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vintage Sampler roll call !!
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Old 14th August 2012   #151
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Originally Posted by living sounds View Post
The right one is linked in some thread here, it's not much trouble if you know what you're doing.
Haven't found it yet, but I'll keep looking. See, I told you I was intrigued by your tales, so...




and to post relevant stuff for the thread, there is also an E-mu ESI4000 in a box somewhere. The S2000 did not strike me as particularly punchy and crispy but it has been a long time since I used that.

Besides that, I also used to own an A4000 and an MPC1000.
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Old 15th August 2012   #152
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Haven't found it yet, but I'll keep looking.
If you're looking for a really good sounding sampler, try the S1100. Transposition is using sinc interpolation which Akai later removed (probably too expensive to at the time) and moved back to linear.

Damn, when you transpose stuff on S1100 it sounds just magnificent. Effects are killer too. Definitely a Rolls Royce of its time. The converter section inside can stand right next to any high end sound card available on the market today. Ok, maybe it's not 96k/24, but who cares. :o)

TBH i'm thinking of installing electric fence around mine - i can't just take my fingers of it - and it's been going on that way for months.
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Old 15th August 2012   #153
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If you're looking for a really good sounding sampler, try the S1100. Transposition is using sinc interpolation which Akai later removed (probably too expensive to at the time) and moved back to linear.
does it have XLR outs? if so are they balanced?

sonic wise, how does it compare to the MPC3000/s3000 sound - am guessing maybe it has more grit?

I'm v interested in this sampler, although a rack ASR10 would prob make me just as happy.
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Old 15th August 2012   #154
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If you're looking for a really good sounding sampler, try the S1100.
Yeah, but the reason I got this one was because of the phenomenon living sounds described - reducing the frequency of the clock to transpose up and down. Sinc interpolation is also possible in software, frequency reduction isn't. Plus, 12-bit and analog filters Also, http://www.amazona.de/index.php?page...rticle_id=4252
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Old 15th August 2012   #155
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these early akai non-linear sampling and transpose technologies got me curious, what exactly happens sound wise? does it sound like slowing down vinyl/tape?
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Old 15th August 2012   #156
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Originally Posted by Yoozer View Post
reducing the frequency of the clock to transpose up and down.
I thought every sampler of that era used this technology, no?

I'm 99% sure Emulator II changes the clock frequency as well.

Amiga as well. :D

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does it sound like slowing down vinyl/tape?
Exactly. But the most important thing is the preserved harmonic content. When you transpose something down it really starts to sound enormous. Additional charm is the low bit content which adds its own color when transposed.
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Old 15th August 2012   #157
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I don't have the money or the space for an Emulator II. This was readily available and relatively cheap .

All I have to find is the right replacement display - the backlight of this one's dead. The display is readable without issue, but a lit display would be nicer.
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Old 15th August 2012   #158
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All I have to find is the right replacement display - the backlight of this one's dead. The display is readable without issue, but a lit display would be nicer.
Go either VFD or OLED. Both can fit those ultra thin EL-LCD frame sizes.

If you want cheapest, then go with EL foil from Midi-Rakete - foil type 8w (25 EUR).

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sonic wise, how does it compare to the MPC3000/s3000 sound
No idea.
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Old 15th August 2012   #159
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Yeah, but the issue is sort of figuring out which model's the correct one; I'm assuming not all 2 x 40 character displays are created equal.

edit: I think I -finally- found something.

EL backlight inverter recommendations

"40X2 Character LCD Module Module LCM = HD44780"
40X2 Character LCD Module Module LCM = HD44780 | eBay

If this works I'm just going to buy this, 20 quid is not what I call expensive, and new EL foil will eventually deteriorate as well. Unless you have a better OLED/VFD option, that is .
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Old 15th August 2012   #160
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This is the one:

40X2 Character LCD Module Module LCM = HD44780 | eBay

Works perfectly.

As for the transpose-via-clock feature - no, very few samplers worked this way, the Fairlight, the Synclavier I know of, I'm not sure about the EII. I'm positive about the S900/S950 though.
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Old 15th August 2012   #161
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Quote:
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Yeah, but the issue is sort of figuring out which model's the correct one; I'm assuming not all 2 x 40 character displays are created equal.
There's no rule. I used exactly the same driver chip for LCD in MC-500MkII but the LCD never showed any characters.There seems to be an issue with the speed (IIRC) of new ones vs old ones, though they're based on the same driver. Luckily specs sheets for all those chips are available in PDF so it's easy to check which standard you have (though in my case didn't helped). OTOH on Emax I it worked perfectly.


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"40X2 Character LCD Module Module LCM = HD44780"
I don't know. Have you measured the thickness of the existing LCD PCB board?
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Old 15th August 2012   #162
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Ive got a VFD in my S950, looks great!
Plenty of room inside for it, no hacking just drops in nicely
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Old 15th August 2012   #163
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Ive got a VFD in my S950, looks great!
Plenty of room inside for it, no hacking just drops in nicely
Good to hear!

Before i discovered VFD and OLED my other tool was unfortunately a chainsaw.





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Old 15th August 2012   #164
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Luckily specs sheets for all those chips are available in PDF
Yeah, but then there's the issue of being able to read one correctly; I'm not a real engineer. But, I'm happy to hear that living sounds already did the hard work of figuring out whether it'd be compatible .

