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| | #1 |
| Lives for gear Joined: Aug 2005 Location: New England
Posts: 1,727
Thread Starter | Sm7 vs SM58 shoot-out! (w/files)
Homestudiocorner.com has a pretty good shoot-out comparing the SM7 and SM58. (and not some lame, spoken-word thing either... REAL SINGING!) SM7 vs SM58 He's waiting for more "votes" before posting the answers. Quick and easy listen. Post your impressions! |
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| | #2 |
| Lives for gear Joined: Jul 2005
Posts: 649
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If #1 isnt the SM7 im never buying it. Cause it sounds quite a bit better than #2 to me.
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| | #3 |
| Gear maniac Joined: Apr 2009
Posts: 154
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Thanks for the link, 6strings! I'll be posting results tomorrow afternoon, so get your guesses in. |
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| | #4 |
| Lives for gear Joined: Dec 2007 Location: Audioland
Posts: 1,106
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Each has something the other dosen't. I prefer the tighter lows on 2 and the tamer, more elegant siblence on 1. Somehow I don't think either mic is a match for the voice, but the lack of a more familiar preamp is probably to blame. If I were recording him I'd try to find out what Paul Rodgers used when he did the Muddy Waters tribute album.
__________________ Happy New gEars |
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| | #5 |
| Lives for gear Joined: Jan 2008
Posts: 2,228
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I prefer #1. I think it's the SM7, sounds a bit more... full. But I could be wrong. Had a few brewskies.
__________________ Best wishes, JPeters86 |
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| | #6 |
| Lives for gear |
Maybe I'm deaf. Maybe I need to switch careers. But those two cuts sound pretty much the same to me. In a lot of these "shootouts" I find myself unable to distinguish between such cuts, even between dynamics, condensors, and ribbons. And I've been doing this for 30 years, using all sorts of gear. I guess I've just always focused on the song and not the minutiae of how it was recorded. HOWEVER: if somebody put a gun to my head, I chose #1 as superior -- it seems smoother
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| | #7 |
| Lives for gear Joined: Aug 2005 Location: New England
Posts: 1,727
Thread Starter | another cool SM7 test...
You guys GOTTA check this thread out too... SM57 vs. SM7 listening tests - 3dB VERY interesting data and discussion regarding the true difference between the SM7 and SM57. thumbsup |
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| | #8 |
| Gear maniac Joined: Jun 2009 Location: WGC, UK
Posts: 165
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I'd say number 2 is the SM7B, 1 is the '58. Reason for this is I listened to 2 first (loaded quicker) and it sounded alright, number 1 sounded less high end and a more muffled low end, which the '58 tends to do (at least so I've experienced).
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| | #9 |
| Lives for gear Joined: Dec 2003 Location: NYC
Posts: 596
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Re 58, I have never used a 7b but have had 58s for 25 years. If 2 is not 58 than I'll eat my hat, give up music and become a nun. Sr Chucho |
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| | #10 |
| Lives for gear Joined: Nov 2008 Location: Nashville, TN
Posts: 786
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1 sounds like the sm7 to me
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| | #11 |
| Lives for gear Joined: Aug 2005
Posts: 1,048
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why choose? Have all three
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| | #12 |
| Lives for gear Joined: Apr 2005
Posts: 570
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| | #13 |
| Lives for gear Joined: Apr 2005
Posts: 570
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Yeah, I'm gonna go with #1 as the SM-7. It just sounds more balanced and smooth. Number 2 seems a bit more gritty and annoys me around the 2K frequency.
