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| | #1 |
| Gear interested Joined: Jan 2012 Location: San José, Costa Rica
Posts: 12
Thread Starter | Monster Instrument Cable, is it worth the money?
Hello, I have only once purchase a mosnter instrument cable, for my Fender Stratocaster guitar and I also use it on my acoustic electric guitar, it was a Monster Studio Pro 1000, 12ft and costed me $58, kind of expensive. Anyway when I got this cable and since I had never had a known brand or supposely good brand of instrument cable, I felt like it was a really good cable and that it had been worth the money. I even made a glowing review on amazon.com out of it. So I mean I am not sure, now that I am in need to get another instrument cable, not because this Studio Pro 1000 died or anything, it's still works great, but because there is a Monster Acoustic Instrument cable, 21ft, for 70 dollars in amazon, and I wanted to see if it was worth getting it for my acoustic electric guitar, sound wise and quality wise. Basically now I am wondering, I mean, I think they make good cables, but for the price they charge, do you think Monster is more an advertising hype or are they really seriuos in cable making ? Thanks |
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| | #2 |
| Lives for gear Joined: Jun 2008 Location: secluded tranquil country
Posts: 2,031
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They are overhyped overpriced unreliable cables. These legal bullies are so overzealous in defending their "monster" trademark (forcing non-music businesses and websites to change their names) that people have refused to fund their legal warchest.
__________________ You can lead a horse to water but you can't make him drink it. But lead a horse to liquor... |
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| | #3 |
| Gear addict |
Advertising hype. Any good quality cable (that does not include Monster Cable IMO) will be fine. Mogami, canare, belden. I, or a lot of other people on this forum could make you a better cable for a lot less. (or you could learn how to make one yourself).
__________________ -Rhodes & Wurlitzer repair in Brooklyn, NY -always looking for Ampex parts |
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| | #4 |
| Lives for gear Joined: Aug 2003 Location: Hollywood CA
Posts: 2,621
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I know a lot of guys that use this: Welcome To George L's Due to the high source Z and low level (technically called sans cojones) the wire actually can make a big difference here Naturally, it works due to simple electronic principles. No woo-woo or hand waving needed. DC |
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| | #5 |
| Gear interested Joined: Jan 2012 Location: San José, Costa Rica
Posts: 12
Thread Starter |
Ok so George L's cable is a good way to go ? Because honestly and stupidly, but thank god I was able to cancel, I had order a Monster Acoustic Instrument Cable 21ft for 70 Dollars ! Outrageuos ! Thank God I cancelled it
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| | #6 |
| Gear interested Joined: Jan 2012 Location: San José, Costa Rica
Posts: 12
Thread Starter |
I have the chance to get a George L's Black Masters Series Cable 20Ft, instead of the 70 dollar Monster Acoustic bllcrap, because anyway, I don't believe that there is such thing as an special acoustic guitar cable, designed specifically for acoustic electric guitars.
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| | #7 |
| Gear interested Joined: Jan 2012 Location: San José, Costa Rica
Posts: 12
Thread Starter |
I can get the above mentioned George L, at amazon.com, for $53.60 + $4.49 shipping ...
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| | #8 |
| Lives for gear |
For Christmas I usually get a gift card to musiciansfriend. I usually get nice monster cables. They're way over priced but I do think they are good quality. If I had to wire up a bunch of gear I'd make specific cables/lengths, but if you just need one or two guitar cords, I say just buy some.
__________________ Good credit, bad credit, no credit, what is credit, can't read or write... www.myspace.com/marshmallowcoast http://en.wikipedia.org/wiki/M_Coast |
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| | #9 | |
| Banned Joined: Dec 2011 Location: usa
Posts: 675
| Quote:
brand name maybe better quality and reliability cheap cables will work just as well take care of them they will last home studios hobbyists do not need the prestige names to impress other people and can pick gear that just works well and sounds good even if it costs a lot less | |
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| | #10 |
| Lives for gear Joined: Feb 2010
Posts: 4,185
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I have an $80 Monster guitar cable, and a pile of other cables from Whirlwind, Conquest, Planet Waves, etc. I have a bunch of vintage guitars and quality amps, some serious mic pres and mics and converters and monitoring speakers. Through any recording rig I have, though any amplifier I have, I cannot tell the difference among the cables. I seldom use the Monster, because it is stiff compared to the others, and the Planet waves came with a nice built in cable tie. For years I made my own out of Belden 8412, because we had it around the shop, and Switchcraft ends.
