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| Thread | Thread Starter | Forum | Replies | Last Post |
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| | #1 |
| Gearslutz.com admin Join Date: Apr 2002 Location: London, UK
Posts: 12,553
| How to make money, or how to make MORE money - recording voiceovers .
__________________ Jules "It did proove the soundproofing we have is good, as I heard no gunshots." - Led |
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| | #2 |
| Lives for gear Join Date: Jul 2003
Posts: 1,650
| This is one of those things that kind of requires a good voice obviously. I remember a while back there was some guy who was working in a major market and just faxed a web address for $25 spots and he had some music libraries and people would send him scripts and all he did was cut the v/o and put some music on it and email the mp3. That probably takes all of 5 minutes for him. Not bad money even at that low of a price. |
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| | #3 |
| Gear addict Join Date: Apr 2003 Location: Denmark
Posts: 347
| Make deals with production cmopanies, agreeing to speak up to X pages pr. day at a fixed monthly rate. Deliver the speak via e-mail.
__________________ Cheers, Lasso. www.tonekontrol.dk www.myspace.com/supershadecph www.hotmastering.dk - online mastering |
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| | #4 |
| Gear nut Join Date: Mar 2004 Location: at the studio
Posts: 137
| Last year we billed $800,000 in just voice-over work (not including VOs for advertisment, video, just straight up VO projects).... helps justify all the other projects that make no $$$. Books-on-tape Educational Testing Training CDs
__________________ - Wolfie |
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| | #5 |
| Lives for gear Join Date: Sep 2002 Location: Brazil, Florianópolis/SC
Posts: 1,277
| cool $800,000? not bad at all-lol Two years ago I had an untypical task of recording HAPPY BIRTHDAY messages along with 2 different versions of thesong happy birthday adapted into "modern mtv acosutical stuff", one for males and other for female. It was a big success here.. but far far far from U$800,000 more similar to cutting the last zeroes!
__________________ Alécio Costa Studio Music Production/Mastering http://www.aleciocosta.com Listen to my album at: http://www.audiostreet.net/artist.aspx?artistid=38915 |
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| | #6 |
| Gear nut Join Date: Mar 2004 Location: at the studio
Posts: 137
| I encourage you all to seek this business ... we all can use it !! I'm more than glad to give advise, but won't tell ya who my clients are ![]() Seriously though, these are tough times ... and there is still alot of business to be had. This is a great way to keep the doors open. VO work is super simple. After you setup the mic, adjust pre's, comps, etc - sit back and punch the transport. After the session, basic post editing (i have channel presets for every talent/mic - usually gate - EQ - MultibandComp {or comp - de-esser} ) Of course, sometimes there is alot of editing, but very simple compared the miracles we've done with music.
__________________ - Wolfie |
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| | #7 |
| Lives for gear Join Date: Sep 2002 Location: Brazil, Florianópolis/SC
Posts: 1,277
| hi you are right, Wolfgand. I am somewhat worreied that nowadays people are working more and more and less money is going into pockets. time to rethink market strategies. Lots of writers are releasing their books in CD audio/rom/dvd formats.
__________________ Alécio Costa Studio Music Production/Mastering http://www.aleciocosta.com Listen to my album at: http://www.audiostreet.net/artist.aspx?artistid=38915 |
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| | #8 | |
| Lives for gear Join Date: Nov 2002 Location: Vancouver
Posts: 643
| Quote:
What is the 'Educational Testing' you mentioned? Thanks. Shane | |
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| | #9 |
| Gear nut Join Date: Mar 2004 Location: at the studio
Posts: 137
| Alécio, yes, the time is now - especially with the current state-of-affairs with the record industry. Yes, contact publishing companies - ask for project managers, - make sure you have firm rate cards And pound home "Quality, on-time delivery, etc" That is all they care about. Quality control is very! important, i always have a producer reading the script during the sessions. After i mix down, i send it to the client to proof, and have them 'sign-off' (yes, they sign a legal document approving it). Then, it is sent for duplication, i ALSO, have the duplicator send me a cassette and CD proof, AGAIN, to make sure no errors are made when they create the glass master. And another editor will listen to the cassette/CD and proof it again! Why do i do this? We once had a first pressing of 50,000 contain errors .... it was a typo, yet, we never had the client sign-off, and we had to eat the cost :-( and fix the error. Shan, We charge $120 first hour, $100 remaining hours. That includes room, gear, engineer, producer/editor. These are flat rates. Same rates for editing, revisions, etc. Keep it simple. Of course, rates vary depending on region, competition, clientel, etc. We have a very good talent pool, locally. Maybe 12 males and 10 females. Although, i also use talent all over the globe, especially for language translations and advertising. And several times the client wants a 'well-known' voice, we will usually phone patch to another studio, or record via ISDN line. Long play is almost always in-house. Eductional testing: At least here in the US, all states are required to test the aptitude of students K-11, Math, Science, English, Social Studies, etc. This testing is important for funding. And of course, to see if the kids are being educated!! We provide audio versions of these test for the learning disabled, sight impared. This is all contract work. Hope that makes sense, typing faster than i'm thinking ;-)
__________________ - Wolfie |
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| | #10 | |
| Lives for gear Join Date: Nov 2002 Location: Vancouver
Posts: 643
| Thanks for the informative post Wolfgang. Quote:
I'm sure most of your business is word of mouth now but how did you start promoting and making yourself known to the public about the voice over services you offer. Thanks Shane | |
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| | #11 |
| Gear maniac Join Date: Dec 2002 Location: Planet Earth
Posts: 181
| To those recording audiobooks: How do you deal with the turning page noise issue? Usually how long is one session and how many chapters can be read? Also I noticed the audiobooks are usually published by a diff. publisher than the regular book, anyone knows how those sort of deals go? (kind of OT, sorry) |
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| | #12 |
| Registered User Join Date: Jan 2005 Location: Fort Wayne Indiana
Posts: 75
| Would love to have some insight of how to market a voice talent without using a service...or is a voice pool service the best way?? Thanks |
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| | #13 |
| Gear nut Join Date: Dec 2002 Location: VANCOUVER CANADA
Posts: 110
| Voice over " Vancouver "Langley area Shan if you would like to know the process we at Marpole would be glad to show you we have been serving the lower main land for over 15 years Logic Audio apoggee * avalon* great* river neve*uad and distressers**This process takes many hour 's of promotion and many many evenings wearing a 3 piece suit listening to clients who think they know everything about the music industry and you thought musicians were bad?Oh yea be prepared to have those music and schooling degrees on hand these people are a different breed in fact never never say you were or are a Musician this counters up images of the morley pedal guy with long stringy hair smioking you no what...Just a tip from a neighbour. |
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| | #14 | |
| Lives for gear Join Date: Nov 2002 Location: Vancouver
Posts: 643
| Re: Voice over " Vancouver "Langley area Quote:
Shane | |
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