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| Gear maniac Joined: Oct 2009 Location: Croatia
Posts: 156
Thread Starter | Audio interfaces and their AD/DA chips LISTED
There has been alot of talk about importance of conversion in recording chain, and lots of people want to know which AD/DA chip some interface is using, especially when something new comes up: "I wonder if they have put new converters in it?". As if you would notice... Not me, for sure. But I have found time to collect some lists from different forums and decided to put them here, dont think there is one yet. This list is UNCOFIRMED and everyone is free to correct me if some information is wrong. Also, It would be great to add more devices here, there are alot missing. I will update as soon as I can. But few notions before everyone starts comparing: * analog circuitry surrounding the chip has just as much, if not more influence on converter performance * specifications regarding SNR, THD, THD+N and other signal corrupted by noise values or digital dynamic range values in interface manuals are often misleading, cause many interface companies quote figures from the datasheets they receive from the manufacturers of the AD/DA chips (difference can be as much as 12 dB dynamic range, with a chip's DAC performance measured at 114 dB outside of the box, and 102dB inside the box) * Quote:
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ALESIS IO|26 CS5361 ALLEN&HEATH R16 AD CS5368 DA Burr-Brown PCM1404 Main I/O CS4271 APOGEE Ensemble CS4272 DUET: CS4272/MICPRE TI PGA2500/ 1394AUDIO Oxfw971 AD8000SE: A/D:AKM AK5391; D/A: Analog Devices AD1851 Rosetta 200: A/D:CS5361 D/A: Analog Devices AD1852 MiniDAC:AD1955 ARS MiniMe: A/D AKM 5380VT, D/A (monitoring) AKM 4380VT AD-16X DAC CS4398 ADC CS5381 or CS5361 ART Tube Fire8: adc-AK5384; dac-AK4358 BENCHMARK DAC1: D/A: Analog Devices AD1853 5532 opamp BEHRINGER SRC2496:AKM AK5393 AK4393 JRC 458 DIGIDESIGN 192 I/O PTHD: A/D:AKM AK5394A; D/A: AKM AK4394 001 CS4223 CS4223 OPAMP - TL074 002R: A/D:AKM AK5383vs D/A: AKM AK4393vs 003 A/D CS5381 CS5361 D/A CS4392 MBox AK5383 AK5383 TAS1020 MBox2 Mini: ADC - CS5361 ECLER EVO5: A/D CS5366-CQZ and D/A CS4385 ECHO AUDIO Indigo DJx - AK4396 Indigo IOx - AK4620B Indigo DJx - AK4396 Indigo IOx - AK4620B AudioFire 2 (Newer models) - AK4620B AudioFire 2 (Older models) - AK4620A AudioFire 4 (Newer models) - AK4620B AudioFire 4 (Older models) - AK4620A AudioFire 8 - CS4272 AudioFire 8a (Newer model w/ ADAT) - AK4620B AudioFire Pre8 - AK4620B AudioFire 12 (Newer models: FireWire ports' beveled edges pointing down) - AK4620B AudioFire 12 (Older models: FireWire ports' beveled edges pointing up) - CS4272 Layla3G - CS4272 Gina3G - CS42426 Echo Gina24 A/D AK4393 D/A AK5383 Indigo dj - CS4392 Indigo i/o - CS4272 MiaMIDI - AK4528 EGO Systems/ESI ESU1808 Akm Ak5384 ADC Akm Ak4358vq MAXIO EX8K: A/D:AKM AK5394A; D/A: AKM AK4395 MaXiO 032e AK5394, AK4395 Juli@: A/D:AKM AK5385A; D/A: AKM AK4358 E-MU Systems 0202 USB: CS4392 AK5385m 0404 USB AK5385a AK4396 TRACKER PRE AK5385, CS4392 0404: PCM1804 AKM AK4395 1820: PCM1804 CS4392 1212m AK5394 CS4398 1616m AK5394 CS4398 1820M AK5394A CS4398 JRC2068 FOCUSRITE Saffire