Nice
Thing is Ive only seriously stuck my head into synths this year, and even now use the TS10 mostly as a guitar synth unless I get frustrated/distracted and fiddle around with all the other functions without aim.
So I use the specialized mono-modes, extensive layerchanges going from almost silent (the equalient of background feedback and ambience) to plucks morphing to synthmodulation.
Using Hold modes from the Roland box to avoid note off problems.
It works, but, it doesnt sound to great yet, I can play it somewhat expressively which was hard enough to manage, but thats also where I need to work more with the engine.
The transwaves I make end up with to much expression of their own, and I want to play/use the engine rather than program to much movement into the waves.
More tones than effects.
At least for the voices I play with guitar and CC pedals.
Its easier to play along with the LFO or Envelopes going several places than it is with a preset radical change thats only happening in one tone.
So then the Fizmo becomes part of the ideal.
I want to have more simple waves to try with so I can find more of those expressive ways to tweak the engine and understand it better.
Its a lot of modulation to understand and examples of good use helps
Do you know what modulation parameters on the Fizmo made it into knobs for instance?