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| | #14 |
| Lives for gear Joined: Apr 2005
Posts: 570
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And if I'm wrong, I'll give up my hat and eat a nun. |
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| | #15 |
| Gear addict Joined: Oct 2008 Location: USA
Posts: 390
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Sm7 is #1 and the 58 is #2
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| | #16 |
| Lives for gear Joined: Sep 2005
Posts: 1,893
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he's affected the sound of the 58 by REMOVING the basket. the guy thinks that it's a just a pop filter like the 7b but doesn't realize that a lot of the 58 sound comes from the basket design. flawed test and moot. |
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| | #17 |
| Lives for gear | Ha -- I just noticed this in the pic. I agree, dubious comparison
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| | #18 | |
| Lives for gear Joined: Aug 2005 Location: New England
Posts: 1,727
Thread Starter | Quote:
The SM58 and SM57 do use the same cartridge. The grill, though, does effect the frequency response to some extent. At a distance, the difference is probably not noticable. But at extremely close distances, the difference is noticeable. Due to the grill, a person's mouth can get closer to the diaphragm of an SM57, thus causing more proximity effect and increased bass when compared to the SM58. BTW., anyone follow the link I posted above?? SM57 vs. SM7 listening tests - 3dB | |
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| | #19 | |
| Lives for gear Joined: Dec 2007 Location: Audioland
Posts: 1,106
| Quote: | |
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| | #20 | |
| Lives for gear Joined: Aug 2005 Location: New England
Posts: 1,727
Thread Starter | Quote:
from the link above: "The mid filter is a series resonant network, resonant at 3.23Khz. It pulls the signal down at the resonant point, so the network is in the circuit for flat, and switched out for boost." | |
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| | #21 | |
| Lives for gear | Quote:
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| | #22 | |
| Lives for gear Joined: Jan 2008 Location: Colorado
Posts: 879
| Quote:
Here's more info on the differences between the capsules: SM58 - The SM58 has the same capsule as the SM57, aside from mounting differences2, and the input sensitivity is the same7, but the flat grille on the SM57 allows positioning so close to a sound source that proximity effect can cause low-end boost that the SM58 cannot reproduce. Further, the grille on the SM57 causes a boost above 5kHz3. SM7 - The SM7 capsule, like the SM57/SM58 capsule, is based on the “Unidyne III” capsule design, yet it is not identical to the SM57/SM58 capsule4. The SM7 capsule is p/n RPM106; the SM57 capsule is p/n R57. 545SD - The 545SD is physically the same size as the SM57, and uses the same Unidyne III capsule. Both are cardioid dynamics. The 545SD frequency response chart is similar, but not identical to the SM57; the 545SD would appear to have slightly more pronounced high-end response. ....and the link for this info: Shure SM57 | RecordingHacks.com | |
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| | #23 | ||
| Lives for gear Joined: Aug 2005 Location: New England
Posts: 1,727
Thread Starter | Quote:
Quote:
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| | #24 | |
| Gear maniac Joined: Apr 2009
Posts: 154
| Quote:
I don't know if this negates the test. I'm not comparing them for live use. I was more focused on how they sound in the studio. I honestly don't know, but do most engineers leave the basket on when they use the 58 on vocals in a studio session? I assumed they would remove it and use a pop filter. Either way, I still find it interesting that while there ARE differences, it's definitely not a night and day thing, which to me is encouraging. Thanks for the input, Audio Hombre. | |
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| | #25 |
| Lives for gear Joined: Aug 2003 Location: Los Angeles
Posts: 4,414
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Its cool that this was done, but to understand the difference between mics as a vocal mic its really really important to compare them across multiple vocalists. On certain vocalists my $100 mxl sounds virtually identical to mics costing 10 or 20 times the price. On other vocalist the MXL is almost unusable and the expensive mix sounds great etc. Different vocalist will elicit very different characteristics from the same mic. BTW, not bashing the test, just throwing in some insight.
__________________ Ronan Chris Murphy+ http://ronansrecordingshow.com Six Day Recording Boot Camps in Los Angeles July 16-21, 2012 |
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| | #26 |
| Gear nut Joined: Mar 2003 Location: Norway
Posts: 148
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I'm not familiar with the SM7B, so I've got no idea which is which. But, in this test mic #1 sounded much better. Very nice singin' btw |
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| | #27 |
| Gear Head |
#1 is SM7b #2 is SM58 I have used them both ... //S |
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| | #28 |
| Lives for gear Joined: Jun 2009
Posts: 3,397
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only used a 58, but i'd also guess 2 for that. 58 should have more bass proximity effect. billy corgan used a 58 for some of mcis. nothing wrong with it. |
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| | #29 | |
| Lives for gear |
Whatever it is nr. 1 sounded better on this vocalist with this preamp...more full, more pathos in some ways... my 0.02$, Bests, Cheu
__________________ ![]() www.masterdaelion.com A new, breaktrough way of reading your music scores. "If you want to be given everything, give everything up" www.qtrio.ch www.studio21.ch Quote:
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| | #30 | |
| Gear maniac Joined: Apr 2009
Posts: 154
| Quote:
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