CS42428-CQ Saffire LE CS42432-DMZ Saffire 6 USB CS4272 Platinum 8 OctoPre AKM5383 AKM5383 Saffire Pro CS4272 Liquid Saffire 56 CS4272 KRK Ergo A/D AK4620 D/A AK4396 ASRC AK4122 LEXICON fw810s CS4272-CZZ CS42426 dbx TypeIV LINE 6 TonePort/Studio UX1/UX2 : AK4528 TonePort UX8 : CS4272 Pod X3 : CS4272 LUCID AD9624 A/D:CS5396 DA9624 D/A:CS5396 ADA8824: A/D:AKM AK5392; D/A: AKM AK4324 LYNX Studio TWO/L22: A/D:AKM AK5394A; D/A: Cirrus Logic CS4396 AES16?AK4114x8 AES16-SRC?AK4114x8?AD1896x4 AURORA CS5381 MACKIE FIREWIRE CARD ONYX A/D AK5384 D/A AK4528 ONYX 400/F 1200F A/D AK5385 D/A AK4358 M-AUDIO Audiophile 192 AKM AK5385A AK4358 Audiophile 2496 AK4528VF AK4528VF CS8427 Delta44 & 66 AK4524 Delta1010 A/D AK5383 D/A AK4393 ProjectMix A/D AK5381 D/A AK4358 Firewire Solo ADC AK5357?DAC AK4381 Firewire 410 : Envy24 HT, AK4355/AK4381, AK5380 FireWire 1814 Input 1&2 A/D AK5385A, Ins 3-8 A/D AK5381, D/A AK4358 Profire 610, 2626: AK4620 MOTU MOTU 828 AK4321VF CS4223-KS OPAMPS - 4580 MOTU 828 Mk2 AK4528*8/AK4382 DAC for main outs MOTU 2408 mk3 AKM AK4528VF MOTU 828mk3 TI PGA2500,CS5364 8in CS5368, volume CS3308 8out AK4358 AK4382 MAIN AK4396 MOTU 8pre AK5385 AK4382 MOTU HD192 AK5394 MOTU 896HD AKM 5385 Motu Ultralite: AK4620AVF Motu Traveller: A/D AK5385AVS, sorry no info for D/a METRIC HALO Mobile I/O 2882?DSP A/D AK5383 D/A AK4393 ULN2: A/D is the AKM 5383 and D/A is the AKM 4393 ULN8 AKM 5394 AKM 4395 Lio-8 AD AK5394 DA AK4395 MYTEK 8X96:ADC - CS5396 (or CS8427?) DAC - CS5396 Stereo192 ADC - AKM 5394A 8x192 AD Burr Brown PCM4202 DA Analog Devices ad1955 KRK Ergo DAC AKM4396 NOVATION nio 2 | 4(CS4272,AK4394) PRESONUS Presonus Firebox ADC:AKM AK5384 DAC: AKM AK4358/ST Micro MC33078,33079 PreSonus FireStudio 26in26out(8in8out)AK5384 AK4358? PreSonus FIREPOD 10in10out(8in8out) AK5384 AK4358? MSR (monitor studio remote) for Presonus FireStudio WM8590GEDS Presonus Firestudio Mobile AD PCM4204 DA PCM4104 PRISMSOUND Orpheus A/D CS5381 D/A CS4398, Mic pre PGA2500, Line ins OPA2134, Line outs venerable 5532 (TI ver), Headphone out OPA2134 DA-2 TDA 1547 ADA-8XR AKM AK4395 RME RME ADI-2: A/D:AKM AK5385 D/A: AKM AK4395 RME ADI-8: A/D AK5392 D/A AD1852 RME ADI-8 DS: A/D:AKM AK5393A; D/A: Analog Devices AD1852 RME Digi96/8 PST/PAD: A/D AK5383 D/A Analog Devices AD1852 RME HDSP 9632: A/D:AKM AK5385A; D/A: Analog Devices AD1852 RME HDSPe AIO ADC - CS5361 DAC - AD1852 RME FIREFACE 800 A/D AK5385 D/A AK4395(AK4396 since March 2005) RME FIREFACE 400 A/D D/A AK4620A RME FIREFACE UFX A/D CS5368 D/A PCM4104 RME Multiface 1: A/D D/A AK4528VF RME Multiface 2: A/D D/A AK4620A ROLAND Edirol UA-101 USB 2.0 A/D CS5340 D/A AKM 4385 EDIROL UA-25 DAC AK4385 ADC AK5381 DAI AK4114?USB TUSB3200 EDIROL UA-1EX DAC AK4385 ADC AK5357 DAI AK4114 USB TUSB3200 EDIROL FA66 AKM 4385VT CS5340 SM PRO AUDIO ADDA 192-S: A/D CS5381 D/A CS4398 STEINBERG MR816 AD AK5385BVF-E2 DA AK4358VQ Yamaha N-12 AD AKM AK5385 DA AKM AK4393 and AK4382A for AUX and phones. Discrete preamp -> JRC2068MD Op-amps for unbalancing -> insert jack -> NE5532DA for balancing before the ADC TASCAM TASCAM US-144 A/D AK5385 D/A AK4384 TASCAM US-122L DAC AK4384 ADC AK5381 TASCAM US-800 ADC: AKM 5359ET DAC: AKM 4384ET T.C.electronic