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| | #1 |
| Gear maniac Joined: Feb 2010
Posts: 159
Thread Starter | Skrillex! I want to be Skrillex!! How do I do it?
Hey, guys. Does anyone know how to make that massive bass found in scary monsters and nice sprites by skrillex? (YouTube - Skrillex - Scary Monsters and Nice Sprites) I've tried in massive but it doesn't sound as dirty or grindy. Anyone have guidence? Help would be really appriciated.
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| | #2 |
| Gear maniac Joined: Apr 2010
Posts: 173
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Do a few searches mate- this has been discussed a few times quite recently. (just search skrillex and dubstep) But here's the gist, as described in response to a rather weak "dubstep bass tutorial" on some blog. "There's a specific technique to achieve this bass. And the biggest producers out there do it this way: sine and two saw waves detuned. Split the freq's into 3 bands. Low (30hz to 150 hz), mid (150 to 3500khz) and hi (3500 to 20000 hz). Then apply different modulated effects to both mid and hi channels. Think of chorus, delay, ringmods, phaswers, flangers, distortion etc. Then when you have a little "moving" bass, you resample and import it into kontakt. Then to exactly the same as above but with some more modulation. Then do the same, then do the same then do the same.. you get it right? When your satisfied with the basssound you import it in a sampler like kontakt again and put a lowpass with lfo or a chopper on top and modulate it. Now that's a dubstep bass alla 16bit and 501 and the likes. They also call this a Reese bass, it originates from drum n bass (neurofunk especially). " LOL- he forgot to mention the filter and modulation. using massive you'll want to modulate the crap out of a bandpass filter w/ the performance LFO going all over the place. Also watch the video below (gets posted in all of these threads): Enjoy your wobble explorations, MPZ |
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| | #3 |
| Gear maniac Joined: Feb 2010
Posts: 159
Thread Starter |
Awesome, although the video wasn't explained that well (the guy skipped over a lot of the modulation and the camera was shaky as hell). How would I seperate the synth bands?
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| | #4 |
| Gear addict Joined: Nov 2007 Location: Athens Greece
Posts: 342
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copy 3 channels of the same sound to be stikestikestike put an eq plugin at the first slot seperating the hi / mid and low apply different stuff to each band. (ps experiment... )
__________________ k5000s/TX81Z/AirBase99/Juno 106/MKS-30/MKS-50/SH-101/SH-7/MicrowaveI/Snow TI/NI Maschine ![]() http://soundcloud.com/mamonu |
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| | #5 | |
| Lives for gear | Quote:
http://www.gearslutz.com/board/5848090-post59.html I did things different though, had a centered synth which comes in first that tackled most of the mid frequencies, then a wider one comes in that tackles most the highs plus some mids and a sub under for the low end used ohmicide for most the distortion
__________________ ![]() ![]() ![]() ![]() ![]() Invader! Official Site - http://itsinvader.com Invader!'s Guide to Electro House and Dubstep Production - http://itsinvader.com/guide | |
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| | #6 |
| 3 + infractions, forum membership suspended. Joined: Feb 2010 Location: perth western australia
Posts: 480
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the subfocus tutorial tells you everything you need to know
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| | #7 |
| Gear maniac Joined: Feb 2010
Posts: 159
Thread Starter |
Speaking of tutorials, some guy at the IDM forums pointed me to these: YouTube - (1 of 13) TSTs Dubstep bass tutorial workshop Really awesome tutorial series, especially for people who don't know their way around massive ![]() Just thought I'd point that out. |
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| | #8 |
| Gear Head Joined: Feb 2009
Posts: 30
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| | #9 |
| Gear maniac Joined: May 2006
Posts: 293
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the skrillex talking bass is done by setting an oscillator in massive to "modern talking", and then modulating the "wt-position" with an LFO (or with automation), and then distorting that signal to jesus |
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| | #10 | |
| Lives for gear | Quote:
it sounds the closest when the wavetable is set to to bend -/+ and the intensity is around 12 o clock what about this one though?! | |
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| | #11 |
| Gear maniac Joined: Sep 2010
Posts: 290
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| | #12 | ||
| Gear maniac Joined: Apr 2010
Posts: 173
| Quote:
I probably shouldn't have included that line- oops Quote:
Any other synths I should know about with this type of wavetable modulation capabilities? (forgive me- in retrosepect that's off topic) Last edited by MPZ; 28th November 2010 at 12:33 AM.. Reason: an addition | ||
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| | #13 |
| Gear maniac Joined: May 2006
Posts: 293
| sorry forgot to add that you need to set the modern talking oscillator down 2 octaves to -24 to get that tone, then automate the wt-position...
