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| | #1 |
| Gear Head Joined: May 2011
Posts: 64
Thread Starter | dx7 fretless bass patch like in this track?
i was browsing through some fm7 presets, trying to find the same fretless bass sound as in this song but cannot find the exact same one. I found several titled fretless, and i can hear some similarity, but they are not as strong as this one. can anyone help. |
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| | #2 |
| Gear Head Joined: Sep 2011
Posts: 32
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It's the DX7 preset, Bass 2, from the factory Rom 1A. Voice #16. Hope this helps.
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| | #3 | |
| Gear Head Joined: May 2011
Posts: 64
Thread Starter | Quote:
what sort of adjustments need to be made do you think? i tried the brightness but it messes up the sound somewhat. i know the original audio its hard to hear, but you can sort of hear the bass more open with the vowel type sound. | |
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| | #4 |
| Gear Head Joined: Sep 2011
Posts: 32
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Did you load it into a DX7 or FM7?
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| | #5 |
| Lives for gear Joined: Jun 2010 Location: Herefordshire, UK
Posts: 571
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effects?
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| | #6 | |
| Banned Joined: May 2010 Location: San Diego
Posts: 1,852
| Quote:
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| | #7 |
| Gear Head Joined: May 2011
Posts: 64
Thread Starter | fm7. on some of the notes on the bass, is that pitch bend which is being used? or portamento? its kind of hard to tell. when i play the same notes in same key on the fm7, it lacks the brightness and some bottom end when the song enters a key change. im not sure if its layered with another deeper bass. what effects to use on this particular bass? i don't think its drenched in as much chorus as that Berlin Take My Breath Away track. here is another example of it. |
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| | #8 |
| Gear Head Joined: Sep 2011
Posts: 32
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FM7 hasn't got the same engine as DX7 and it converts the DX patches so that they sound similar (with mixed results). Your best bet is to try to adjust the patch manually by ear after importing. For reference, google Synthmania DX7 and listen to that patch. Once it sounds beefy enough, add the chorus as Liquid360 said. I'm using a DX7 + MXR Micro Chorus and the sound is spot on. You can use pitch bend to play the bass line. |
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| | #9 | |
| Gear Head Joined: May 2011
Posts: 64
Thread Starter | Quote:
ill try and work on it to get as close as possible thanks | |
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| | #10 | |
| Banned Joined: May 2010 Location: San Diego
Posts: 1,852
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| | #11 |
| Gear addict Joined: Aug 2008
Posts: 414
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The bass on Take My Breath Away is definitely the DX-7. It's been confirmed by Arthur Barrow (the guy who did the synth-work on that track). He wasn't totally sure but there may be some Jup-8 mixed in with the DX-7 on that bass.
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| | #12 | |
| Gear Head Joined: May 2011
Posts: 64
Thread Starter | Quote:
i messed with the dx7 patch but its not as close. what if it was layered using a bass with the oberheim vst? do you think would be useful? also, do you know what kind of orch hits were used on fatal beauty and tango and cash? | |
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| | #13 |
| Lives for gear Joined: Feb 2011 Location: Australia
Posts: 1,921
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Is that the same bass as this? Love it, DX7 does good interesting bass |
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| | #14 | |
| Gear Head Joined: Sep 2011
Posts: 32
| Quote:
I recommend opening this mp3 with Windows Media Player or anything other than the forum player because GearSlut player messes up the low frequencies and you get some awful buzz which is not in the original mp3 file let alone the wav. | |
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| | #15 |
| Banned Joined: May 2010 Location: San Diego
Posts: 1,852
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One of the things old DX didn't have that the DX-7 II had was a unison mode with detuning. Perhaps you can get closer with a unison detune instead of chorus in FM-7. You're going to have to play with the envelope amounts of the operators to get the harmonics closer, it was probably a custom sound.
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| | #16 |
| Gear addict Joined: Aug 2008
Posts: 414
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It turns out that Faltermeyer mixed-up "The Discovery" with another track of his. Sorry for the confusion. The bass in "The Discovery" is more or less the standard fretless bass from the DX7! |
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| | #17 | |
| Gear Head Joined: May 2011
Posts: 64
Thread Starter | Quote:
im useless at getting the slight pitch bend on those specific notes, but having trouble drawing them in on my DAW which is cubase. do you have any tips? cheers | |
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| | #18 |
| Gear Head Joined: Oct 2011
Posts: 37
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Hi, I'm the dude who recorded the clip but I changed my nickname to a simpler one. I played the pitch bend on those specific notes. Just quickly pitch down to about one step below the target note just before you play the key and then slowly tune in back on the right pitch in time with the music. Still not perfect as I didn't spend much time practising this bass line. |
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| | #19 | |
| Gear interested Joined: May 2008
Posts: 10
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| | #20 | |
| Gear nut Joined: Jul 2011 Location: Poland
Posts: 78
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i think it needs something, maybe more fm harmonics? or exciter, eq? what chorus did you used? anyone know what dx7 patch is layered with bass2 at 0:53 ? | |
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| | #21 |
| Lives for gear Joined: Oct 2010
Posts: 1,274
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can this patch be found in the factory patchset in the tx81z too???