TC KONNEKT 24D/live: AK4620b INA163 Studio KONNEKT48 DA AK4359 AK4385, AD AK5358 AK5359 OPAMP JRC 2068 TC Impact Twin AD/DA AK4620 Output opamps 4-NE5532. TERRATEC terratec x24 phase cs42426 UNIVERSAL AUDIO Apollo AD AKM AK5388EQ (Quad AD) DA CS4398 DA(Headphones) AK4480 Preamps x4 - PGA2500 OTHER BRANDS AQVOX USB 2 D/A MKII PCM17964 Audioresearch DAC7 PCM1792 Berkley Audio Design Alfa Dac AD1955A Bryston BDA-1 CS-4398 Cambridge Audio Dac Magic WM8740 Cary Audio Xciter Dac AK4399 Lavry Da11 Analog Devices 1955 Logitech Transporter AKM AK4396 Matrix mini-i AD1955 Musical Fidelity V-Dac Burr Brown DSD1792 Northstar Extremo PCM1792 Ps Audio Dac III: Burr Brown 1798 PS Audio Perfect Wave DAC WM8741 Stello Da-100 signature AK4395, AD1896 upsampler Sutra DAC 1 Burr-Brown 1740 Weiss Dac2 Burr Brown PCM1792 Weiss Dac 202 Sabre ESS9018 Weiss Medea DAC AD1853 | |||
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| | #2 |
| Lives for gear Joined: Jul 2006 Location: Melbourne, Australia
Posts: 716
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Just remember for all you new people to electronics. Just because some interfaces share the same converter chip doesn't mean they will sound the same. The chip is just one part in the circuit and it's all the parts around it (opamps, caps, power supply etc) and there layout and design that makes the difference. 2 different designs with the same cheap can either sound like poo or high class glory depending on everything else. Cheerio |
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| | #3 |
| Gear addict Joined: Dec 2009
Posts: 467
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That was on the level of god. I'm not even going to ask how you extracted and assembled that information. +1, dude, whoever you are. Plus ****ing one. |
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| | #4 |
| Lives for gear Joined: Mar 2005 Location: NY
Posts: 1,444
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Great post....should be made a sticky and updated as needed IMHO.
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| | #5 |
| Lives for gear Joined: Aug 2002 Location: Baltimore
Posts: 1,968
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SSL's use AKM as well.. Can't remember the model. I have pics of the inside when I had it opened.. But like already said..The analog in and out paths and clocks, power supplies are different and each of these units will have there own sound.
__________________ B-Custom (custom Shop) www.barberelectronics.com |
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| | #6 | |
| Gear addict Joined: Jul 2010
Posts: 409
| Quote:
I assume (the internet says so) that the Duet is the higher quality of the two (wasn't able to A/B), the noise floor apparently isn't recorded as it is only on the outputs (hav't tested the line/pres yet) as reported by others in the thread linked above. - and it is barely noticeable - but *is* there. it is more obvious on cheap nasty earbuds, and can only *just be* heard through the monitors when the monitors are cranked up to a volume level that i wouldn't want to play music through. Other than that the Duet *is* stunning. .
