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| | #61 | |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | Quote:
I like your reasoning on the inside kicks. Makes sense to me. re: your reasoning about the Sputnik. Sorry, the Sputnik sounds NOTHING like a U87. Not even close. Opposite ends of the universe. The sputnik has none of the "smokey" quality (not sure if that description will pass translation.... ) of the U87 and has way more bottom and way more top.No. The i5 is not number 7. I regularly use the i5 though. It's a great mic. I think I'll be going back home to the 57 more often now after this shootout though. I'm not going to tell you about your tom choices yet, but I CAN say that all 6 of those mics cost LESS than ONE 421. Actually, 4+4 cost less than a 421. ![]() Trading Motorcycles for Mics???? AAAAAAAaaaarrRRRRRRGGGggggggg!!! The agony. I suppose I could have more mics if I didn't have four motorcycles in my garage. OR, I could have that new KTM if I didn't have all these mics. Decisions, decisions...... Room 11 and Room3 are both relatively in-expensive mics. No, 11 is not the Fathead. But you're getting closer..... bp
__________________ Mindseye http://www.mindseyeprod.com IMDB Composer - Orchestrator Scoring & Mix Engineer - Music Editor | |
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| | #62 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | Hey beebay007!!!! It's not about being an expert. It's about having some fun and learning something about our mics. Like I said earlier, I learned a LOT by doing this. And the way I'll be workiing in the future will reflect that. Anyway, you started off very strong with a: 57% correct score on the inside kicks. You were down to 20% correct on the Snares though And wound up with only 12.5% right on the Toms But soon you will know all the answers!!!! Thanks for taking the chance! bp PS - I'm sure glad I don't have to guess all these blind...... ![]() |
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| | #63 | ||||||
| Gear nut Joined: Jul 2008 Location: Japan
Posts: 77
| Quote:
To be honest, I have not miced a full drum kit yet with my gear here in the new digs. And my mate here is professional drummer with a rock band and wants a demo, so this shootout is very auspicious. I'm basing my speculations on general/other-instrument mic/tracking experience, and willing to be dead wrong, and to learn more. My experience is that with decent mics and the most nice placement you're ahead of the game. And I'm counting my cash! Quote:
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, importing being a non starter. I wish I had enough good mics to spend a few on a bike ![]() Quote:
Nothing like good infrastructure, Xenon | ||||||
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| | #64 |
| Gear nut Joined: Mar 2007
Posts: 98
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my ears are nowhere near golden nor experienced enough to try to guess which was which, but before the results are posted, here's my picks. i'm interested to see what i chose, given my ongoing love affair with cheap and/or oddball mics. Inside Kick: Wasn't digging on any of them too much, but then again my favorite inside kick mic is the Sennheiser 602, so there you go.... 01 in a pinch if I had to pick. Outside Kick Mics: 02 for boomy vibey folk or indie, or in a song w/sparse instrumentation 04 for tight rock or in a denser mix Snare Mics 09 was my favorite by a long shot. i felt like i was hearing much more of the drum. also liked 04 and 05. Toms 03 and 06 rocked my world for clarity and presence/punchiness. also liked 07. Overheads OH 5 and OH9 won out for me for clarity and presence. some of the others seemed a bit lacking in detail, even just within the context of the drum mix. thank you so much for doing all this! +1 to the list of people who greatly appreciate (and are learning from) your effort. |
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| | #65 |
| Lives for gear Joined: Dec 2007 Location: Sweden
Posts: 1,348
| Choosing the right mic can mean life and death in many circumstances, figuratively speaking. This pic reminds me of the 3rd Indiana Jones film, at the the end, when Indy is inside that stone cave (with the knight) hoping to find the holy graal, and he's faced with shelf after shelf containing lots and lots of different cups. He scans the impossible number of selections, like I'm looking at this pic, while he is told: "You must choose. But choose wisely, for while the true graal will give you eternal life, a false one will take it from you" |
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| | #66 | |
| Lives for gear Joined: Jan 2005 Location: Los Angeles
Posts: 2,078
| Quote:
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| | #67 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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| | #68 |
| Lives for gear Joined: Jan 2005 Location: Los Angeles
Posts: 2,078
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| | #69 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter |
hey guys, that's just havin' some fun. i could care less if I guess them right as long as I find one that I LIKE!!! ![]() |
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| | #70 |
| Lives for gear Joined: Jan 2005 Location: Los Angeles
Posts: 2,078
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True! Hey, drBill, when are you planning to release the results? I'm itchin' to go shopping!
__________________ "Creativity is allowing yourself to make mistakes. Art is knowing which ones to keep"... --Scott Adams |
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| | #71 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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yeah but I think being able to guess them correctly is good to be able to do, so you know what each mic sounds like, which helps you to know which one you want to use to get the sound you want.
