Skrillex! I want to be Skrillex!! How do I do it? - Page 5 - Gearslutz.com

Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Electronic Music Instruments & Electronic Music Production


Skrillex! I want to be Skrillex!! How do I do it?

New Reply New Reply View First Unread View First Unread Thread Tools Search this Thread
Old 14th October 2011   #121
Lives for gear
 
kcearl's Avatar
 
Joined: Oct 2011
Location: Sandy Eggo CA
Posts: 740

as for mastering, If you think you have the ears for it, go for it....the listening public is becoming more and more accustomed to 128 kbps MP3's that the finer points of quality may be lost anyway

Like mixing I think the use of electronic instruments make them easier to master, I think they are more predictable than acoustic instruments, especially when there are no vocals...I dont have those ears yet myself so my first album will be going to a pro mastering house..I think at te end of the day you are paying for someone elses experience rather than just software/equipment
kcearl is online now   Reply With Quote
Old 14th October 2011   #122
Gear maniac
 
Joined: Sep 2011
Location: Australia
Posts: 179

Quote:
Originally Posted by scottdavidson View Post
i will pay good money to anyone who can get me the number of the lads hairdresser
lol why do you want the hairdressers number?
vivid435 is offline   Reply With Quote
Old 14th October 2011   #123
Gear maniac
 
Joined: Sep 2011
Location: Australia
Posts: 179

Quote:
Originally Posted by ohmicide View Post
He does, almost everyone now a day does their own mastering. Zedd does his own too. I do my own mastering and everyone's always all over my dick asking me what I do and what I use. All you need to do is mix through a limiter with a lot of gain. Get your shit to sound good through that and you're in business. A bit of EQ doesn't hurt either. I usually just cut form 20hz down with a 24db filter to cut what you can't hear anyways and give a bit more headroom. Not a big difference but whatever.
seen ur latest track. check out 'feed me' he does dubstep seen him live and his eps are sick. check them out for inspiration.
vivid435 is offline   Reply With Quote
Old 14th October 2011   #124
Lives for gear
 
ohmicide's Avatar
 
Joined: May 2009
Location: HELL
Posts: 4,996

Quote:
Originally Posted by vivid435 View Post
seen ur latest track. check out 'feed me' he does dubstep seen him live and his eps are sick. check them out for inspiration.
Love me some Feed Me / Sport

Saw em live a few months ago with SKisM, 16 bit and John B.
__________________


Invader! Official Site - http://itsinvader.com
Invader!'s Guide to Electro House and Dubstep Production - http://itsinvader.com/guide
ohmicide is offline   Reply With Quote
Old 14th October 2011   #125
Lives for gear
 
Joined: Jul 2009
Posts: 746

Quote:
Originally Posted by whoswho? View Post
i know this thread is super old.. but seriously i dont believe that he his work entirely from his laptop. The programming etc can be done but when it comes to his mixing and mastering and even his sound design it is not being done by him or on that laptop.

Its not impossible but i dont think the engineering and sound design is being done soley by him.

I only say this becoz the sounds are just amazing! and the mixing and mastering is probably the best iv heard for that style of dance music.

Just my 2p.
His music can only be made ITB. Those dirty distorted basslines can only be made with VA synths. There's a reason why most D&B and Dubstep is made in the box, its because the workflow is perfectly suited to that type of music.

As to mixing and mastering obviously that gets done professionally by engineers as it is with all records.
miscend is offline   Reply With Quote
Old 14th October 2011   #126
Lives for gear
 
kcearl's Avatar
 
Joined: Oct 2011
Location: Sandy Eggo CA
Posts: 740

you think he doesnt mix his own shit?
kcearl is online now   Reply With Quote
Old 14th October 2011   #127
Gear addict
 
Seb RIOU's Avatar
 
Joined: Apr 2008
Location: Grenoble, FRANCE
Posts: 336

Quote:
Originally Posted by whoswho? View Post
i know this thread is super old..
C'mon buddy, it's three months !

I'm getting old
Seb RIOU is offline   Reply With Quote
Old 14th October 2011   #128
Lives for gear
 
ohmicide's Avatar
 
Joined: May 2009
Location: HELL
Posts: 4,996

Quote:
Originally Posted by miscend View Post
As to mixing and mastering obviously that gets done professionally by engineers as it is with all records.
Quote:
Originally Posted by miscend View Post
As to mixing and mastering obviously that gets done professionally by engineers
Quote:
Originally Posted by miscend View Post
obviously that gets done professionally by engineers
Quote:
Originally Posted by miscend View Post
obviously that gets done professionally
Quote:
Originally Posted by miscend View Post
obviously
case closed
ohmicide is offline   Reply With Quote
Old 14th October 2011   #129
Lives for gear
 
Joined: Apr 2011
Posts: 690

Quote:
Originally Posted by ReubenTobias View Post

Im sure not many people here will admit it, as the usual response is 'Good music is good music no matter how it is created" which is very true, however, I have to admit whether that right or wrong, I do feel a little deflated when I find out a popular artist is just using soft-synths.

