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Suggestions for 500 Hz?
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Old 29th September 2012   #1
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Suggestions for 500 Hz?

Seems like my tracks have a noticeable dip at 500Hz with all other frequencies well represented. I guess drums and bass do a good job of lows and highs but I don't know what works well around 500. It doesn't necessarily sound like my mix is missing anything but I have a hard time finding something to put there. Pads sound mushy, leads sound too low and inarticulate. I'm not really interested in adding vocals. What works for yall in that range?
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Old 29th September 2012   #2
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Strings. I enjoy using phaser, with reverb, and keep the vol at a minimum. Depends on the track though. But usually my fail safe filler. Hope that helps!
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Old 29th September 2012   #3
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best zone for delay
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Old 29th September 2012   #4
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Old 29th September 2012   #5
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If it sounds good, leave it. Forget what the frequency analyzer looks like. That's generally a 'mud' zone (4-500Hz) that an ME might end up scooping out anyway.
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Old 29th September 2012   #6
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i agree guitar. 300 - 500 hz
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Old 29th September 2012   #7
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Quote:
Originally Posted by networkacid View Post
If it sounds good, leave it. Forget what the frequency analyzer looks like. That's generally a 'mud' zone (4-500Hz) that an ME might end up scooping out anyway.

Agreed. Use your ears if sounds good leave it be.


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Old 29th September 2012   #8
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Originally Posted by StringBean View Post
Seems like my tracks have a noticeable dip at 500Hz with all other frequencies well represented. I guess drums and bass do a good job of lows and highs but I don't know what works well around 500. It doesn't necessarily sound like my mix is missing anything but I have a hard time finding something to put there. Pads sound mushy, leads sound too low and inarticulate. I'm not really interested in adding vocals. What works for yall in that range?
What kind of tracks are you making?

In the tracks I'm working on right now, I like to throw some sort of rhythm section part in that range with some decent stereo width. Some triads do good there to follow the bass line for me. Because of the stereo width, a mono vocal or lead line can still sit on top of it without getting muddy. All about making room.

However, you'll notice some producers like Calvin Harris and Wolfgang Gartner (totally different styles I know) will fill that range with a Chord which also acts as a Lead without leaving any room for another element in the mix. What they do in this case is spread the chords notes out into octaves. You can hear this in Calvin Harris ft. Ne Yo Let's Go, or Wolfgang Gartner Love and War.

It really all depends on what kind of track you are making. In neurofunk Drum and Bass, the bass line itself should take up most of the midrange, and in that case you'd probably be adding some harmony elements right above the 500hz mark with some stereo width.
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Old 29th September 2012   #9
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leave it. a little mid dip is totally normal and acceptable, and allows the bass and top end to be more articulate.
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Old 30th September 2012   #10
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I appreciate the responses fellas, lots of ideas to work with
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