Quote:
I don't know. Have you measured the thickness of the existing LCD PCB board?
Haven't even switched it on yet after I brought it home. No time... :(

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Originally Posted by RobJB06 View Post
Ive got a VFD in my S950, looks great!
Plenty of room inside for it, no hacking just drops in nicely
Would you mind posting the model number/eBay seller you got it from?
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Old 15th August 2012   #165
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I'm with Don about AKAI S1100! This model is SO great sounding this is amazing! I remember that day when after the summing mixer (Nicerizer 16) instead of my Apogee as final AD converter i was record (sample) my mix with slightly overdriven AKAI AD converters... this is what i call vintage grit & mojo for sure! Just try it!
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Old 15th August 2012   #166
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Stop trying to bankrupt me, you horrible people :(


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Old 15th August 2012   #167
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Cool!! Appears to be the classic LCD. Any space related problems during installation? No chainsaw requirements? :o)
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Old 15th August 2012   #168
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Cool!! Appears to be the classic LCD. Any space related problems during installation? No chainsaw requirements? :o)
It fits in perfectly mounted behind the metal frame (the original is in front of it). With a desoldering gun you can even use the multipin connectors attached to the old screen. And of course get rid of the inverter pcb. It looks great and makes using the S950 much more fun, I converted both my units this way now.
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Old 15th August 2012   #169
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It fits in perfectly mounted behind the metal frame
Ha! That was the first thing i wanted to ask, did you mount it on the back side of that mount. Some time ago I was looking at the picture of a naked S950 and wasn't sure how they designed to mount, would it fit. That was my main worry when considered buying 950.

Ok, going to eBay now....

(and not for the LCD)

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Old 15th August 2012   #170
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Stop trying to bankrupt me, you horrible people :(


Ok. But add Emax I to the list.

Not just for the bird run.

One important thing we forgot to mention in this thread is data companding. We talk about an open territory to implement all kinds of data hyping in the process!! (hello Roland) And i know Emax I uses it. In its case, you can literary *hear* the magic happen to what you sample! A lot of tricks in the hardware of that machine, rather than being spec impressive, it was designed to sound impressive. And we didn't even touched the subject of its analogue section.

Also there's the interpolation thing which is performed one some samplers of that era (S900/S950) and not on some others (Emax I). Each producing its own unique and cool results. Try detuning two waveforms without interpolation, and you'll get the idea. :o)
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Old 15th August 2012   #171
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Also there's the interpolation thing which is performed one some samplers of that era (S900/S950) and not on some others (Emax I). Each producing its own unique and cool results. Try detuning two waveforms without interpolation, and you'll get the idea. :o)

There is no data interpolation on the S900/S950. That's the rather unique thing about it. You don't need to mess with the data if you can simply change the clocking.
The Emax does a very simple kind of interpolation that seems to preserve the time domain integrity well at the expense of massive aliasing. Which makes for a very cool sound. The old AKAIs sound really transparent in comparison, especially if you load in samples via disk or transfer. In fact it sounds cleaner and nicer than all of the plugins I've tried, which shouldn't come as a surprise as those are all forced to do some kind of interpolation, which given the the real time requirements and restrictons on CPU use always means compromise of a sort.
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Old 15th August 2012   #172
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Quote:
Originally Posted by Don Solaris View Post
Good to hear!

Before i discovered VFD and OLED my other tool was unfortunately a chainsaw.





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Quote:
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Would you mind posting the model number/eBay seller you got it from?
Ahh i knew someone would ask me that! Not sure, id have too open it up to check, next time i have some free time ill see if i can open it up and look for a model number.
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Old 15th August 2012   #173
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Yes, that's why i asked for parts when you were selling them, i wanted to take your front panel. But in the end i've decided to keep this one as it is. For historic purposes! i.e. how NOT to do things, or how to DO things the Baroque way.
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Old 15th August 2012   #174
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i wonder what kind of transposing the SP-1200 uses to give that massive ring modulation sound when you detune? also i might be picking up a MPC60 tomorrow, i thought it had the guts of the 950 minus the filter but just read it's specs and found this line interesting:

16-bit ADC and DAC, with data stored in special non-linear 12bit format (for lower noise)
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Old 15th August 2012   #175
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i wonder what kind of transposing the SP-1200 uses to give that massive ring modulation sound when you detune? also i might be picking up a MPC60 tomorrow, i thought it had the guts of the 950 minus the filter but just read it's specs and found this line interesting:

16-bit ADC and DAC, with data stored in special non-linear 12bit format (for lower noise)
The SP12 and SP1200 use a simple interpolation algorithm, the same or very similar to the EMAX 1.

The MPC60 sounds very similar to the S950.
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Old 15th August 2012   #176
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Emulator I
Emulator II+
Emulator II+ with HxC
Emax 1 SE Rack with HxC
Emax 1 HD SE
Ensoniq Mirage with HxC
Ensoniq ASR10R
Korg DSS-1
Kurzweil K2000S
Casio FZ-1 w/memory expansion

Last edited by Juno6; 3rd September 2012 at 08:50 AM.. Reason: added FZ-1
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Old 15th August 2012   #177
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Great thread.

Got an akai S950 tucked away and a Yamaha A3000 (rubbish, but great features for the time). Sold the S3000 years ago.

Akais always sounded nice and crispy. Really someone should model how they sound and make a vintage sampler plugin ala what the slate VCC is for consoles.
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Old 16th August 2012   #178
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I haven't posted anything in here for a long time.
So I'll start with this.

Akai X7000
E-MU ESI 2000
Akai S3000XL
Akai S612 w/ MD280 disk drive
Roland S760
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Old 16th August 2012   #179
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no love for the Casio RZ1 on here?

how about the FZ-1 too?
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Old 16th August 2012   #180
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a Yamaha A3000 (rubbish, but great features for the time).
The yamahas are bloody brilliant man.Dont make em like that nowadays.....altho the knobs go funny.
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