28th December 2012
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#31 | | Lives for gear
Joined: Nov 2005 Location: Cedarhurst, NY USA
Posts: 1,335
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Originally Posted by audioconsult hard to get a decend kick out of it is not what i want to hear about a drum machine really.. | I guess that would depend on what you're trying to get, and what type of music you're making.
It's certainly not a universal opinion.
I don't have any trouble getting kicks I like out of it. YMMV.
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28th December 2012
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#32 | | Lives for gear
Joined: Feb 2011
Posts: 1,239
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Originally Posted by plikestechno When was the last time something came out and everybody loved it? | Micromac. I do agree with the general thrust of your post though.
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29th December 2012
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#33 | | Gear addict
Joined: May 2009
Posts: 317
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I'd rather buy a used M3X LOL
Micromac is most definitely legit but it is a lot for what it is. I think price weighs into these debates as well. Certainly is the case with the Tempest. I think if it was a lot cheaper then people would be a lot kinder. People are being a lot nicer to the Minibrute because it is cheap so expectations are lowered.
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29th December 2012
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#34 | | Lives for gear
Joined: Oct 2011 Location: Kalispell, MT
Posts: 514
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I'm one of those with the evolving Tempest relationship too. I'm in the "meh" phase at the moment. I wouldn't say it's for a lack of want to make my own sounds, I've actually gravitated a bit towards using Zebra within Ableton Live drum racks. I recently picked up a NanoPAD2 and have my default pad layout set to the same as Tempest which I find incredibly intuitive.
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29th December 2012
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#35 | | Lives for gear | Quote:
Originally Posted by gruvsyco I'm one of those with the evolving Tempest relationship too. I'm in the "meh" phase at the moment. I wouldn't say it's for a lack of want to make my own sounds, I've actually gravitated a bit towards using Zebra within Ableton Live drum racks. I recently picked up a NanoPAD2 and have my default pad layout set to the same as Tempest which I find incredibly intuitive. | Do you know of a way you could mimic the Tempest's 16 Tunings mode in Live with the NanoPAD2? Since I learned keys via the school of rock music and beer, I find that mode super helpful when writing.
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29th December 2012
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#36 | | Lives for gear
Joined: Oct 2011 Location: Kalispell, MT
Posts: 514
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Originally Posted by natrixgli Do you know of a way you could mimic the Tempest's 16 Tunings mode in Live with the NanoPAD2? Since I learned keys via the school of rock music and beer, I find that mode super helpful when writing. | Not sure how you mean. You can set up "scenes" to play any pitches you like.
If you want to be able to select a sound in a beat and instantly map it across the 16 keys, I would imagine it could be done with some Max For Live programming.
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29th December 2012
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#37 | | Gear addict
Joined: Nov 2009
Posts: 440
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Originally Posted by natrixgli Do you know of a way you could mimic the Tempest's 16 Tunings mode in Live with the NanoPAD2? Since I learned keys via the school of rock music and beer, I find that mode super helpful when writing. | Use the scale plug-in.
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29th December 2012
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#38 | | Lives for gear
Joined: Dec 2003 Location: Brooklyn
Posts: 3,897
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Originally Posted by cuckoo.old Like the Minibrute, there was an enormous amount of hype and fervid discussion about the Tempest. I still hear a lot about the Minibrute whereas things appear to gone very quiet, at least for those of us not giving our dedicated attention to the Tempest. | Tempest costs $2,000, and wasnt quite finished when it was released
Minibrute costs $500 or less, and pretty much met everyones high expectation
You do the maffs
P.S.
I dont think this needed its own thread
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29th December 2012
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#39 | | Lives for gear
Joined: Aug 2004 Location: Germany
Posts: 3,441
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Mixed.
As a production tool the sound is a deal breaker to me. Weak, thin, honky, fizzy, noisy,... - you'd be much better off with samples ITB, and things like 808/909/101/SP12(00)/ SP950 are on another planet.
That said, as a live tool and for jamming the lag-free all-realtime multi-processor interface designed by Roger Linn is awesome. The reverse feature alone makes for an amazing effect.
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29th December 2012
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#40 | | Lives for gear
Joined: Oct 2010 Location: Narnia
Posts: 648
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Originally Posted by living sounds you'd be much better off with samples ITB, and things like 808/909/101/SP12(00)/ SP950 | I think that would depend on what style you're going for.
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29th December 2012
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#41 | | Gear maniac
Joined: Oct 2012 Location: Costa Rica
Posts: 215
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What I see, is that there is no answer to this thread.
Groundbreaking inventions like the Tempest do not come to fulfill expectatives, they just change things
Best innovations, take a lot of time to receive the deserved recognition.
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29th December 2012
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#42 | | Gear interested
Joined: Dec 2012
Posts: 9
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I agree (balma)
I know this baby isn't going anywhere soon, having too much fun with it  Made a few basekicks that really sound very nice for minimal techno/techhouse etc.. going to create a lot of other percussion soon as well.. I'm used to the workflow so i can work out pretty fast what i have in mind.
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29th December 2012
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#43 | | Gear maniac
Joined: Jan 2012
Posts: 245
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Mine crashed and froze all the god damn time and was generally just a tremendously frustrating thing to work with. Fun synth, I didn't mind the sound, incredible sequencer, but the broken OS was a dealbreaker for me.
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29th December 2012
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#44 | | Gear addict
Joined: Nov 2009
Posts: 440
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Originally Posted by saw wave analog Mine crashed and froze all the god damn time and was generally just a tremendously frustrating thing to work with. Fun synth, I didn't mind the sound, incredible sequencer, but the broken OS was a dealbreaker for me. | Did you update your OS to the last version ?
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