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| | #22 |
| Gear nut Joined: Jul 2011 Location: Poland
Posts: 78
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i will check it when it arrive to me, i bought tx81z few days ago ![]() it was used in fletch 1985 theme too Harold Faltermeyer - Fletch Theme - 1985 - Fletch Lives - YouTube |
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| | #23 | |
| Gear Head Joined: Oct 2011
Posts: 37
| Quote:
The point is that Bass 2 is the patch used in the soundtrack. It might have been slightly modified one way or another, e.g. the rising resonating sound in the decay has probably been rolled off a bit - I did it too in my example, not a big deal. What my clip is really missing is to truly capture the vibe of the music. I recorded it in a hurry without proper practice, just to show off the patch. The chorus I'm using is MXR Micro Chorus. | |
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| | #24 |
| Gear Head Joined: May 2011
Posts: 64
Thread Starter |
I think you are right that it is the dx7 patch. Faltermeyer must have modified the patch slightly. I downloaded an mp3 of the track, but its ripped from Vinyl and has a few pops here and there so its not the best quality, and since these specific tracks have never been released on CD or digital format, we only have the vinyl to mp3/wav conversions and a few youtube clips available, and so you can't really hear the track in its original form. I found that just moving the Brightness parameter up slightly seems to make the sound much closer in fm7. |
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| | #25 | |
| Gear Head Joined: May 2011
Posts: 64
Thread Starter | Quote:
Even the fletch theme, there is no CD version I don't think, only vinyl rips, so its hard to get an accurate feel of it. Its probably Jupiter 8 or something like that I guess or maybe his jx8p. i would love to know too. | |
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| | #26 |
| Gear addict Joined: Aug 2008
Posts: 414
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The polyphonic synths used on Fletch included a Jupiter-8, Oberheim OB-8 and DX-7. I don't think Faltermeyer had a JX-8P until '87 or thereabouts. I know that he didn't use one on Top Gun (1986) any way. The other synth bass part on Fletch, the one that kicks in at 1:06, sounds mostly analog to me. Faltermeyer told me a while ago that he often used to layer bass sounds: analog with analog and/or analog with digital. In the case of Fletch it may be the Moog 15 layered with the OB-8 or DX-7. He also used the Roland system 700 on most of his own scores. The Synclavier debuted on BHC2 (1987) and was also used on "The Running Man (1987), Tango & Cash (1989) as well as Pet Shop Boy's "Behaviour" (1990). |
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| | #27 |
| Gear addict Joined: Aug 2008
Posts: 414
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I just wanted to correct a mistake I made in my previous post; Harold confirmed to me that he did use a JX8P on "Fletch" (1985) but not on "BHC" (1984). The synth wasn't released until early '85 (outside of Japan )so it was not available for "BHC" which was recorded in the fall of '84.
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| | #28 |
| Lives for gear Joined: Feb 2009
Posts: 3,203
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I used to own several TX modules, and was very influenced by DX7 sounds in the 1980's. The modules failed and/or I sold them all, with no regrets. But I love FM bass, and I use a old, relatively unpopular VSTi called Loftsoft FM Heaven. I compared this to FM7, and - in my opinion, and to the best of my recollection - FM7 sounds fairly wimpy compared to the real things. To my ears/memory, FM Heaven is far more faithfull. Right down to the grungy aliasing, which I previously had assumed was poor D/A converters but seems to be part of the original algorithmn. FM Heaven loads all the DX7 sysx files, and it's cheap enough to give a try if you like these sounds. The sounds are VERY sensitive to Velocity data. And the original DX7 midi velocity only went to 100, so the sounds can get really nasty if hit with higher velocity. So if the sound isn't quite what you expect, try editing the velocity for a start. A trip outside the box, with some good transformers in the path won't hurt either - and it's still hard to beat real analog chorus. |
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| | #29 | |
| Gear Head Joined: Jan 2012
Posts: 34
| Quote:
I've just got my hands on a DX7. Is this sound a factory patch and if so where can I find it? Otherwise, what could I do to get it? Sorry for racking your brain just so desperate to get some nice sounds. Thanks for any info | |
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| | #30 | ||
| happy cycling | Earlier in the thread: Quote:
Quote:
Note the number "1A" so you know what to load up; using MIDI-OX on a PC allows you to transmit the sysex to a DX7.
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