__________________ "We have a situation where somebody has learned that 'tape' sounds good. Tape doesn't sound good. Tape sounds like crap. But sometimes good stuff gets put on tape." "Putting crap to tape...sounds like crap." Show business: we're all here because we're not all there. Resistance is not futile. It is voltage divided by current. "I do not think that the wireless waves I have discovered will have any practical application,..." Heinrich Rudolf Hertz |
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| | #11 |
| Lives for gear | SOMMER CABLE CLASSIQUE CQ19-0600 - Thomann Belgian Cyberstore I got one of these. $30. Really nice connectors and has no side effects I can tell. Also comes free of monster hype. |
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| | #12 |
| Gear maniac Joined: Dec 2009 Location: Canada
Posts: 169
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I have started using Gotham Audio Cable for tube microphones. Made in Switzerland and used by Neumann back in the day. Not to pricey and VERY high quality. My 2 cents BF |
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| | #13 |
| Gear Head Joined: Apr 2010 Location: Barcelona
Posts: 52
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This cristmas my brother has get a jack-jack Monster Bass cable for them. This morning I tried that and did a comparison with my cheap jack cables. I conected his bass to the HI-Z IN of an API 3124 Belive me, the sound quality it's faaar faaaarr superior with the monster cable. The sound of the bass is more punchy, clear, live, opened up and detailed compared to my cables. But it's too stiff! I never tried Mogami, gotham or any kind of expensive jack cables, I always do cables. This is my experience. |
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| | #14 |
| Gear Guru Joined: Jul 2004 Location: Orygun
Posts: 10,230
| Monster cable is decent quality - usually about as good as stuff that sells for around half the price. -tINY |
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| | #15 |
| Gear interested Joined: Jan 2012 Location: San José, Costa Rica
Posts: 12
Thread Starter |
Thanks a lot people for your comments ! Yes I think we could almost all agree that Monster Cable is a decent cable for an instrument cable, but it is too stiff, definetely agreen on that, my Monster Studio Pro Cable can get uncomfortable sometimes it coils up, not flexible and on top of all that, it is too expensive and I can say I will also agree on that it's big marketing or advertising hype that make some people that do not do some research on the matter, think they are the best. On the other hand, I have been checking some cables made by a seller in amazon.com, Canare cable with Neutrik plugs/connectors, 20ft long, Canare Cable Model GS-6 Instrument cable for $42. I know I could make them, or learn to make them, but for now I think I will just make the investment and take good care of it. This guy from Premium Audio Cable (the seller in amazon.com) says he has been making audio cables for over 30 years, so I guess I would not be making my own better than him some time soon, so I guess it sounds like a good offer. Opinions welcome...
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| | #16 |
| Lives for gear Joined: Apr 2009
Posts: 1,068
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I've made miles of AV cabling from scratch; XLR, TRS, BNC, you name it, etc. I also hold advanced fiber optic cabling certs, and I've learned a few things about best cabling practices, the quality differences in components and materials, and about when my money is best spend building my own cables, or buying them stock. I've found few outfits that can produce cabling at the level of quality I can myself, but there's also a diminishing return at work; my time is worth more when I'm not making cables all day instead of bidding jobs, doing real work, etc! At some point, you will reach the same conclusion, and apply a similar metric. That said, I keep a few thousand feet stock cable, and lots of connectors. I like Neutrick parts and Canare wire, and I use good quality solder and a nice Weller solder station. When I need a vital cable linkage, I usually make my own, and give the extra attention to the details of careful assembly. When two different cables use good component parts that are close to identical in spec, and are assembled correctly using best practices, I've not been able to hear any significant difference between them. I'm reasonably confident that in a blind A/B setting of this kind, no one else could either. I'm not talking about comparing the top of the line quality with the cheapest quality products here, I'm talking about same component specs, but different material or assembly processes, like when one wire is silver infused, and the other is pure copper, or when one wire uses proprietary assembly methods, but the same materials. After a certain level of quality, these differences are negligible. That said, I do not assert that there is no difference; I simply can't hear any major difference, and therefore see no need to agonize over it. There are so many other variables that have a vastly greater impact on the overall tone of the guitar. I see no point in worrying about cables, but ignoring other parts of the signal chain that effect tone, like that mess of crap pedals spread on the floor, or the low-rent unshielded wiring paths inside the guitar itself. |
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| | #17 |
| Lives for gear |
I don't patronize Monster because of their business practices. They use their patents as a weapon to intimidate those with no legal resources into licensing agreements. Thankfully, we have Blue Jean Cables who stood up to them. This is one of my favorite items of legal correspondence ever: http://www.bluejeanscable.com/legal/...onse041408.pdf I especially like the last couple of paragraphs. |
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| | #18 |
| Lives for gear |
I have used many of Monster's products over the years and generally found them to be substandard in jacket material and connector durability. The barrel width of their 1/4" plugs seems to be larger, since they don't fit (or fit tightly) on some jacks. This may be the reason I've seen more broken plugs of this brand than all others combined. I don't like them for any price. |
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| | #19 |
| Gear addict Joined: Apr 2007
Posts: 345
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To the OP: For guitar cable, if you can solder, I'd recommend to make your own using Belden 8218 raw cable and Neutrik or Switchcraft connectors. This is based on the Bill Lawrence BL-150 cable which is on par with George L's. Check out this thread... DIY Guitar Cable, a pleasant discovery If you can't solder, just ask a local electronics shop or tech to do it for you, for a minimal fee. |
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| | #20 |
| Gear interested Joined: Nov 2011 Location: Northern California
Posts: 11
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I make my own Mogami cables and resell them on ebay. There is a lot of people that do. If you aren't up to making them yourself, then I would say find someone like me on ebay. We sell them a lot cheaper than retail.
