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| | #1 |
| Gear Head Joined: Sep 2010
Posts: 45
Thread Starter | Top 10 selling synths of all time are?
I cant find this out anywhere. All I can find is that the Korg M1, Yamaha DX7 and Roland D50 are likely in the top three although I dont know which order. I dont want a greatest top 10 its the best selling of all time I want to know (including rack modules and sample players). |
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| | #2 |
| Lives for gear |
does general midi count? millions of soundcards out there. all with a GM player |
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| | #3 |
| Lives for gear Joined: Feb 2011
Posts: 858
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| | #4 |
| Gear addict Joined: Apr 2011
Posts: 480
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I think the M1 probably takes the number 1 spot, & I'm sure the Microkorg is in the top 5 along with the DX7 and D50.
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| | #5 |
| Lives for gear Joined: May 2005 Location: Hollyweird
Posts: 7,624
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I think the DX7 may be the top, I recall hearing that, fwiw. I think Vintage Synth or some site has numbers produced, it'd be fun to see and compare. -a |
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| | #6 |
| Lives for gear Joined: Oct 2008 Location: fear and loathing across the country, listening to my 8-track
Posts: 2,561
| Did that thing sell well? More than the JP8000? I know I saw LCD Soundsystem around 2002/2003 and they were using it on stage for rhythmic bleeps. Just kind of surprised a top selling synth would've come in the days of soft synths. Wonder if the MC303/505/909 is on that list... and the Korg Trinity/Triton. Some incarnation of The Proteus must have cracked the top 10. What about sold copies of NI Komplete? |
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| | #7 |
| Gear Head Joined: Jul 2010 Location: France
Posts: 73
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I think the Nord Lead 1/2/2x may be in the top 10.
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| | #8 |
| Lives for gear Joined: Oct 2004 Location: Chichester UK
Posts: 3,022
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Juno 60 has to be in there
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| | #9 |
| Gear addict Joined: Aug 2010 Location: New York
Posts: 400
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Probably microkorg, m1, Dx7, triton in there. Juno 60 has a lot of competition from the Juno 106 in terms of sales, I would imagine. Wouldn't be surprised to see a nord on that list.
__________________ http://soundcloud.com/spssky |
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| | #10 |
| Lives for gear Joined: Feb 2010 Location: Philly
Posts: 2,916
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i'm sure all the junos together (6/60/106) would be a big contender, counting them separately is somewhat unfair unless you did the same for the DX7 (like counting all the various revisions, which i don't think the dx7 figures bother splitting out...but i could be wrong)
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| | #11 | ||
| Gear Head Joined: May 2010 Location: Las Vegas
Posts: 52
| Quote:
2. Roland D50 - 200,000 3. Yamaha DX7 - 160,000 It's probable that Triton and Roland JV1080 may have also passed the DX7, which was #1, until the other models surpassed in sales. Quote:
I'm pretty sure MicroKorg smoked the JP's numbers. Units sold were supposedly well into 6 figures. It's a $400 keyboard compared to over $2,200 for the JP8000 (when released). I posted this on another forum, a while back when we were guessing at the Triton's numbers. Remember that hardware synths were (are) quite pricey, so the number of units sold can seem pretty low. I have several books by Julian Colbeck and one by Mark Vail that share some numbers for past synths: EMS Synthi 100 - 34 units sold Crumar Spirit - 50 Fairlight - 300 E-MU Emulator - 500 PPG Wave 2.3 - 700 (2.2 - 300, Waveterm - 300) Oberheim 4 Voice - 800 OSCar - 1,000 Kawai SX240 - 1,000 Synclavier - 1,600 Roland Jupiter 8 - 2,000 Yamaha CS80 - 2,000 Kurzweil 250 - 3,000 Rhodes Chroma - 3,000 EII - 3000 Korg OASYS - 3,000 (approximately) EIII/EIIIXP - 3,200+ ARP Omni - 4,000 Prophet 5 - 8,000 Mono/Poly - 10,000 Sequential Circuits Pro One - 10,000 Minimoog - 13,000 Korg Wavestation - 14,000 (keyboard model only) MS-20 - 20,000+ Akai S1000 - 22,000 PolySix - 30,000 Ensoniq Mirage - 30,000 Roland Juno 106 - 40,000 Ensoniq ESQ1 - 50,000 SH-101 - 50,000 Korg Poly800 - 100,000 Korg 01/W - 100,000+ The original DX7 - 160,000 Roland D50 - 200,000 Korg M1 - 250,000 Triton - "Shitloads" Companies have become very secretive about their business, but they sometimes hint. For example: the claim on the Roland JV1080 is that it was: "Used on more recordings than any other module in history" | ||
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| | #12 |
| Lives for gear Joined: Mar 2010 Location: Atlantic Rim
Posts: 537
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Casio near the top, probably. Paul Theberge draws from some good solid research in his _Any Sound You Can Imagine_ that seems to suggest as much.
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| | #13 |
| Lives for gear Joined: May 2010 Location: Silicon Valley, CA
Posts: 709
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Yeah the CZ-101 is up there (100,000+) if you add all the CZs its prob #1.
