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| | #1 |
| Gear Head Joined: Jun 2007
Posts: 35
Thread Starter | A&H ZED R16 PRE vs UA SOLO 610 w AC Guitar Hi, I did a pre amp test between the A&H ZED R16 and my UA Solo 610. Files are recorded 44.1khz and 24 Bit. No plugins are used. Both recordings are done with the ZED High Pass filter engaged. ZED EQ was bypassed. Sample A Chain: Martin HD28 -> AT 4060 -> UA SOLO 610 -> ZED (line in) -> DAW Sample B Chain: Martin HD28 -> AT 4060 -> ZED Pre -> DAW
__________________ If you can't stand the heat, get out of the kitchen... |
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| | #2 |
| Gear Head Joined: Sep 2008
Posts: 60
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It is my understanding that even if you use the 1/4" line in on the Zed, you will still be going through the pre amp stage. Since both examples went through the Zed's input channel, I believe the UA solo example would also include some of the "flavor" of the Zed pre, which would obviously scew the A/B comparison. Perhaps you could bring the signal from the UA solo into the Zed via the insert, and bypass the preamp section. That being said, I didn't really hear that much difference between the two, using a Benchmark dac-1 into Adam A7's. If anything, the 610 example MAY have had a little more clarity in the top end. Not sure though, as I didn't listen that long,.. which would obvioulsy mean that the two were that close that I would have to really listen in to be able to discern an appreciable difference. I own a UA la-610, and if the solo 610 sounds the same as it, and IF your test wasn't scewed because of the aforementioned input issue,.. then I would have to say the Zed's pre's are indeed very impressive. Especially since you would get 16 of them! Thanks for taking the time. |
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| | #3 |
| Lives for gear | what he said... and.....
Pretty impressive, but the level the playing field.... use no high passes.... just straight amplification... go in on the inserts.... and move the mics back a bit, if you can... sounds a bit boomy....especially the zed-r16 one...... maybe that's my headphones... but seems like since the zed-r16 was boomy, the levels were set with that into consideration, making the mids and highs less amplified...
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| | #4 |
| Gear Head Joined: Jun 2007
Posts: 35
Thread Starter |
I'll try to make new recordings this weekend...
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| | #5 |
| Lives for gear Joined: Jul 2008 Location: Memphis TN
Posts: 3,961
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The 610 track you could hear machines in the background clearly, more top end, seemed to be boomy lows on the ZED and muffled highs compared. They both sounded good, but, there was too much noise for me.
__________________ I think I just ran past myself. http://www.memphisindie.com ![]() I won't use pitch correcting software. I use "coaching" maybe you've heard of it. It keeps working even when you don't have it on. |
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| | #6 |
| Lives for gear | the background noise gives a hint to levels...
Yeah...the background noise gives some clues as to the frequency response in the high frequencies.... and the levels... I'd say the gain of the ZED version attenuated about 2 db to make up for the extra bass that it picked up.... balancing the levels based on equal frequency response would set up a level playing field. I'm anxious to hear how the ZED-R16 would sound if you go out on IT's insert , and into your DAW, compared to the UA610 going directly into your daw.... That way, the signal is not going through more of the ZED's signal path to the outs.... Then you'd be comparing the two preamps on more equal terms.... (given that you do have another interface , besides the ZEDr16 ? ) cheers ! |
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| | #7 |
| 3 + infractions, forum membership suspended. Joined: Oct 2008
Posts: 1,978
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1 vote here for the a&h ZED SERIES :: ALLEN & HEATH |
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| | #8 |
| Lives for gear Joined: Aug 2007
Posts: 653
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old thread here but stumbled across it researching the zed r16 have to say in this example it sounds pretty mediocre perhaps it is the way the mic was positioned does anyone else have any comparison clips? |
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