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| | #1 |
| Gear nut Joined: Aug 2003 Location: Arnhem, the Netherlands
Posts: 145
Thread Starter | So you think you are cool making electronic music?
Cool perhaps, but a new thing...not really. Have a look at these dudes....for them it was... (this is a picture of composer Edgar Varèse in the mid-fifties i think)
__________________ "Not now, i have a meeting with the 2 Bob's" |
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| | #2 |
| Lives for gear Joined: Feb 2003 Location: Berlin / Germany
Posts: 5,167
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Would be interesting to hear what they were doing. I bet their pieces had a start and an ending with some variation of rhythm and melody in between. In opposite to todays monotony of elctronic shreds. Ruphus
__________________ "Am I the only one that tires of this "everything is subjective" watered-down-pop-culture-pseudo-philosophy bullshit?" Bravin Neff Wolgang Burr, former office leader of the German Chancellor before committee of inquiry: "You would not believe what unusual happens daily." "Patience, young Skywalker - let the object of your desires come to you." JTR "All thinking men are atheists." Ernest Hemingway |
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| | #3 |
| Gear nut Joined: Aug 2003 Location: Arnhem, the Netherlands
Posts: 145
Thread Starter | http://www.centrebombe.org/music/rem...eseRemixed.mp3 thats a link to a piece cpomposed by that guy. A lot of normal classical instruments aswell http://www.epc.buffalo.edu/sound/mp3...davidovsky.mp3 is a recreation of his work.... |
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| | #4 | |
| Lives for gear Joined: Mar 2003 Location: Brooklyn NYC
Posts: 696
| Quote:
His stuff can be pretty creepy at times though. Some of my favorite electro-acoustic / music-concrete artists are: Pierre Henry Xenakis John Cage Subotnick Bernard Parmegiani Stockhausen Luc Ferrari Pierre Bastien All of them are very worth checking out. I still feel that not a lot of artists (in any genre) have reached the same level of sonic purity as these guys. Many of the early electronic composers would spend years completing a song.
__________________ easy there tiger, your paper is showing | |
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| | #5 |
| Gear maniac Joined: Mar 2003
Posts: 289
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I would of course have to add Aphex Twin and Squarepusher to that list.
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| | #6 |
| Lives for gear Joined: Jan 2003 Location: Los Angeles, CA
Posts: 1,102
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many genres are shunned by those who don't understand them. they said the same thing about rock n' roll... |
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| | #7 |
| Lives for gear Joined: Feb 2003 Location: Berlin / Germany
Posts: 5,167
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Thank you guys for mentioning those interprets, shall make me listen to it by chance, except maybe of John Cage from whose takes that I heard I always wondered what he´s trying in the music world. Were there no more polaroid cameras available? hihi I checked the first link you posted, Bastiaan. Quite a horrible cacophony. But very interesting for me, as someone who figured ~ pre 70 audio mainly as low-fi, to hear what quality they captured back then already. Really surprising. Ruphus |
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| | #8 | |
| Lives for gear Joined: Mar 2003 Location: Brooklyn NYC
Posts: 696
| Quote:
About time, finally someone who speaks my language around here! | |
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| | #9 | |
| Gear nut Joined: Aug 2003 Location: Arnhem, the Netherlands
Posts: 145
Thread Starter | Quote:
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| | #10 |
| Lives for gear Joined: Aug 2003 Location: Knife, Fork, Bottle, Cork
Posts: 761
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The piece I like a lot is James Tenney's "Collage #1" (as a hip-hop/dj-/turntable-music guy, no surprise that I would), which is a wild tape-edit ride with Elvis Presley's "Blue Suede Shoes", mostly but not entirely dissolved into a swirl of varispeed ffwds and rewinds. Kind of a proto-Skratch Piklz thing. Nifty! In my high school, we could take an electronic music class where we were introduced to a lot of that kind of stuff, and got to mess around on a big patch-cord synth, play with an ARP, and learn to cut tape. Real glad to have taken it. Somewhere I still have a reel of the projects I did for the class--love to dig it out and see what it sounds like to me now. Peece, T. Tauri |
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| | #11 | |
| Lives for gear Joined: Feb 2003 Location: Berlin / Germany
Posts: 5,167
| Quote:
That 4ties sound above really surprised me. | |
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| | #12 |
| Gear Head Joined: Dec 2006 Location: Boston
Posts: 45
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Revolution #9...!!! Or that crazy solo in "Runaway"! |
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| | #13 |
| Lives for gear Joined: Jan 2006
Posts: 2,493
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I wish I had his hairdo and eyebrows.
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| | #14 |
| Lives for gear Joined: Aug 2005
Posts: 1,358
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| | #15 |
| Lives for gear Joined: Jun 2004 Location: London
Posts: 5,450
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Varese was a huge influence on Frank Zappa. Frank actually called him- spoke to his wife- Varese called him back. I think Frank was 16 at the time. Frank discovered Vai. Vai discovered Devin Townsend, who is just a monster player/singer/writer.