Oh, and for the record, I am by no means a Skrillex fan, not in the slightest, but he does seem to be very popular so a good example for my question.

agree in everything.

Excuse me but people here seem to be a little naive at the times.

This guy is in the states where the market of music (as well as any other market) has top notch resources.

I can admit that maybe he produced his first things with laptop and soundcard but as soon as he got successful i'm sure he got flooded with gazillions of equipment.


he can say whatever he wants! like Armin van Buuren showing that he used v station on one of his tracks leads (see! armin uses V station i spend 100 bucks and get to his level) not noticing the andromeda, nl3 and all tousands of $ gear behind him.

It's a market, if he says to use only softsynths everyone will "dream" and spend money on them. Even so would be nice to know which converters he uses.


As a prove to what i say check the link, you think he went in studio with Korn and asked the engineer: "Excuse me, where can i place my Macbook pro and Mbox?". the track is extremely high end sounding, definetly not even home studio mixed


http://soundcloud.com/skrillex/narcissistic-cannibal-feat
__________________


Resonance5 is online now   Reply With Quote
Old 14th October 2011   #130
Gear addict
 
lostinmusic's Avatar
 
Joined: Jun 2007
Location: London
Posts: 346

Quote:
Originally Posted by aunshui View Post
I think a lot of people just want to make up for their own shortcomings by reducing the talents of others to a matter of resources. It happens in every facet of life, not just music.
+1.
lostinmusic is offline   Reply With Quote
Old 14th October 2011   #131
Lives for gear
 
ohmicide's Avatar
 
Joined: May 2009
Location: HELL
Posts: 4,996

I'm gonna go make more awesome tracks at Starbucks while you guys continue to fight about this
ohmicide is offline   Reply With Quote
Old 14th October 2011   #132
Gear maniac
 
Joined: Aug 2011
Location: London
Posts: 195

Quote:
Originally Posted by ohmicide View Post
I'm gonna go make more awesome tracks at Starbucks while you guys continue to fight about this
That's the attitude ! I think people just got bored because there hasn't been a digital vs analaog thread for a week.
lysander is offline   Reply With Quote
Old 14th October 2011   #133
Lives for gear
 
kcearl's Avatar
 
Joined: Oct 2011
Location: Sandy Eggo CA
Posts: 740

i hate analogue...or is it digital, cant remember
kcearl is online now   Reply With Quote
Old 14th October 2011   #134
Lives for gear
 
ohmicide's Avatar
 
Joined: May 2009
Location: HELL
Posts: 4,996

Where's the subtractive vs additive synthesis threads?! Any wavetable h8rs out there? FM? No?
ohmicide is offline   Reply With Quote
Old 14th October 2011   #135
Gear maniac
 
tobias schuch's Avatar
 
Joined: May 2010
Location: Vancouver, BC
Posts: 205

Quote:
Originally Posted by miscend View Post
His music can only be made ITB. Those dirty distorted basslines can only be made with VA synths. There's a reason why most D&B and Dubstep is made in the box, its because the workflow is perfectly suited to that type of music.

As to mixing and mastering obviously that gets done professionally by engineers as it is with all records.
Yes, dnb/dubstep workflow is suited to itb but to say that that kind of music can only be made itb is very naive. Ever run a moog through a few distortion pedals? Instant dirt.
tobias schuch is offline   Reply With Quote
Old 15th October 2011   #136
Gear Head
 
Joined: Aug 2010
Location: The Bottom of the Atlantic
Posts: 47

there's definitely something very very high quality about his mixdowns. while i don't doubt that he composes this stuff on a laptop with FM8 and some other plugins, i'm pretty sure that once he's finished a track, the stems are sent off to a top mix engineer. maybe rob swire does it...or the guy who mixes rob swires stuff...who knows.
krykrykry is offline   Reply With Quote
Old 15th October 2011   #137
Lives for gear
 
The Beatsmith's Avatar
 
Joined: Feb 2005
Location: UK
Posts: 3,513

doesn't anyone have a physical cd to check the mixing/mastering credits and put an end to the conjecture? or if his releases are digital only (he MUST have vinyl out!) check out some discography websites with credits on!
__________________
Need your songs mixed or mastered by top engineers? Check out our credits at www.onlinemusicmixing.co.uk

http://www.associatedminds.com
http://www.twitter.com/P_Leezy
The Beatsmith is online now   Reply With Quote
Old 15th October 2011   #138
Lives for gear
 
ohmicide's Avatar
 
Joined: May 2009
Location: HELL
Posts: 4,996

It's all mixed ITB by Skrilly whys that such a mindf*ck!!
ohmicide is offline   Reply With Quote
Old 15th October 2011   #139
Banned
 
