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| | #31 |
| Gear addict Joined: Mar 2009
Posts: 309
Thread Starter |
Couldnt get a better reply than this! Thanks so much for spreading the light Rob, love your songs!
__________________ My Synthish/House/Dub/Techno/Ambient/Generative work: http://soundcloud.com/inspektor-pansar |
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| | #32 |
| Gear interested Joined: Sep 2008 Location: Finland
Posts: 21
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Rob, Would you mind to share some other tips straight from the 303-master? Has your way of working with the TB-303 changed significantly during the years? E.g. when recording the 303 lines for Acid Science masterpieces, did you program all pattern or pitch changes as a track (in track mode) or are those also played purely in pattern mode while doing all knob-twiddling? Do you do it differently nowadays (with 303 and ABL2)? How about writing the patterns back then and now? Evolution of the effect chain for the 303 and why? |
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| | #33 |
| Gear addict |
back then, everything was just live improvised, so ofcorse every pattern change was just done in realtime. and the chain in very different today, in the past i did not had a clue about compression, the way we did it was by overdriving the mixer, a natural way of compress stuff. these days, i have full access to many tools, and i know what i am doing. maybe i should do a rob acid record again, just for fun....
__________________ www.RobertBabicz.de |
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| | #34 |
| Gear interested Joined: Sep 2008 Location: Finland
Posts: 21
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