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| | #31 | |
| Lives for gear Joined: Feb 2011 Location: Australia
Posts: 1,921
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It's called Prosonics Mega Beats collection - I ordered from an ad in a UK Music mag back in the early 90s when sample CDs were the new thing. has raw dry sounds from 30 odd drum machines - over 700 sounds good quality Roland R8 Simmons Kit Yamaha RX21L Roland TR707 Roland TR727 Linn 9000 Roland TR808 Akai XR10 Yamaha RX11 Sequential Tom Casio RZ1 Korg KPR77 Roland TR606 Boss DR550 Linn 2 Korg DDM110 Korg DDM220 Roland TR626 Oberheim DMX EMU Drumulator Roland TR909 Yamaha RX5 Akai XE8 Korg DDD1 Roland TR505 Dr. Bohm Boss DR55 Alesis HR16 Roland CR78 Alesis HR16B | |
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| | #32 |
| Lives for gear |
yea i've got that too. it's pretty extensive
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| | #33 | |
| Gear addict Joined: Jan 2009 Location: Los Angeles
Posts: 419
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| | #34 | |
| Lives for gear Joined: Oct 2006 Location: london
Posts: 6,738
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__________________ what is a small difference? genetically there's only a small difference between a human and a banana. - golden beers | |
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| | #35 |
| Gear interested Joined: Sep 2011
Posts: 16
Thread Starter | Yep, that's exactly what I think. The only really annoying thing is those limited/saturated to death kicks like those in vengeance sample packs, they may sometimes sounds cool when heard alone, but whenever you try to mix them it's shit.
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| | #36 |
| Lives for gear Joined: Feb 2011 Location: Australia
Posts: 1,921
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| | #37 |
| Lives for gear Joined: Aug 2006 Location: Los Angeles, CA
Posts: 1,758
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| | #38 | |
| Lives for gear Joined: Oct 2006 Location: london
Posts: 6,738
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| | #39 | |
| Gear for Lives. Joined: Jan 2011 Location: Brighton UK
Posts: 1,809
| Quote:
If they sound good turned down to -6db through your mixer/monitor system use them. Maybe they clipped when recording but if you can't tell through about £1,000 pounds worth of monitoring/sound gear will anyone else? There are loads of samples floating around these boards of all sorts of dry drum machines. Who ever suggested Driven Drum Machines for dry samples needs to get back on their medication.
__________________ The secret impresses no one. The trick you use it for is everything. | |
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| | #40 |
| Gear maniac Joined: Apr 2009
Posts: 169
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| | #41 |
| Gear Head Joined: Jun 2011 Location: Frankfurt
Posts: 48
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+1 for goldbaby. If you have trouble with you're kick sitting right in the mix check out vengeance metrum.
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| | #42 |
| Lives for gear | |
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| | #43 |
| Gear Head Joined: Jan 2012
Posts: 41
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wave alchemy Drum Samples | Drum Sounds | Download wav there seems to be lots of life left in them. whilst some have been processed they're not squashed to death just lightly tickled with nice hardware. drum tools 01 is my go to library |
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| | #44 |
| Gear Head Joined: Jun 2011 Location: Frankfurt
Posts: 48
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Yeah I know. I just wanted to say that you can really make the kicks sitting right in the mix with that. You probably don't need unprocessed samples.
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| | #45 |
| Lives for gear Joined: Oct 2008 Location: fear and loathing across the country, listening to my 8-track
Posts: 2,561
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For the record, I trust no sample library to feed cats.
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| | #46 |
| Lives for gear Joined: Oct 2008 Location: fear and loathing across the country, listening to my 8-track
Posts: 2,561
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Alright, I've seen this thread and tried to avoid commenting or self promoting, but I do feel perhaps it's time to clear up a few ideas regarding DMD Strikes Back!. Now, the original DMD library, I will give you. It is processed. The idea was to emulate the signal chain up to the EQ, since great compressors/preamps/tape/tubes were not being emulated in plugin form. The EQs were getting decent by the original recording phase of DMD. (Even today I question the quality of most harmonic distortion emus, just be gentle and pay attention to the mastering stage, that's my advice... listen for grain during the mastering stage) Now increasing harmonic content WILL increase the high-end presence, which is why on a mixing console, if you increase the drive or gain coming in, you have an EQ right there to compensate. But at the time, I didn't want to make the decision for you about which EQ flavor to utilize. NOW, re: DMDSB 90% of DMD Strikes Back is original. These are NOT drum machine thru compressors, EQs, tape, pre-amps, etc. So, further, these ARE the original unprocessed versions. Now, does that mean no form of harmonic distortion, compression, preamps, etc were used? No. But you have to consider what the drum machines of the past and present actually do. How they work. There is no such thing as an unprocessed sound within them. The 909 has wavefolders, filters, gain, distortion. Same with the 808. The 9's hi-hats and cymbals are literally limited to the maximum, then an analog filter is applied to help with the aliasing, and finally the VCAs and envelopes are analog. SP-1200... 12-bit, hot AD convertors that distort and limit. Etc, etc, etc. I studied and researched all those machines and then applied a Marvel Comics "What If?" type alternate universe philosophy to DMDSB. Like, what if instead of the 909s oscillators, I used precision Cwejman oscillators and envelopes with wavefolders and used a $2,000 per channel gain stage. What if the 909 had 8 different cymbal variations that were all created the same way with the anti-alias filter, sample and bit resolution, and analog envelopes/vcas. What if the anti-alias filter was a GML8200? What if it was an Ebbe und Flut? I told someone if DMDSB was an actual drum brain, it would be 6' tall, 12' wide, and cost $40k. Without a sequencer. Sampling to me is about making the impossible possible... and getting it to people at 1,000th of the cost. Plus, that's just the synthesis side. Each sound has carefully timed texture changes and extra long body so you can create 10+ sounds from each sample with envelopes. And if you know what you are doing, you can use hold stages and envelopes to completely replace channel compressors. Plus since the transients aren't flying all over the place, getting a consistent groove from parallel bus compression is much easier and IMHO more musical. Tight. That's the goal at least. I have not heard DMDSB referred to as harsh, it's not my intention. I hope this helps clarify. Cheers- Nathaniel Here's a few new examples I made, all ITB, with DMDSB and Maschine. No individual EQ/compression on samples, just some parallel buss-compression and EQ. And these are the actual preset kits and kit names. BTW, the streaming is glitchy, but the download is fast. So click the file for best quality. |
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| | #47 |
| Gear interested Joined: Sep 2010
Posts: 24
| Unprocessed kick sample library ? Does it even exist ?
I almost pulled the trigger on Metrum just given how easy it seems to audition multiple layers. In PT it's quite a time consuming process when working with just audio clips on the grid. I'd love to hear what you think of it once you've had a chance to play with it! Also pumped to check out DMDSB. |
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