Joined: May 2010
Location: San Diego
Posts: 1,852

Quote:
I'm gonna go make more awesome tracks at Starbucks while you guys continue to fight about this
Come on ohmicide, this new track of yours better ROCK... I'm counting on you.
Liquid360 is offline   Reply With Quote
Old 15th October 2011   #140
Lives for gear
 
jimmydeluxe's Avatar
 
Joined: Feb 2008
Location: Los Angeles
Posts: 884

Quote:
Originally Posted by ohmicide View Post
I'm gonna go make more awesome tracks at Starbucks while you guys continue to fight about this
Hey, like that track you have posted, but fyi it gave me a headache after 60 secs. I'm sure my ears are more sensitive than most of your constituents, but it might not hurt to back off a bit on that limiter and smooth out the 2-7k a tad. Nice work, though...

I don't/can't listen to the genre all day, but Skrill is an incredible talent--probably the first, "wtf?" moment I've had in years, maybe decades...
jimmydeluxe is offline   Reply With Quote
Old 15th October 2011   #141
Lives for gear
 
Joined: Mar 2009
Location: Pittsburgh
Posts: 632

Quote:
Originally Posted by ReubenTobias View Post
just out of interest, how do you guys feel about someone using a laptop (exclusively) to create all their music?

Does it lessen the appeal of the track once you find this out?

Im sure not many people here will admit it, as the usual response is 'Good music is good music no matter how it is created" which is very true, however, I have to admit whether that right or wrong, I do feel a little deflated when I find out a popular artist is just using soft-synths.

Oh, and for the record, I am by no means a Skrillex fan, not in the slightest, but he does seem to be very popular so a good example for my question.
I think some of it comes down to feeling like we are wasting our time obsessing over VCOs vs DCOs and discrete vs curtis (or SSM) chips while some guy with a laptop and some software is making music. I mean how many times have all of us said I will make my masterpiece when when I get some real gear. Meanwhile almost all electronic artists got big using the cheapest junk they could find while avoiding collectors items.
zosthegoatherd is offline   Reply With Quote
Old 15th October 2011   #142
Lives for gear
 
Rogue Ai's Avatar
 
Joined: Aug 2011
Posts: 1,037

Quote:
Originally Posted by The Beatsmith View Post
doesn't anyone have a physical cd to check the mixing/mastering credits and put an end to the conjecture? or if his releases are digital only (he MUST have vinyl out!) check out some discography websites with credits on!

He doesn't master his own tracks. I have one of his cds and it says that his music in mastered by Masterpiece in London.
__________________
Synths:Juno-1, HS-80, TX81z, Fatman, JX-3P,Yamaha DX9,
Kawai K1r, Eurorack Modular, Electribe EA-1,
Drum machines: Electribe ER-1, Boss DR-550 MKII, TR-505
Effects: Electrix Filter Queen, Ibanez FL9, Rat 2,Boss PH-1R, Chorus, Wah, DigiTech MSP4, DL3 Delay
Daws: Reason 6, Cubase Studio 5, Ableton Live lite 8
Plugins: Tracks 3 Standard. PPG Wave 2.V, Attack, D-Pole, Chipsounds, Muon TauPro
Quote:
Originally Posted by rystro View Post
What do I do? Does MIDI transfer audio? Or do I also need to have the 1/4" plugged in as well?
Rogue Ai is online now   Reply With Quote
Old 15th October 2011   #143
Lives for gear
 
Joined: Jun 2010
Location: Herefordshire, UK
Posts: 571

I'm sorry, that CAN'T be right. Gearslutz says otherwise.......




Last edited by ScoobyDoo555; 15th October 2011 at 08:58 AM.. Reason: learning about embedding!! :D
ScoobyDoo555 is offline   Reply With Quote
Old 15th October 2011   #144
Gear nut
 
Joined: Aug 2010
Posts: 120

Quote:
Originally Posted by ohmicide View Post
He does, almost everyone now a day does their own mastering. Zedd does his own too. I do my own mastering and everyone's always all over my dick asking me what I do and what I use. All you need to do is mix through a limiter with a lot of gain. Get your shit to sound good through that and you're in business. A bit of EQ doesn't hurt either. I usually just cut form 20hz down with a 24db filter to cut what you can't hear anyways and give a bit more headroom. Not a big difference but whatever.


