| Sawtooth played through an old shoe into the ear f an octopus...
Ok so I didn't reverberate the sound of a sawtooth through an octopuses ear.... What Iam trying to get at in a convoluted way is the convoluted ways in which we endeavor to make sounds. Sounding convoluted enough?
A good example might be John Martyn. Some of you may or may not know his music, either way, one of my favorite tracks is called small hours. Being a full on alcoholic, the label made him record his album on an island in Scotland, away from booze and drugs. However he managed to sneak some onto the island and in a drunken frenzy, one night carries the entire studio out onto the shore of the island. As the sun starts to come up he starts playing his guitar across the lake and records it. It's effing immense, you can hear the seagulls and the water lapping on the shore. The reverb sounds amazing. It's a very convoluted way to get a nice reverb effect.
Some people might choose to use that site where you can send mp3's and then the mp3's get played into a disused silo, the result is re-recorded with the resulting ambience and boom, you got a very convoluted way to achieve a nice effect.
What's the most convoluted method you have employed to get the kind of sound that you want. It doesn't have to be dramatic as the examples, maybe it was just a long effed process post mix,maybe you multisampled something strange and then gave it a crazy treatment. Share your convolutions. How far does you addiction to sound go, how much did you go through just to get that one sound....
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