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| | #72 | |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | Quote:
![]() One more thing I'd like to stress before the results - placement, EQ and hard work could completely swap the results here. This was just to get a feel for the "flavor" of the mic. If you really like one of the clips, but the mic is too expensive, it doesn't mean you can't get close with a different mic. Maybe better. Placement is everything, but here, I just put everything in as close to the previous mic's position as possible. thumbsupthumbsup Now, if Craig would just log in and give his thoughts on which clips he likes, I'll spill the beans!! bp | |
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| | #73 |
| Gear interested Joined: May 2008
Posts: 2
| Now, if Craig would just log in and give his thoughts on which clips he likes, I'll spill the beans!! OK, hear goes. My selections were consciously(or possibly subconsciously) based on what I like to hear from my own drums. Also note that I'm a relative newcommer to critical listening. I can't always tell you why I like a particular sound or not. It's something that I just sense or feel at that particular moment. At any rate, I think I'm drawn to what the drums (or what I think the drums) sound like to me when I'm playing the kit. I'll say a transparent sound without hopefully sounding to cliche. It's also very hard for me to make a determination based on the sound of the mic soloed. For me, it's in the context of the entire kit. All the mics are reacting with each other, and the possibilities for different qualities of sound are endlesss. So hear goes... kick inside #2 kick outside #2 hi-hat #5 snare #4 hands down toms #1 hands down overheads #10 room #3 OK Bill, how much do I need for my mic budget?! Craig |
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| | #74 |
| Gear Head Joined: Jul 2008 Location: Germany
Posts: 55
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I've also done this great test and these are my results: Kick Inside: #1, #2 (I like #1 alot more than #2 though) Kick Outside: #2, #5, #3 HH: #4, #6 Snare: #4, #6 Toms: #3, #4 OH: #5, #4, #10 Those are my votes in order of preference, I can't wait to see which one is which :D Great work guys, and great recordings ![]() Very nice drumming Craig! Thanks alot for this test!! |
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| | #75 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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right, OK, spill the beans now~!
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| | #76 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | Maybe we should wait a little while longer...... ![]() ![]() OK, here you go: I don't have the heart to stretch it out any longer! After all this I sure hope to hear some comments!!!!! Hi Hats HH01 AKG C451E.wav HH02 Neumann KM84.wav HH03 Apex 205MJ.wav HH04 MXL 604-603-991.wav HH05 AT 3528.wav HH06 Gefell 692-M70.wav HH07 Gefell UM70.wav HH08 AKG 414B-ULS.wav Kicks (Inside) iKick01 AKG D112.wav iKick02 Audix D6.wav iKick03 EV 635A.wav iKick04 Sennheiser 441.wav iKick05 Shure Beta52.wav iKick06 Sennheiser 421.wav iKick07 Shure SM57.wav Kicks (Outside) oKick01 Neumann U87 Fig8.wav oKick02 M-Audio Sputnik Fig8.wav oKick03 AKG C414B-ULS Fig8.wav oKick04 Gefell UM70 Fig8.wav oKick05 Groove Tubes AM62 Fig8.wav Snare (Top) Sn01 Audix i5.wav Sn02 Sennheiser 421.wav Sn03 Shure SM57.wav Sn04 Sennheiser 441.wav Sn05 BeyerDynamic M201.wav Sn06 AKG C451E.wav Sn07 MXL 991(604-603).wav Sn08 Neumann KM84.wav Sn09 Groove Tubes AM62.wav Sn10 Gefell 692-M70.wav Toms (Top) Toms01 CAD M177.wav Toms02 Shure SM57.wav Toms03 Neumann KM84.wav Toms04 Audix i5.wav Toms05 Sennheiser 421.wav Toms06 MXL 604-603-991.wav Toms07 AKG414-NeumannU87.wav Toms08 GefellUM70-M71.wav Overheads OH01 MXL V69ME Card.wav OH02 M-Audio Sputnik Card HPF.wav OH03 AKG C451E Card.wav OH04 Neumann KM84 Card.wav OH05 Gefell M71S Card.wav OH06 Cascade X-15 Top Pos Blum.wav OH07 AKG C414B-ULS Card.wav OH08 Apex 205MJ Fig8.wav OH09 M-Audio Sputnik Fig8 HPF.wav OH10 Gefell 692-M70 Card.wav OH11 Cascade X-15 Front Pos Blum.wav OH12 AKG C414B-ULS Fig8.wav OH13 Cascade X-15 Rear Pos Blum.wav OH14 GrooveTubes AM62 MONO Card.wav OH15 Neumann U87 MONO Card.wav OH16 Cascade Fathead II MONO Fig8.wav Room Room00 Drums-No Room.wav Room01 Neumann U87 Mono Card.wav Room02 Cascade Fathead II Mono Fig8.wav Room03 Apex 205MJ Mono Fig8wav.wav Room04 M-Audio Sputnik Mono Card.wav Room05 Gefell M71S Mono Card.wav Room06 MXL V3 Mono Card.wav Room07 GrooveTubes AM62 Mono Card.wav Room08 Apex 205MJ Stereo Fig8 Null.wav Room09 M-Audio Sputnik Stereo Fig8 Null.wav Room10 M-Audio Sputnik Stereo Card.wav Room11 Cascade X-15 Stereo Front.wav So.........whaddaya all think???? What were your biggest surprises???? For good? For bad?? bp |