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| | #14 |
| Lives for gear Joined: Nov 2006 Location: Mexico city
Posts: 1,176
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| | #15 |
| Gear maniac Joined: May 2006
Posts: 293
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| | #16 |
| Lives for gear Joined: Nov 2006
Posts: 508
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Well done, what method went into that last example, alehoe?
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| | #17 | |
| Gear maniac | Quote:
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| | #18 |
| happy cycling |
You don't need time as this would cost probably 4 minutes to do in any DAW, provided that you have any skill with it. Really, it sounds like a lengthy process but it isn't. Furthermore, once you have your raw resampled material, you can take some of the audio you've used for an intermediate step, throw more effects on it and use that as variation. |
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| | #19 | |
| Lives for gear Joined: Mar 2010 Location: synthi synth moog
Posts: 801
| Quote:
it keeps the bass from being distorted or phased so you dont ruin your thick low end when processing. its only a few clicks away to set up a frequency split nowadays anyway (+1 software) thumbsup | |
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| | #20 |
| U mad? Yeah, U mad. Joined: Nov 2007 Location: Vancouver BC
Posts: 481
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| | #21 |
| Gear maniac Joined: Jun 2009 Location: Virginia
Posts: 273
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Skrillex is freakin good! Does anyone know who mixes his stuff?
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| | #22 |
| Gear maniac Joined: May 2006
Posts: 293
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| | #23 |
| Ultimate disciple of tone Joined: Jan 2009
Posts: 472
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Skrillex has join heavy metal band "Korn"... New horizons are coming...why not. |
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| | #24 |
| Gear interested Joined: May 2011
Posts: 3
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I'm pretty sure he does use that modern talking wavetable in massive with frequency splitting and distortion. but what I think he himself actually does is find the sweetest note to play it in that has the harmonics and peaks he likes and then bounces it to audio and loads into a sampler like Kontakt. the transformer sounding phrase i believe he is using a LFO post bounce as an effect. a plug in like camel phat could potentially have this result and also offers some pretty harsh sounding robotic/metal distortion. just what i think is going on though :p oh and yes, if you do dubstep, ohmicide for sure. that plug is amazing. truly great for creating single bands of your bass to spread over multiple tracks or keep it all on one and let the plug split the distortion for you. |
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| | #25 |
| Gear nut Joined: Jun 2010
Posts: 93
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Yo Rasseru. Thanks for the knowledge. Never thought of splitting the frequencies so that the deep bass doesnt get lost during the processing. You just opened up some ideas. Although I don't resample my tones I do a lot of processing to the signal from the VST directly. My 2 cents on this thread. Native Instruments Massive does it all. |
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| | #26 |
| Gear Head Joined: May 2008 Location: Christchurch, New Zealand
Posts: 61
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Just wondering, when talking about splitting the frequencies. I'm not familiar with Ohmicide so could you theoretically create 3 channels of the same sound, EQ'ing each channel filtering as needed and place distortion?
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| | #27 |
| Lives for gear Joined: Oct 2010
Posts: 1,452
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yes you could watch the subfocus video at the top it will tell you everything you need to know |
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| | #28 |
| Gear Head Joined: Sep 2010
Posts: 41
| Skrillex setup?
Are there any videos or interviews describing Skrillex's production setup? I've Google'd quite a bit and there's a lot of speculation floating around without much real information. Just curious
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| | #29 |
| Gear Head |
I'd wager that there's probably a copy of NI Massive in there.
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| | #30 |
| Lives for gear Joined: Jul 2010 Location: London
Posts: 917
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All itb and I think his soft synths were pretty much all NI...he said recently that he will get some outboard gear soon but thats about it.
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