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Sawtooth played through an old shoe into the ear f an octopus...
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Old 23rd May 2012   #1
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Sawtooth played through an old shoe into the ear f an octopus...

Ok so I didn't reverberate the sound of a sawtooth through an octopuses ear.... What Iam trying to get at in a convoluted way is the convoluted ways in which we endeavor to make sounds. Sounding convoluted enough?

A good example might be John Martyn. Some of you may or may not know his music, either way, one of my favorite tracks is called small hours. Being a full on alcoholic, the label made him record his album on an island in Scotland, away from booze and drugs. However he managed to sneak some onto the island and in a drunken frenzy, one night carries the entire studio out onto the shore of the island. As the sun starts to come up he starts playing his guitar across the lake and records it. It's effing immense, you can hear the seagulls and the water lapping on the shore. The reverb sounds amazing. It's a very convoluted way to get a nice reverb effect.

Some people might choose to use that site where you can send mp3's and then the mp3's get played into a disused silo, the result is re-recorded with the resulting ambience and boom, you got a very convoluted way to achieve a nice effect.

What's the most convoluted method you have employed to get the kind of sound that you want. It doesn't have to be dramatic as the examples, maybe it was just a long effed process post mix,maybe you multisampled something strange and then gave it a crazy treatment. Share your convolutions. How far does you addiction to sound go, how much did you go through just to get that one sound....
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Old 23rd May 2012   #2
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At 03:00 in the night we went to an iron railway bridge with a fourtrack, two long cables and two mics. The bridge was like a giant spring reverb, because if you hit it with a stick it rang for a minute. A mic at each end, we made some noise for 20 minutes until we escaped.
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Old 23rd May 2012   #3
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At 03:00 in the night we went to an iron railway bridge with a fourtrack, two long cables and two mics. The bridge was like a giant spring reverb, because if you hit it with a stick it rang for a minute. A mic at each end, we made some noise for 20 minutes until we escaped.
That's awesome.... Love to hear the results.
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Old 23rd May 2012   #4
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I like recording binaural style.
http://en.wikipedia.org/wiki/Binaural_recording

Last edited by nebelfrau; 23rd May 2012 at 11:52 AM.. Reason: link
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Old 23rd May 2012   #5
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The reverb sounds amazing. It's a very convoluted way to get a nice reverb effect.
.
HOw would recording on a beach (or anywhere else outdoors) create reverb ?
You need walls or something for the sound to bounce off before you can have any reverb.
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Old 23rd May 2012   #6
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oh-oh... that was ca. mid-80's. The tape is in a basement at my parents house. But because shaking the railway bridge wasn't enough, we slowed down the tape 30%. I guess we invented a new style every week back then, when a lot of styles lay asleep and wanted to be invented.
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Old 23rd May 2012   #7
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HOw would recording on a beach (or anywhere else outdoors) create reverb ?
You need walls or something for the sound to bounce off before you can have any reverb.
Sound reflecting back from ocean waves? Dunno, I was under the impression reverb was achieved in a closed off room of sorts. Or not so spacious as, say, the beach which has very little to reflect off of. However, an echo between cliffs and stuff would be rad.
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