__________________ Regards, Jim Richmond "I don't go to mythical places with strange men." Douglas Adams |
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| | #16 |
| Lives for gear Joined: Jan 2006
Posts: 2,493
| I think he was also a huge influence on that guy from Flock of Seagulls. After all, they have the same hair.
__________________ ___________________________________ Needs more "silver"... |
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| | #17 | |
| Lives for gear Joined: Jan 2006 Location: El Pueblo de Nuestra Senora La Reina de Los Angeles de Porciuncula
Posts: 3,622
| Quote:
do a search and listen to that era of stuff. http://www.di.fm/edmguide/ hit on launch guide and go to the 50s ill even start a thread on this history of electronic music. its cool although some of the coments are kinda.. bla | |
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| | #18 |
| Lives for gear |
This is a great starter for anyone wanting to have a decent selection of early electronic music. ![]() I love early electronic stuff. Superb concepts and ideas, but not usually as hummable as The Eagles for example and this is what I call a studio... (in Munich, the Siemens Studio from the late 60's) |
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| | #19 |
| Lives for gear Joined: Dec 2006
Posts: 510
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You guys should listen to Ballet Mecanique by George Antheil... particular anyone into industrial type electronic music. Remind yourself that it was written in 1924. One piece wasn't successfully performed until 1990 because it needed 16 player pianos. In 1990 these player pianos were replaced with midi controlled grand pianos. Also I think Pierre Schaffer deserves an honourable mention. This railroad studies piece highlights the use of production techniques as creative practices, not corrective practices like they are most commonly used today. |
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| | #20 |
| Lives for gear |
Can't believe noone's mentioned Terry Riley, Steve Reich, Alvin Lucier, and LaMonte Young... they did a lot of interesting musique concrete before they settled in on more acoustic things. +1 for Stockhausen, Varese, and Xenakis...
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| | #21 |
| Lives for gear Joined: Dec 2006
Posts: 510
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"I am s-s-standing in a room much like the one y-y-you are s-s-standing..." I love that piece! Alvin Lucier's st*utter aids so much character to it as well. (* stops it turning into a smiley face --->) Xenakis did that cracking charcole piece didn't he? The one that original was a huge sound installation with 300 odd speakers or something? That piece reminds me of that crackling candy that you put on your tongue and it starts fizzing and popping. I can even feel it when listening to that piece... crazy! |
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| | #22 |
| Lives for gear Joined: Aug 2004 Location: tx
Posts: 8,802
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| | #23 | |
| Moderator | Quote:
get your labcoat on ![]() btw I have one of those chairs (bauhaus) simple and brilliant, but it makes "krrrr" sounds so it's at the workbench | |
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| | #24 | |
| Lives for gear Joined: Jan 2006
Posts: 2,493
| Quote:
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| | #25 |
| Lives for gear |
Not just the chairs, I'd probably update the lighting! btw, the big rack on the right is a vocoder. Gotta love it!
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| | #26 |
| Moderator | a vocoder? eehactually I also have TL bulbs here (old school building) vixapphire that is actually a good idea, I'll have to record that. |
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| | #27 | |
| Lives for gear Joined: Apr 2006 Location: australia
Posts: 790
| Quote:
he was famously fired by corb for asking tobe recognised for the work he was doing within the office. Corb had all of the locks changed and gave everyone a new key except Xenakis. his music drives me mad...
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| | #28 |
| Lives for gear Joined: Aug 2006 Location: Bay Area, CA
Posts: 532
| Nobody's Cool By The Arrogants nobody's cool, we're all the same, you're not a player, life's not a game don't you think it's time we left high school behind you're not a stud, you're not the man, you're not a pimp, and i'm not a fan your misogyny is just a plea for l-u-v the only thing i've seen that's cool in my life is a mom who loves her child and a man who loves his wife your two tattoos don't make you tough, please quit the act i've seen enough you say you're different but you all end up the same just be yourself, don't fake the geek, don't say you're random or a freak dude you're not punk rock, we're all just human beings the only thing i've seen that's cool in my life is a dad who loves his kids and a man loved by his wife nobody's cool, put down your nose, i don't care where you bought your clothes can't you see it's time we left high school behind cause it's plain to see we're all just human beings http://www.arrogants.com/songs.html
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| | #29 |
| Gear maniac Joined: Jul 2005 Location: The netherlands
Posts: 211
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Hi, I have studied at the institute for sonology, The institute owns, among many other electronic works by various composers, the original tapes of 'Poeme electronique', Varese's first pure electronic work. It was composed for the Philips pavilion at the Brussels World Fair of 1958. www.sonology.org check the history button. Greetings, Lau. |
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| | #30 | |
| Moderator | Quote:
is dat in eindhoven waar je gestudeerd hebt? Ik heb daar nog wat cursusjes gevolgd. coole link.. goed te horen dat je muziekaal niet ingeslapen bent! wat was je afstudeerrichting? | |
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