have an effective volume to reduce volume or get preamp dirt. And you really should only turn off one pair of outputs and with 6 output tubes that 1/3 reduction in power doesn't translate into much noticeable reduction of volume in decibels. You'd have to also add some power soak resistance and lower your B+. To cut the perceived volume in half you should cut power to about 1/10th what you have now.

Now on my Peavey Classic 50, turning off half the EL84's makes a pleasant change, bringing on the el84 output dirt as opposed to the 12AX7 preamp dirt. That's significantly different from the super twin.

Does yours hum a lot? If not, just use the master volume. If you need to to reduce hum & hiss from the power amp section, try a power soak load.

Good luck, I'm just starting to play with mine. This is one of the few times I don't feel bad at all about changing an old Fender. IMHO it just makes a lot better head than combo, much more versatile and movable. And downright pretty IMHO, compared to the rather ugly black combo. I'll post pics when I get a chance.

Perhaps if you could add high-voltage regulators and some impedance network at the input to the output transformer and switch in some output load you could turn off 2 pairs of output tubes and make the change noticeable. But then you'd want to reduce the negative feedback and add a switch to turn off the ultralinear mode. At that point it might be more practical to get a second smaller specialty amp. There's some very nice kits out there.
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