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| | #1 |
| Gear Head Joined: Apr 2010
Posts: 41
Thread Starter | Com Truise - Futureworld - how it's done
Ok so, I just spent 15 minutes trying to recreate the hook from Com Truise's 'Futureworld'. Tell me what you think, have any of you tried to recreate some of his sounds? Com Truise - Futureworld (Remake) by F*CK-M*FFIN on SoundCloud - Create, record and share your sounds for free Here's a link to the original song Com Truise - Futureworld - YouTube |
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| | #2 |
| Lives for gear |
nothing like it mate.. i think it is a case when we can definitely say you need some analogue goodies to produce that... but thanks for sharing, the Com Truise track is really nice!
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| | #3 |
| Gear nut Joined: Sep 2009
Posts: 132
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I tend to disagree. Did you hear anything on that track you can't do ITB? Sure analog sounds better but that doesn't mean he can't do this with a plugin. To the OP, just pull up your favorite synth and use two oscillators with saw waveform, then just detune them in relation to one another. Maybe run one of them one octave higher then the other. Really nothing to it. |
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| | #4 |
| Lives for gear |
bass sounds quite close but you need to have the filter closing a bit more and faster...(decrease decay)...perhaps a little more resonance also... No reverb on the bass...and make the reverb decay time faster and generally less... Not a bad effort Com Truise uses a combination of analogue (matrix 6) and plugins (arturia moog)...but he does a lot of processing outboard via a desk... |
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| | #5 |
| Lives for gear |
if he did that track with VSTi's, colour me impressed! and give me a hat to eat!
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| | #6 | |
| Gear Head Joined: Apr 2010
Posts: 41
Thread Starter | Quote:
He definitely used hard synths for that track. Matrix 6 bass I believe. I was using a Matrix6 preset that I modded in SQ8L for the bass. | |
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| | #7 |
| Lives for gear |
man i must have listened to that track like 20 times now. love it. the bass is surely a mulitivoice sound in unison, it also sounds like it has a little cross modulation edit, maybe not, perhaps PWMand also a touch of overdrive in the processing (in the last 3rd of the track). so my advice to the op is, stack some voices and detune them a couple of cent. this sound is also all about how that filter closes in the decay phase of the envelope so be sure to tie a second adsr to the filter fast attack medium decay and a medium to low sustain, release should be same as decay..
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| | #8 |
| Gear Head Joined: Apr 2010
Posts: 41
Thread Starter |
Thanks for the informative post golden beers C:E
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| | #9 |
| Gear Head Joined: Apr 2010
Posts: 41
Thread Starter |
Ok heres a 2nd attempt I replaced the SQ8L bass with TAL programmed like you said. Com Truise - Futureworld - 2nd attempt by F*CK-M*FFIN on SoundCloud - Create, record and share your sounds for free |
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| | #10 |
| Lives for gear |
man, this is becoming a great hardware vs software deathmatch! I'll bust out my matrix 6r and try and make it bbl com truise is killing it tho, haven't heard a track of his I didn;t like somewhat so far, going on a year now ! |
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| | #11 |
| Lives for gear Joined: Feb 2011
Posts: 858
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He uses a mix of analog + software. He's been complimentary to the Arturia stuff (he singled out the Model D emulation), but gear is where his heart is. He uses the Mopho a ton (CEM brass sequences all over his stuff). I think his composition style is done in large part with an Akai Ableton pad controller (he had both these things on stage when I saw him, and they stand out when you go back and listen to the album). The MPC style composition along with the sequences kind of jumps out at you after a while. His drums are all from an Oberheim DX, which is kind of plain as day. He was also wearing a Make Noise shirt, so I'm guessing he's got some modular stuff going on as well (or has recently reinvested his gig money, who knows). But he says it's mostly in the production/processing, and I believe it - he's recording to tape and maybe even hi fidelity VHS. For the analog fetishists on this site, check the album out, the whole thing's amazing and is like one big ode to various filter characters. Whoever's responsible for the finished sound is a genius. |
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| | #12 |
| Lives for gear |
o k here's a go, I found a similar sound in the matrix 6r ( also realized one voice is not playing right see if you spot it!) upped the PWM then used the matrix mod to attach an env to the OSC 1+2 mix then I ran it thru a detune on my eventide, and added some chorus and EQ here we go: not too shabby if I do say so, for only 30 min !!!
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| | #13 |
| Lives for gear |
by the way I swapped the CEM chip of the bad voice and the problem didn't follow the CEM 3396 chip ... 8) what's next to test??? any matrix 6 specialists here?
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| | #14 |
| Lives for gear |
my favorite work of his is a remix for this upcoming british singer FOE. The halfspeed breakdown is great. |
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| | #15 |
| Lives for gear |
in fact I generally prefer his remix stuff...his sound works brilliantly with vocals. I find his original stuff cool if a bit dull on its own at times, but his remix stuff excellent...New Order bass ![]() |
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| | #16 |
| Gear interested Joined: Dec 2011
Posts: 6
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Really like his style.. About his drums.. They sound so close and overcompressed but still really goooood! Anyone have any idea how to achieve this sound?!
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| | #17 |
| Lives for gear | |
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| | #18 | |
| Lives for gear | Quote:
side chain compress everything from the kick | |
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| | #19 |
| Gear maniac |
I know its not relating to the synthesis aspect, but the groove in your version sounds wrong - it sounds a bit jerky, rather than flowing like the original. Maybe try slowing the original down? Might make it easier to hear the precise timings. Great song! Cheers for posting, have been listening to lots of his stuff on youtube. |
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| | #20 |
| Gear maniac | |
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| | #21 |
| Lives for gear | the kick is sidechain compressing the bassline and the snare verb. also other elements may be side chaning the verb eg the ride could be, havent listened intently along the lines of working out what's doing what, just listening for pleasure!
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| | #22 |
| Gear maniac |
Cheers - interesting idea of sidechaining snare verb using the kick drum, will have to have another listen. So is this basically what gated reverb is and the general way its used? One of those terms I've always had only a vague idea about.
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| | #23 |
| Lives for gear | gated verb is something else; when you have a gate triggered open with the snare signal itself and then closes after a set time.
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| | #24 | |
| Banned Joined: May 2011
Posts: 389
| Com Truise - Futureworld - how it's done Quote:
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| | #25 | |
| Gear addict Joined: Jul 2011
Posts: 330
| Quote:
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| | #26 | |
| Lives for gear | Quote:
there's a threshold level set, above which the gate opens and below which closes.. its the close or release time that governs how long it takes to shut the gate, some gates are quite basic and just have fast/slow release button and a threshold control. expanders can be thought of in the same way. in other words they all enter the release phase of the process at a set volume like you say. | |
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| | #27 |
| Lives for gear Joined: Aug 2011
Posts: 553
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Com Truise... Mord Fustang... Lols... One guy copied the other! Soon we'll have Prad Bitt, Gill Bates and Farrison Hord!
__________________ http://soundcloud.com/point-source |
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| | #28 |
| Lives for gear | |
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| | #29 | |
| Gear Head Joined: Apr 2006 Location: Oregon
Posts: 57
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This is what he listed a while back on another board. Quote:
__________________ http://soundcloud.com/tridact | |
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| | #30 | |
| Lives for gear | Quote:
![]() I also like how he says he'd rather be at home finishing his modular than going on tour! this is what a true electronic producer loves, being in the studio with synths.
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