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| | #77 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | List prices - or going prices (without shopping too hard).... Audix D6 $199 - kick inside #2 M-Audio Sputnik $799 - kick outside #2 Audio Technica 3528 (out of production and going up in price faster than I can type) $50 - hi-hat #5 Sennheiser 441 $700 new $400 used - snare #4 hands down CAD M179 $128+128+128+(128???-you need 4??) - toms #1 hands down Gefell 692/M70 (out of production) IF you can find them - $500+500 - overheads #10 Apex 205 Michael Joly Modified $80+250 (mods) - room #3 Around $3500 if you buy new. Maybe around $2500 if you buy used when you can find them and deal hard on the new ones. As for the out of production mics.......difficult to tell. If you really like those Gefell's, I hunt them down FAST and buy them. Gefell's are still pretty much sleeper mics, but the world is finding out fast!!! Personally, I can't figure out why you chose 10 rooms over our normal #5, but at least you stuck with the East Germans!!! :-) bp |
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| | #78 |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
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Are you saying the CAD M179 was #1 hands down most picked or am I reading that wrong? War |
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| | #79 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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wow, the SM57 is a surprisingly good inside kick mic
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| | #80 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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Why does snare 4 win? I don't like it
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| | #81 | |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | Quote:
When Craig notated "hands down", I think that meant there was absolutely no question or doubt about which was best in his mind. That that mic far exceeded all the others. You'll note he only said that about the toms and snare mic's. | |
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| | #82 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | Well, it wins for Craig. Not for you or I perhaps. It's the most natural sounding to Craig. Also, he likes the way it minimizes the ring of the snare and has a natural sound. Natural is not always best, but I think Craig is wearing his drummers hat when listening to these. By the time it gets into the track, he might change his mind. BUT, the thing I learned in all of this is that hardly ANY of these mics sucked. They could all work with a little placement and EQ in the RIGHT song. And yeah, the 57 is a respectable mic on a lot of stuff. I've seen guys mic entire kits with them. I wouldn't do it, but what do I know...... ![]() |
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| | #83 | |
| Jai guru deva om Joined: Feb 2003 Location: South Carolina
Posts: 12,253
| Quote:
I still use them 100% of the time on toms, just got done using them again tonight... War thumbsup | |
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| | #84 | |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | Quote:
cheers, bp | |
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| | #85 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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I didn't so much like the way 421's sound on toms when solo'd but they sound tough in combination with the other mics, and that's what its all about.
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| | #86 |
| Lives for gear Joined: Jan 2005 Location: Los Angeles
Posts: 2,078
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Wow... ![]() So here's what I picked (in order of pref): Kick - SM57 FOK - AM62, Sputnik Snare - KM84, AM62, i5, MXL 604 HH - KM84, C451E Toms - M177, MXL 604, i5 OH - MXL V69, M71S, Sputnik Room - Sputnik, M71S Surprises for me: 1. that I liked the sound of the condensers on close drums over most of the dynamics. 2. that the 635A hung in there so well. 3. that it looks like I'll be buyings some M-audio and MXL mics in my near future. 4. that the Beta 52 sounded so BAD to me. 5. that I chose the sound of LDs over SDs on overheads. Great work, guys - VERY revealing for me. |
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| | #87 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter |
Junior - you bought those CAD's yet???? ![]() ![]() When you say the Beta52 sounds "bad". You mean bad/good or bad/bad??? ![]() Just wondering cause I really like that mic. ![]() BTW, on your top Tom pics, I actually bought 3 of each of those sets 177/603-4/i5 for UNDER $500 for 9 mics!!!!!!! |
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| | #88 | |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | Quote:
bp | |
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| | #89 |
| Gear Guru Joined: Jul 2006 Location: So Cal
Posts: 11,509
Thread Starter | That's cool. I was actually surprised that they didn't do better in the comparisons. Not enough stick definition for me personally. During normal tracking, I love the tone, but the off-axis bleed is kinda ugly for me, and I always have to EQ in some "stick". I usually end up gating them. HOWEVER, their tone now has me wondering about the Gefell M71's or CAD's on the top of the toms, and the 421's on the bottom resonant head. THAT I think would be the all-time be-all end-all tom sound.
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| | #90 | ||
| Lives for gear Joined: Jan 2005 Location: Los Angeles
Posts: 2,078
| Funny you should ask! I just picked up a used one for cheap. Gotta' find a few more now. ![]() Quote:
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