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| | #1 |
| Gear addict Joined: Dec 2009 Location: Edinburgh (United Kingdom)
Posts: 430
Thread Starter | Whats Your Least favorite (/rinsed) audio effect..
Im talking the kind of effect that is instantly recognisable (say "oh thats Logic's Ringshifter" or "yep, there is Abletons Beat Repeat again") Mine is one that is plastered all over EDM productions, that "modulation delay" sound..available in Logics native effects bundle. Its a shame it is so over used, as when applied with some subtlety it can actually yield some great results! |
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| | #2 |
| Lives for gear Joined: May 2011 Location: Sydney
Posts: 1,131
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Digital Delay Digital Delay Digital Delay Digital Delay Digital Delay Digital Delay Digital Delay Digital Delay |
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| | #3 |
| Lives for gear Joined: May 2011 Location: Sydney
Posts: 1,131
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oh, a wise guy huh?
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| | #4 |
| Lives for gear Joined: Jul 2008 Location: Van Nuys CA, USA
Posts: 1,014
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autotune. duh.
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| | #5 |
| Gear addict Joined: Dec 2009 Location: Edinburgh (United Kingdom)
Posts: 430
Thread Starter |
i was close to putting "excluding autotune" in the original post, as we all know everybody hates that by now...
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| | #6 |
| Lives for gear Joined: Apr 2009
Posts: 821
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Pitchbend on a monosynth lead -- a little too cheesy for my tastes .
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| | #7 |
| Gear addict Joined: Feb 2010 Location: Canaduh
Posts: 348
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I personally dislike giant, cavernous reverbs.
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| | #8 |
| Gear addict Joined: Apr 2010
Posts: 391
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Percussion-induced ducking on the beat. So overdone at this point.
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| | #9 |
| Lives for gear Joined: Feb 2010
Posts: 573
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low pass filter on the whole track with just the vocals untouched.
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| | #10 |
| Gear maniac Joined: Dec 2008
Posts: 231
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| | #11 |
| Lives for gear Joined: Sep 2006 Location: Denmark
Posts: 534
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Phasers.
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| | #12 |
| Gear nut Joined: Dec 2008
Posts: 123
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glitch stu tter effects bitcrush tapestop i used to think that phasers often sound hackneyed and cheesy especially on guitar and especially that wooshy nasal phaser. but i scored a dod phasor a few months ago and i love the thing to bits Last edited by watari banzai; 28th June 2011 at 06:15 PM.. Reason: i dont like when smileys shake their fingers at me |
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| | #13 |
| Lives for gear |
Autotune |
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| | #14 |
| Gear interested Joined: Jun 2011
Posts: 24
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Kaka #1: Digital reverb without any pre-delay, especially on a great sounding analogue synth like CS80, Prophet, etc. It completely kills the tone. Kaka #2: Filter overdrive (e.g in Moog Little Phatty). The most overrated and the worst sounding feature of this nice synth. Hakuna Matata :-) |
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| | #15 |
| Gear addict Joined: Dec 2007
Posts: 419
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Wobble bass out of Massive
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| | #16 |
| Gear addict Joined: Dec 2009 Location: Edinburgh (United Kingdom)
Posts: 430
Thread Starter | |
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| | #17 | |
| Gear for Lives. Joined: Jan 2011 Location: Brighton UK
Posts: 1,808
| Quote:
To the OP, Autotune, DIE! | |
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| | #18 |
| Gear maniac Joined: Jun 2009
Posts: 187
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I have tried multiple times to like Largo, I really have. Largo is fairly inaccessable (read: a pain in the ass) to program, and does not lend itself to the instant gratification that Massive can provide to beginners. And the wavetables in Largo tend to me more of the harmonic variety as far as I can tell rather than the ratty, gritty bastards you find in massive. I'm open to being proven wrong, but this is what I have seen as the case so far. |
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| | #19 |
| Gear maniac Joined: Jun 2010
Posts: 199
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| | #20 |
| Gear for Lives. Joined: Jan 2011 Location: Brighton UK
Posts: 1,808
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Largo is not so bad to program , ever tried U-HE ACE or the Moog Modular? It does have it's little turns though. You don't have any control of filter overdrive in massive , bar leaving the osc inputs at full, which really lets it down in my eyes, I don't want to use scream all the time. To me the wavetables in Largo are far deeper, it just takes longer to get it right. Massive is probably the easiest vst to modulate though, the envelopes and lfos are amazing. But to be honest, there are maybe 8 or 9 wavetables that give that quick fix and they are becoming very overused very quickly, probably they were fully intended for that purpose. Have you checked out Zebra? You can draw your own wavetables in, it's possibly the best VSTi (imo) but I actually removed it because it soaks up too much time, it's also pretty complex and a lot less visual in some ways, but possibly the most powerful overall. |
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| | #21 |
| Lives for gear |
Flangers.... I like phasers but flangers piss me off.
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| | #22 |
| Lives for gear Joined: Nov 2009
Posts: 803
| Was just about to post the same. Sometimes flanger can be OK, but you can literally use it once and then that's it, because it's such an obvious effect. I sold my Boss BF-2 because of this: only Boss pedal I ever sold. Love my MXR Phase100 though.
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| | #23 |
| Gear addict Joined: Apr 2010
Posts: 391
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Hilarious to see Massive being dissed as a cliche, I remember the resounding silence when it first came out (and I got it, and have enjoyed it ever since) what, three years ago already? |
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| | #24 |
| Gear for Lives. Joined: Jan 2011 Location: Brighton UK
Posts: 1,808
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I don't mind, less people that know what it's good for the better, I prefer it to Sylenth1. Sylenth does sound more "Analogue" but that's all it sounds. Great if you want classic sounds, but all it can do is pure subtractive.
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| | #25 | |
| Gear addict Joined: Dec 2009 Location: Edinburgh (United Kingdom)
Posts: 430
Thread Starter | Quote:
i dont want to see this thread turn into a massive/dubstep (/brostep) bashing arena though, we have already had too many of those. | |
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| | #26 |
| Lives for gear |
Sidechained fshshhhshhsshshhsshhsshsh noiz
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| | #27 |
| Gear for Lives. Joined: Jan 2011 Location: Brighton UK
Posts: 1,808
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| | #28 |
| Lives for gear Joined: Dec 2009 Location: London, UK
Posts: 5,632
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| | #29 |
| Gear addict Joined: Dec 2009 Location: Edinburgh (United Kingdom)
Posts: 430
Thread Starter | |
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| | #30 |
| Lives for gear Joined: Dec 2009 Location: London, UK
Posts: 5,632
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Besides abused auto-tune effects, I can't think of a single effect that I dislike as a rule... there is an appropriate time for every effect I can think of.
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