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| | #7 | ||
| Gear maniac Joined: Oct 2009 Location: Croatia
Posts: 156
Thread Starter | Quote:
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I updated a topic with some words regarding that and misleading digital dynamic range values. Check it out. | ||
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| | #8 |
| Lives for gear |
I guess the primary question I can ask with a thread like this is: Why does it matter to the end user? If the assumption is that for whatever reason certain high quality manufacturers will only use certain high quality converter chips then I think it's important to continually point out what has already been stated: It's not mostly about the chip that causes the quality of a converter to be either ordinary or of extreme high quality. It's all of the circuitry going to and from and around that chip in the converter's design that makes or breaks high quality. That being the case I don't see the relevance to an end user of specifying the conversion chip. What is the benefit to the end user in knowing that? If this list is about debating the qualities of particular converter chip designs then I think this is certainly not the environment where such a debate could be productively held. Very few end users are even vaguely familiar with the esoteric details of analog to digital conversion and how it's implemented in a converter chip. The vast majority of people ever to read this thread will not know the differences between a third order crystal and a fifth order crystal and how that makes any difference to anything audio related. Also, these types of discussions are full of special caveats and debatable issues that are all dependent on the specific designs of entire conversion circuits and the preferences of converter designers with respect to noise suppression techniques and all kinds of other stuff. It's just not a productive thing to discuss among relatively uninformed end users. So what is the benefit in the list within that context? Awful lot of trouble to go through just to be doing it. |
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| | #9 | |
| Gear maniac Joined: Oct 2009 Location: Croatia
Posts: 156
Thread Starter | Quote:
Secondly, one can have clearer sight on why some interface costs 5k$ and other 200$. And much clearer sight on what he is going to buy. ![]() Thirdly, I visit GS for having fun. Knowing what chip is inside some box amuses me. Dont get too serious about this, as we get misled and PR-d and silently bombarded with marketing every day here. This list is just plain facts, everyone can make out of it what they will. | |
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| | #10 |
| Lives for gear Joined: Mar 2006 Location: Mesa, AZ
Posts: 1,868
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Chagalj, you are a righteous man. |
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| | #11 | |
| Lives for gear Joined: May 2010 Location: Peterborough - England
Posts: 610
| Quote:
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| | #12 |
| Gear maniac Joined: Oct 2009 Location: Croatia
Posts: 156
Thread Starter | |
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| | #13 |
| Lives for gear Joined: Jul 2009 Location: Melbourne, Australia
Posts: 576
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| | #14 |
| Gear maniac Joined: Oct 2009 Location: Croatia
Posts: 156
Thread Starter | |
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| | #15 | |
| Lives for gear | Quote:
It's not like I'm going to be able to say: Oh this unit uses that chip. That's why it costs so much/little and sounds so good/bad! You can't get that information by simply knowing the chip and the unit it's used in because there is too much vital info left out of the matter that really tells you what's going on with the price and quality. Also, as I mentioned before, tech specs aren't particularly useful in these types of things because we have no official standard of context from which to derive meaning from the specs. Every evaluator does their own thing. But no worries, I'm not trying to give you a hard time. It just seemed like a lot of work for no particular purpose. | |
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| | #16 | |
| Gear maniac Joined: Oct 2009 Location: Croatia
Posts: 156
Thread Starter | Quote:
Few of the things you said are wrong: Converter chips DO make significant change in overall price of the unit. and there IS a standard for AD/DA specification values, check AES17 in google. And now back to MY purpose. It is fun to know that you can buy an interface with the same AD/DA chip as some interface which is 2-3 times more expensive, even if they dont sound the same. But many of them do. And I bet there would be many of cheaper ones picked over expensive ones in a blind test by lots of pros here on GS. All those who can hear "Apogee sound", unmistakebly recognize Lavry, Lynx or Prism conversion should work for those brands and tell them what are they hearing exactly, so that they can remove it in the next interface. Dont get me wrong, I think those converters are great, even own one. But there nothing wrong with those other interfaces either. Its not like were talking about some noise, distorsion or hum with Presonus, M-audio and Behringer AD/DA units. They are all clean and very real. But its not enough for us, we want to see on paper that our AD/DA is better than other, and we are ready to pay for it up to 10 times more. Doesnt matter if some company is having faulty measurements, we will pay for that on-paper super clean AD/DA. Because when we hear it we will say: "Ah, yes. Huuuge step up from my old interface." Whats more paradoxal is that in the same time we try to recreate all those things that engineers wanted to get rid of for so many years in audio recording. But thats for some other topic. Ive read 1000s of posts and threads here on GS, listened to dont know how many shootout files and had been led in directions of all sorts of brands, gears from 30$ to 5000$ and more. And I had many in my studio for a try. And I gave it most back, few days later, realized that my gear is fine. You can say that I was enlightened and disenlightened many times because of threads with purpose. So now, Im not forming my opinion on ALMOST anything I read or hear on this forum. Too much BS, lots of marketing. The purpose of this thread is simply not to contribute any of those two. | |
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| | #17 | ||
| Lives for gear | Quote:
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| | #18 |
| Lives for gear Joined: Aug 2006
Posts: 4,130
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M-Audio FireWire 1814 From a GS post: fw1814 has AK5385a in Channels 1 & 2 @ 192Khz From a Japanese dealer's website: "AKM corporation 24Bit192kHz 114dB enhanced [deyuarubitsuto] ADC (AK5385A) loading AKM corporation 24Bit96kHz 106dB enhanced [deyuarubitsuto] ADC (AK5381) loading AKM corporation high performance 24Bit192kHz 112dB DAC (AK4358) loading 瑞 DM1000 of BridgeCo corporation (1394 interfaces processor) adoption Zero ray ten sea hardware direct monitoring functions" Inputs 1 and 2 have AK5385A, and 3 through 8 are AK5381 All four outputs use AK4358. Also notice that "Zero ray ten sea" = zero latency. |
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| | #19 |
| Lives for gear |
Okay?...
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| | #20 |
| Gear addict Joined: Jul 2010 Location: Citrus Co., Florida
Posts: 460
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The list is nice to know info. But I agree you can't base the audio quality or the overall quality of a device just on the A/D or D/A converters.
__________________ Sonar X1D Extended and PT MP9 Ozone 5 Member of Nashville R.O.P.E. Association |
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| | #21 |
| Lives for gear Joined: Aug 2010 Location: Europe
Posts: 599
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| | #22 |
| Gear maniac Joined: Apr 2006
Posts: 177
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And the motu 24 i/o?
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| | #23 |
| Gear maniac Joined: Oct 2009 Location: Croatia
Posts: 156
Thread Starter | |
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| | #24 |
| Gear nut Joined: Sep 2007
Posts: 119
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Echo Gina24 uses AK4393 and AK5383.
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| | #25 |
| Gear addict Joined: Apr 2009 Location: Texas
Posts: 469
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Great list. Haha Lynx Aurora uses same chip as digi 003 |
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| | #26 |
| Lives for gear Joined: Aug 2009
Posts: 1,344
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Wondering about Allen & Heath converters...I didn't see those listed? The ZED R16 and the new GSR24 |
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| | #27 |
| Lives for gear Joined: Aug 2002 Location: Baltimore
Posts: 1,968
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All cars use round tires.. Their performance can all vary.
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| | #28 |
| Lives for gear Joined: Mar 2004
Posts: 561
| Orpheus update
Clarification on the Prism Orpheus: ADC is CS5381 as listed above DAC is CS4398 Mic pre chips are PGA2500 Line inputs use OPA2134 Line outputs are the venerable 5532 (TI version) Headphone outputs use OPA2134 David |
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| | #29 |
| Lives for gear Joined: Dec 2004 Location: Telefunkenland
Posts: 1,138
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Steinberg MR816 anyone? i always wondered which chips they use...
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| | #30 | |
| Gear maniac Joined: Oct 2009 Location: Croatia
Posts: 156
Thread Starter | Quote:
Id like to know also. We should just send a mail to Steinberg and ask. | |
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