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| | #14 |
| Gear maniac Joined: Oct 2010 Location: Los Angeles
Posts: 206
| Even on the last tour. James is amazing at getting these things to sound incredible and to be able to recreate the impression of things like an EMS Synthi or Fun Machine. Definitely the best synthesis I've ever met. Gavin Russom is up there too.
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| | #15 |
| Lives for gear Joined: Jul 2008 Location: Van Nuys CA, USA
Posts: 1,014
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daaaaay-ummm...3,000 EACH were made of the Chroma and Oasys?? i'd have never thunkit. |
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| | #16 |
| Lives for gear Joined: Oct 2010
Posts: 1,452
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korg produced the 100,000th microkorg in 2009 , so maybe some more since then one of the most successful synths in recent history |
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| | #17 |
| Lives for gear Joined: Aug 2007 Location: Oceania
Posts: 1,798
| The 3000 number for the Chroma is from Julian Colbeck's Keyfax. I don't know if you can trust these numbers. I also heard that there are less than 200 Chroma Expanders, which would make it uber-rare. Keyfax also states that there are 500 PS-3200s, a number which I believe is incorrect. There may be 500 PS-3100s, but no chance for the 3200. My best guess is there maybe 200 of them. Also the production number (2000) for the Jupiter 8 is disputed.
__________________ Keep things simple: A can-opener lets you eat, not a microwave (Waldorf branded products excluded). |
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| | #18 |
| Lives for gear Joined: Feb 2011
Posts: 858
| If that list above is accurate, one of the most successful synths period. I wonder what it is about Korg stuff that strikes such a chord with Joe Average Musician? There's a fair amount of their stuff that seems to have done really well. Like I never would have guessed the Mono/Poly outsold the Prophet 5 given how much relative discussion each one generates.
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| | #19 |
| Gear maniac |
1 microkorg 2 d-50 3 dx7 4 juno 60 5 ms20 6 virus 7 juno106 8 jx8p 9 jp8000 10 jd800 |
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| | #20 |
| Gear Head Joined: Sep 2010
Posts: 45
Thread Starter | |
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| | #21 |
| Lives for gear | |
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| | #22 |
| Lives for gear Joined: Feb 2010
Posts: 1,081
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1,600 Synclaviers? Huh? Where are they now? How many people have a keyboard and a mini computer in their home? It was closer to the size of a mini than a server if I remember. Sadly those 20,000+ MS-20s are quite expensive. |
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| | #23 |
| Lives for gear Joined: Feb 2010
Posts: 1,081
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| | #24 |
| Lives for gear Joined: Aug 2007 Location: Oceania
Posts: 1,798
| Back then they have been awesome and unbeatable. The M1 revolutionized how people made music. IMO this was the start of home recording at a reasonable price. I bought one back then, just to be able to sequence and have some drum sounds in the same machine. Some of the M1 presets are timeless. My favorite was the acoustic guitar. |
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| | #25 |
| Lives for gear Joined: Feb 2010
Posts: 1,081
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No no I hear you. Back in the day they were the thing. They can still do the job too. Plus I am a Korg man myself. Yeah I love Moogs plus most of the others but Korg always made synths I could afford. Does anyone really buy those workstations today? I pass them up in the store when i look around because most of em are so big. Like teh size of a canoe. I am more a synth player than keyboardist too. |
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| | #26 |
| Gear maniac Joined: Oct 2010 Location: Los Angeles
Posts: 206
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I just don't understand why M1s are so expensive used if there are so many if them...wouldn't the Korg Digital collection with the M1s emulation bring the price down? A sample is a sample right?
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| | #27 |
| Lives for gear Joined: Feb 2011 Location: BC Canada
Posts: 1,510
| Ahh, well you assume that the Korg Legacy Collection has faithfully re created the M1 or well,,the MS 20, the Polysix, The Monoply, or the rest of the offerings. It hasn't done that. What it has done is provide a brand new pallete inspired by those instruments. I actually love that VST, and I'm not a VST kinda guy. You can't honestly properly emulate those discrete instrument in a single software package let alone any one of them. How does that equate to the price of ping pong balls in China or the value of vintage synths on Ebay? ...One word for ya....perception. You, and only you have to evaluate the issue and make your determinations. But you can't do it via hyperbole or opinion. You will have to actually experience both in order to properly evaluate them.
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| | #28 | |
| happy cycling | Quote:
. It's because M1s are the staple in Tejano and they're getting snapped up as fast as you can say "yo". For a similar reason DX21s and DX100s are bought en masse by Balkan bands. Bands, as a rule, don't drag a laptop on stage and the requirements for keyboards when playing live are different from those when you only want to use it in the studio.Besides, it's not like you need the M1 itself; its waveforms have been recycled over and over again. I've got the M1 piano and guitar in my TR Rack.
__________________ For all the intelligence and knowledge that technology empowers us with, the lazy and stupid is amplified along with it (Staticstarter) Threads to check out: Chord Generators & Tips | Pop Sound Sources | |
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| | #29 |
| Lives for gear Joined: Oct 2008
Posts: 1,085
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| | #30 |
| Gear addict Joined: Oct 2009
Posts: 441
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