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| | #91 |
| Gear addict Joined: Sep 2011
Posts: 368
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What i do is to move my static mix to bar ~200* , think how i want to start the track and arrange as i go, timeline (secs) also helps me alot. Workflow must appeal first of all to you. I believe listening to progressive tracks (techno-house etc) or whatever style you like, helps getting inspiration and ideas for your tracks. Then the more tracks you finish the better the results will be. *I don't want to look like a wiseass but that's what Dennis Ferrer does and he says in his fm interview that he was very happy when he changed his workflow to this, and how it was a big step for him! Good or bad, i ve doing that myself all these years.
__________________ http://soundcloud.com/soulphase "Dude, I love that warm analog tape sound we're getting today . . . What? You recorded it digitally? Oh, in that case, it sounds too glassy." |
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| | #92 |
| Gear interested Joined: Jan 2012
Posts: 18
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i used to have the same problem. i have found that learning some chord theory and music theory helps alot. more than alot actually. i can make a four bar loop for say a melody, then once i start adding chord progressions to help carry the melody i find that a whole new world opens up for the song and im able to take the listener on a ride. it ends up coming full circle but learn some scales and chords and memorize some scale tone chords and progressions. also inversions help a great deal.that my 2 cents
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| | #93 | |
| Lives for gear Joined: Feb 2010 Location: Baltimore
Posts: 2,101
Thread Starter | Quote:
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| | #94 |
| Lives for gear Joined: Feb 2010 Location: Brooklyn, NY
Posts: 773
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| | #95 |
| Gear interested Joined: Jan 2012
Posts: 18
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| | #96 |
| Gear interested Joined: Jan 2012
Posts: 18
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| | #97 |
| Gear nut Joined: Jan 2009
Posts: 124
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Don't care how you sequence it but please make sure to use a reverse cymbal or white noise filter sweep at the end of every 16 bars |
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| | #98 |
| Lives for gear Joined: Sep 2002 Location: US
Posts: 1,214
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or - create a bunch of short loops and bring them all out to separate faders on the mixer and create a completed song by fading/punching in and out various combinations of loops. That way you can let some combination loop as long as you feel like and then gradually change it. Plus, being on the mixer allows you to throw dry loops out to a delay or reverb and by combining mutes, sends, groups, and channel faders arrange the song on the fly. Kind of like a dub approach to techno. |
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| | #99 | |
| Lives for gear Joined: Oct 2006 Location: london
Posts: 6,738
| Quote:
Dubbing is one of the most bits of fun to be had in a studio!
__________________ what is a small difference? genetically there's only a small difference between a human and a banana. - golden beers | |
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