of these XLR cables - what would you pick for LINE LEVEL? - Gearslutz.com

Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Geekslutz forum


of these XLR cables - what would you pick for LINE LEVEL?

New Reply New Reply Thread Tools Search this Thread
Old 25th January 2012   #1
Lives for gear
 
mixerguy's Avatar
 
Joined: Sep 2005
Posts: 4,002

Thread Starter
Question of these XLR cables - what would you pick for LINE LEVEL?

I have bought various cables from this place before - Audiopile.net - they seem like decent quality, and Audiopile.net has given me good customer service.

I'd like to pick up some more - short lengths (between 1.5 and 5 feet) for running line level audio thru between some balanced XLR hardware boxes.... (compressors, EQs) in a nice studio.

No touring, only me using the cables, indoors.

I dont have a problem with radio interference, and the runs are short, line level.... so I don't think I need the quad shielding. (?)

I'll get the Neutrik versions for longevity of the plug.

Of these XLR cables offered by Audiopile.net:

EWI Microphone Cables

-> what would you say would "sound" the best?

or would they all basically "sound" the same?

I don't want this thread to fall into a huge, general debate of all cables sound the same / cables make a huge difference.... please...

I'm just getting some opinions before I buy about 2 dozen.

and NO I do not want to buy some cable, connectors and make them myself. Thanks anyway.

Thanks
mixerguy is offline   Reply With Quote
Old 25th January 2012   #2
Gear maniac
 
thegatsby's Avatar
 
Joined: Jan 2009
Location: los angeles
Posts: 179

Send a message via AIM to thegatsby
I personally think quad is just a big hype, unless your doing runs longer then 30ft.
Stick with a balanced XLR cable.
The best cable company (in my opinion) is Pro Audio LA. They use mogami and neutrik connectors. and beat Guitar Center stupid ass prices.
thegatsby is online now   Reply With Quote
Old 25th January 2012   #3
Lives for gear
 
Joined: Sep 2004
Location: UK
Posts: 4,822

Hi
Quad cable is designed for LOW impedance use with mics and as it has a higher capacitance is less suitable for line level (although can be OK). In a small setup it is basically not necessary.
Decent connectors are most important rather than the cable as such although the cable 'cores' should be 7.02 or equivalent wire (not the minimal copper stuff that some of the really cheap cable is made of).
Matt S
__________________
Matt S
www.mseaudio.co.uk
Matt Syson is offline   Reply With Quote
Old 25th January 2012   #4
Lives for gear
 
mixerguy's Avatar
 
Joined: Sep 2005
Posts: 4,002

Thread Starter
Yes it is my understanding that quad shielding is the best for mic runs that are long.....

it is also my understanding that quad shielding is just that - shielding - so has nothing to do with where the signal flows.

and

Yes - as I said I'd get the ones with Neutrik connectors.
mixerguy is offline   Reply With Quote
Old 25th January 2012   #5
Lives for gear
 
loujudson's Avatar
 
Joined: Feb 2007
Posts: 2,684

Quad means two conductors per leg - nothing about shielding.
loujudson is online now   Reply With Quote
Old 25th January 2012   #6
Lives for gear
 
mixerguy's Avatar
 
Joined: Sep 2005
Posts: 4,002

Thread Starter
Quote:
Originally Posted by loujudson View Post
Quad means two conductors per leg - nothing about shielding.
ahhhhh right. Thanks. oops. I need to get more sleep. Silly me.

a cool test of star quad cables HERE:

- John Huntington's Blog - Does Star Quad Microphone Cable Sound Better? Let's Find
mixerguy is offline   Reply With Quote
Old 25th January 2012   #7
Lives for gear
 
Joined: Sep 2004
Location: UK
Posts: 4,822

Hi
The main problem with this 'will it sound better' debate is that the equipment at each end is not specified.
Line outs from gear can have a 'source' impedance from practically 0 to tens of thousands of Ohms.
The source may be resistive or it it is via a transformer may have significant inductance.
At the receiving end, again it can be resistive from (typical minimum of 600 Ohms) to 1 Megohms or more. Again if it is into a transformer it can be inductive.
With this vast range of source/receiver impedances and the variation of cable length with it's mix of capacitance, a bit of inductance and a bit of resistance it is pretty difficult to define what any one pair of bits of gear will actually do. Certainly the bulk capacitance of cables is pretty 'consistent' compared to possible terminations as the typical capacitance is in the order of 60pF to 200 pF per foot.
The sending signal impedance is pretty crucial and this is 'moderated' to some extent by the 'receive' impedance but the capacitance of the cable is the main culprit in determining HF loss and the range of capacitance is relatively limited.
To sum up, it's a short cable, don't worry!
Matt S
Matt Syson is offline   Reply With Quote
Old 25th January 2012   #8
Lives for gear
 
mixerguy's Avatar
 
Joined: Sep 2005
Posts: 4,002

Thread Starter
I very quickly got a nice, informative email from Audiopile.net and in a nutshell they suggested this model

PSMN Mic Cables

as it has very good shielding, the Neutrik XLRs, and should not have any detectable sound differences with line level on short runs as compared to the QUAD versions they offer.

all makes complete sense to me.



I have bought from them before, and will do again!
mixerguy is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Best XLR cables? amfortas2006 Remote Possibilities in Acoustic Music & Location Recording 45 1 Week Ago 04:55 PM
Good XLR cables Doozer Remote Possibilities in Acoustic Music & Location Recording 20 18th February 2008 10:37 PM
plug in at the same level of algorithmix but for mac fafalio Remote Possibilities in Acoustic Music & Location Recording 2 19th December 2007 09:54 AM
Rudy van Gelder - Jazz albums from 60s compared to the 70s - What went wrong? I.R.Baboon Remote Possibilities in Acoustic Music & Location Recording 14 29th June 2007 08:56 PM
If you had to build a cheap 5K portable rig 2-8 I/O, how would you do it? Nevelicious Remote Possibilities in Acoustic Music & Location Recording 11 27th December 2004 08:42 PM


All times are GMT +1. The time now is 08:31 PM.

Home - Search Forum - Contact Us - Terms Of Use - Advertise on Gearslutz - All Advertisers - Archive - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

SEO by vBSEO ©2010, Crawlability, Inc.