can you elaborate on your mastering process? Just start mixing with a Limiter in the master bus cranked out and make it should not shity?
randomguy is offline   Reply With Quote
Old 15th October 2011   #145
Lives for gear
 
ohmicide's Avatar
 
Joined: May 2009
Location: HELL
Posts: 4,996

Quote:
Originally Posted by randomguy View Post
can you elaborate on your mastering process? Just start mixing with a Limiter in the master bus cranked out and make it should not shity?
Yep
ohmicide is offline   Reply With Quote
Old 15th October 2011   #146
Gear interested
 
OhmLab's Avatar
 
Joined: Oct 2011
Posts: 11

Truth be told, there are a bunch of ways to go about doing it in both Massive and in FM8 (which Skrillex also uses) and you can find a bunch of different tutorials and walkthroughs (both written and video) over at Native Instruments Massive It is probably the most comprehensive collection of everything relating to NI Massive out there. If you still have issues getting the sound you want, message me and I'll help you out!!

Best of luck out there!
__________________

OhmLab: Music You Can Use.

Website: http://ohmlabmusic.com/
AudioJungle: http://bit.ly/qmMWJO
Twitter: http://bit.ly/nOXSfb
SoundCloud: http://bit.ly/k20VSl
Facebook: http://on.fb.me/hABL65
OhmLab is offline   Reply With Quote
Old 15th October 2011   #147
Gear nut
 
PiTeR-aR's Avatar
 
Joined: Sep 2008
Location: PL
Posts: 129

Quote:
Originally Posted by zosthegoatherd View Post
I think some of it comes down to feeling like we are wasting our time obsessing over VCOs vs DCOs and discrete vs curtis (or SSM) chips while some guy with a laptop and some software is making music. I mean how many times have all of us said I will make my masterpiece when when I get some real gear. Meanwhile almost all electronic artists got big using the cheapest junk they could find while avoiding collectors items.
i agree, what's important is idea, how you will spread it using gear you have at the moment, not the gear by itself
PiTeR-aR is offline   Reply With Quote
Old 15th October 2011   #148
happy cycling
 
Yoozer's Avatar
 
Joined: May 2009
Location: The Netherlands
Posts: 7,100

Quote:
Originally Posted by ohmicide View Post
Now I'm releasing tracks and doing remixes and collabs with some good names.
Solution: start offering mastering services too

Quote:
Originally Posted by ohmicide View Post
It's all mixed ITB by Skrilly whys that such a mindf*ck!!
It'd be explained by people having a shitload of expensive synth but a cheap mixer, no treatment and no proper audio interface - hey, that money could be spent better on more ~*~real analogz~*~

( )
__________________
For all the intelligence and knowledge that technology empowers us with, the lazy and stupid is amplified along with it (Staticstarter)
Threads to check out: Chord Generators & Tips | Pop Sound Sources
Yoozer is offline   Reply With Quote
Old 16th October 2011   #149
Lives for gear
 
ohmicide's Avatar
 
Joined: May 2009
Location: HELL
Posts: 4,996

Quote:
Originally Posted by Yoozer View Post
Solution: start offering mastering services too
Not sure if that would work since the whole point of what I do is to get it right in the mix, so it'd have to be a mix/mastering service which I would charge more for and no one would want to pay cos they're cheap asses

Quote:
Originally Posted by Yoozer View Post
It'd be explained by people having a shitload of expensive synth but a cheap mixer, no treatment and no proper audio interface - hey, that money could be spent better on more ~*~real analogz~*~

( )
That reminds me of Wolfgang Gartner, not sure if he still does this but on this one video he posted a few months back he explained how he ran all his synths through a cheap mixer. It just proves how much that type of shit doesn't really matter as long as you know what the hell you're doing.
ohmicide is offline   Reply With Quote
Old 16th October 2011   #150
spanks your mom for gear
 
Myrok Rolles's Avatar
 
Joined: Oct 2010
Location: California
Posts: 649

Quote:
Originally Posted by ohmicide View Post
It just proves how much that type of shit doesn't really matter as long as you know what the hell you're doing.
Pffftt like that ever got anybody anywhere...
Myrok Rolles is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
To SRC, avoid Pro Tools HD bounce-to-disk? Mike H High end 37 21st January 2007 10:45 PM
Bouncing to disk tcoop001 Rap + Hip Hop engineering & production 2 15th January 2007 05:54 AM
Anyone know why bouncing digitally from Protools to digital tape sounds better? Riddler So much gear, so little time! 11 13th January 2007 05:13 PM
Using delay to phatten things up Luko Electronic Music Instruments & Electronic Music Production 5 13th January 2007 12:50 PM
dat 48 to cd 44 transfer issue kellyr52 High end 8 2nd January 2007 08:32 PM


All times are GMT +1. The time now is 06:32 PM.

Home - Search Forum - Contact Us - Terms Of Use - Advertise on Gearslutz - All Advertisers - Archive - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

SEO by vBSEO ©2010, Crawlability, Inc.