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| | #21 |
| Lives for gear Joined: Sep 2008 Location: Denver, CO
Posts: 564
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Wow, I'm now convinced that monster cables actually are crap. Trying to track some guitars at home right now & having noise problems. Hum, hiss & awful noise coming out of the amp. Swapped out my "trusty" monster (run from guitar to amp) for a Mogami that i just made & all that junk went away. Totally clean. I could trade it in for a new one free, but this thing is just going in the garbage, where it belongs. Might re-use the connectors, they seem actually pretty nice.
__________________ Jim Ruberto Engineer, Producer, Bassist, Human (maybe Cylon), Threadkiller Denver, CO jimruberto.com use last.fm? join the Gearslutz group! |
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| | #22 |
| Gear nut |
for what its worth, i think this place is awesome: monoprice.com 25 ft cable dont let the price scare you, its as good as it gets imo maybe if you make a wire out of silver or something |
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| | #23 | |
| Gear nut Joined: Oct 2009 Location: portland
Posts: 135
| Quote:
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| | #24 |
| Lives for gear Joined: Nov 2006 Location: Hickory, MS
Posts: 2,046
| ![]() far far har har JR |
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| | #25 | |
| Gear addict Joined: Apr 2009 Location: Texas
Posts: 469
| Quote:
This is reason #1 why you should NEVER use monster 1/4" cable. Once you start using monster cables on your instruments, they will slightly STRETCH the contacts inside your jacks, and eventually they will need to be replaced. I have seen instruments that now MUST have monster cables used with them because a normal (INDUSTRY STANDARD) 1/4" plug no longer makes good contact. It makes me very angry just thinking about it. F**K MONSTER
__________________ Westlake designed studio / MCI JH-536 / LA-3A / 224 / Dyna-mites / U87 / Pro-Stool | |
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| | #26 |
| Gear addict Joined: Jul 2010 Location: Citrus Co., Florida
Posts: 460
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I don't use Monster cables - I use George L's and have since they came out in the 80's. Before the George L's, I used Belden an switchcraft and made my own before George L's was introduced (it was introduced at the International Steel Guitar Convention in St Louis - don't remember exactly but around 84 after George Lewis bought out Bill Lawrence's part of L&L sales). However, many 1/4 jacks used are "imported" jacks and they tend to be metric based rather than inch based. I'm a former amp tech and have seen a lot of the imported plugs and jacks to be slightly under the "standard" 1/4" jacks and plugs such as the US made Switchcrafts.
__________________ Sonar X1D Extended and PT MP9 Ozone 5 Member of Nashville R.O.P.E. Association |
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| | #27 |
| Lives for gear Joined: Nov 2004 Location: Maryland
Posts: 1,389
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I have some mid to high end guitar cables here and Monster cables sound smeared/mushy by comparison. I won't use them for various reasons, not least of which is the sound. Mostly, I use Gotham cable because 1) it was left over from wiring the studio and 2) it sounds the most neutral to me. I have some Mogami cables as well from left over studio wiring. A bit less treble than the Gotham. Somewhere in between is Lava cable, purchased because it was on sale and I was curious. Van Der Hul integration cable is the only one that sounds noticeably better from top to bottom but it's very stiff and extremely expensive. Also, ever try to repair one? I tried to rewire a Monster elco-trs cable once and as soon as my iron touched the wire, the insulation took off like det cord. And like others here, I've made miles of cable, but this is the only time I've experience a insulator melting to this extreme.
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| | #28 |
| Gear interested Joined: May 2012
Posts: 2
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Hey guys, I'm new here and it's propably not the right thread. I'm about to braze all my cables in my studio by myself. Nearly done it, but there's this Avantone CV-12 tube mic with a 7pin xlr. Does ANYBODY know, which two pins are for power input and heat and which two are for modulation? If there's noone who can help me, can please somebody tell me, which one is the right thread? thanks! |
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| | #29 | |
| Lives for gear Joined: Jun 2008 Location: secluded tranquil country
Posts: 2,031
| Quote:
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| | #30 | |
| Lives for gear | Quote:
Cheap 1/4" jacks also get loose quick because the metal is thinner and looses its shape very easy.. For speaker connetions they are the worst... | |
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