If the modded version of the studio electronics is not snappy enough, then I predict the OP falling asleep over the envelopes of the axxe...
(unless Axxe is different to odyssey, which I doubt - cools synths but if I had to name a shortcoming, apart from the pain to tune/finetune them with sliders, then it is the slow envelopes of the arps)
EDIT: Waldorf Pulse is snappy and can do bass!
all subjective I guess, they sound snappy to me. I'm not familiar with the se1 though
Being a prankster, i guess i have to reveal it sooner or later.
The synth is: Cool Edit 2.0
The program came with magazine or something like that, many years ago.
All audio was created from blank document.
Anyway, i just wanted to point out what i mean by snappy envelope. And since i was in the office, far away from synths, this was all i had at disposal.
"Dude, I love that warm analog tape sound we're getting today . . . What? You recorded it digitally? Oh, in that case, it sounds too glassy." - unknown
I wanted mono synth for exactly the same purpose, got mopho keyboard version and I can tell you it does psytrance bass very well
+ it's great source of weird psytrance fx sounds
Here's Minibrute going through various 'psy' influenced basses and stuff. Drums used for context. Demos starts with the envelope just 'clicking', then it goes through various settings:
Sounds like the FRXS is what you're after. modern sounding, snappy as hell, and way more versatile and intuitive than a Moog LP. I would go for either that or a vintage roland SH.
If you just want a new envelope filter, you should consider just getting a standalone unit and run the vco's of your SE1 through that instead. It would be much cheaper than buying a whole new synth just for a filter.
Check out the Robotalk Envelope Filter. Its all analog and supposedly based on an old oberheim filter. However they made it, it sounds amazing, super snappy/bright. At least for guitar/bass, I haven't heard a synth through it, but I don't see why a synth wouldn't sound great through it too, especially an analog vco.
Its a 2 channel filter too and only around $200 vs spending a grand on a whole new synth.
Yesterday i tried the Minitaur next to the Minibrute for an hour, until Mike Stern started playing in the shop. ^^
Minitaur has a great sound but it is so limited for the price. I still don't understand why the oscillator is not full range...total marketing crap to me.
I came back home with a free Mike Stern concert in the ears and the Minibrute in my arms.
It is as percussive as a synth can be. Not the Moog sound obviously but way more useful to me.
Yesterday i tried the Minitaur next to the Minibrute for an hour, until Mike Stern started playing in the shop. ^^
Minitaur has a great sound but it is so limited for the price. I still don't understand why the oscillator is not full range...total marketing crap to me.
I came back home with a free Mike Stern concert in the ears and the Minibrute in my arms.
It is as percussive as a synth can be. Not the Moog sound obviously but way more useful to me.
Try them all if possible.
Each to their own. The minitaur is a less is more machine and it does what it does brilliantly. It's a BASS synth. The nature of the Taurus oscillator design means that it's range is limited due to current draw. It's not marketing crap it's inherent in the design. The brute is cool- tried one a few weeks back. it's more like an ms20/sh101 but it's not got the depth of sound the minitaur has for bass though it offers a lot for the money.