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| | #31 | |
| Moderator | Quote:
Only thing JD800 has in common with JD990 is the name Roland. They are two totally different synthesizers. | |
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| | #32 | ||
| Gear addict Joined: Jul 2010
Posts: 319
| Quote:
It's an attempt to put a human factor into consideration. The charts are for JD990 x XP-30 x XV5080 x Fantom XR. In other words: it's apples vs oranges vs plums vs bananas. (We can't even say that all above are rack versions, because, XP-30 is not.) I always thought that JD-990 is a module version of JD-800 with expanded capabilities. I never had JD-990 but I played enough with JD-800 and I could say that if I would want to program any of these two, it would be JD-800. But again, it's just my preferences. To my ears the sound of JD line is different from XP/JV/XV5080 line and the sound of Fantoms is also different from those two. From my personal experience I would question the numbers below: Quote:
XV5080 - easy of use: 7 (out of 10) vs. FantomXR easy of use: 3 (vs. Fantom X: 10). XV5080 - Sound Quality: 7 (from 1 to 10, 10 is da best) vs. FantomXR - Sound Quality: 8 The advantages of Fantom line are not in sound engine alone. It's more about sequencer, knobs/pads and big color screen which are not included in FantomXR. I owned JV2080, XV5080, FantomXR, Fantom X. (Still own XV5080 and Fantom X.) But again, it's just my preferences. ![]() BTW - those charts look like a presentation for a loan officer. (or wife maybeh?). Jesus... that's not a slutty way of doin things here. | ||
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| | #33 | |
| Moderator | Quote:
Speaking of... ...only apple and orange would be placing JD-800 into equation, which by its synthesis features, is more less a joke compared to all the others. Both the XP-30, 5080 and Fantom are based on the JD-990 engine and have almost the same feature list (aside from added matrix mod and removed Osc Sync). | |
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| | #34 |
| Lives for gear Joined: Sep 2006
Posts: 1,786
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Regardless of similarities, the JD800 is an incredible synth. Suprised you dont like it Don, with its 4 layers and great UI, filters and general awesome sound i dont know whats not to like...
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| | #35 |
| Lives for gear Joined: Nov 2009
Posts: 803
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Yeah not sure why Don has such hate on the 800, I have both and I love them both. Sure the 990 is more flexible but that doesn't make the 800 a bad piece of kit. Maybe one fell on him in an update of the moving a piano up stairs routine and left him traumatised.
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| | #36 |
| Gear maniac Joined: Jun 2009 Location: Virginia
Posts: 273
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I've been wanting the XV-5080 for so long now!! I was recently looking at the JV-1010 because of it's tiny-ness and it's expansion capabilities but forget that, I'll just keep saving for the 5080... maybe i'll get it some day.
__________________ http://MichaelKhan.com |
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| | #37 |
| Lives for gear Joined: Oct 2007 Location: NY
Posts: 2,284
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The XV 5080 has the best user interface - but the thinnest and brightest sound. Had it - sold it after just 1 week. The JV card presets (especially the Vintage board) sounded awful in that machine. It's like there is a lowcut embedded. JD 990 and JV 2080 more to my taste.
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| | #38 | |
| Gear maniac Joined: Jun 2009 Location: Virginia
Posts: 273
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| | #39 | |
| Gear addict Joined: Feb 2008 Location: USA
Posts: 447
| Quote:
Devon | |
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| | #40 |
| Gear addict Joined: Jul 2008
Posts: 340
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| | #41 | |
| Gear addict Joined: Feb 2008 Location: USA
Posts: 447
| Quote:
However, a few of the patches on the sysex card that do not use the samples from the cards and use the internal waveforms only are kinda cool. You'll just have to deal with all the error messages from all the patches that are looking for the jd card data, and not having the waveforms, which gets real annoying real quick. | |
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| | #42 |
| Lives for gear Joined: Oct 2007 Location: NY
Posts: 2,284
| well, its really my personal experience! Those producers may have simply everything in their rack. It's not a HUGE difference, but some presets really sounded weird in the 5080, and I didn't want to tweak every sound. Also the techno card: in the 2080 there is some sub bass which really has this big buttom end and creates sound pressure, and in the 5080 it sounds slightly thinner and gets some nasty top end I didn't like. The orchestral JV cards: sudddenly the strings get a scratchy topend. Not nice. Probably the XV cards are better, since they are made for XV boards. But they cost a lot.
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| | #43 | |
| Gear addict Joined: Jul 2010
Posts: 319
| Quote:
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| | #44 |
| Lives for gear Joined: Oct 2007 Location: NY
Posts: 2,284
| I really tested them side by side. The JV 2080 sounds darker, bassier, compared to the xv 5080. At least in my case.
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| | #45 |
| Gear nut Joined: Jun 2008
Posts: 121
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I had a 2080 before my 5080, 5080 is more transparent. Maybe the 2080 had a little more bass by default but you guys are probably forgetting that the 5080 has global eq on every output. It's quite likely that Roland "tuned" the bass in a bit on the 2080 but allowed the user to choose on the 5080. I often used to put a couple of db on the bottom end on the 5080 - worked a charm. The other issue with the 2080 is it's midi timing. Stack up a couple of 4 tone sounds with lfos and some sharpish envelopes and all I ever used to get was sloppy timing. It wasn't midi timing mind, it was the dsp getting overloaded. The 5080 has never had that issue with me. I also used to get "digital quantisation noise" in the reverb output on the 2080. Those were Roland's words when I eventually got them to admit it. 5080 all the way for me.
__________________ Present: XV5080, JD990, V-Synth XT, D110, TI Pølar, Korg X5, Blofeld, SE70 Past: Jupiter 6, Alpha Juno, Juno 106, JP8080, DX100, S3000 XL, Micron, Nova |
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| | #46 |
| Gear maniac Joined: Jun 2009 Location: Virginia
Posts: 273
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Interesting. Well thanks for the info you all. I think I'm going to go with the XV like I originally planned. And so I can load it up with the SRX Complete Piano! A lot of stuff on the radio seems to be VST-based now, which gives me the urge to go and use sounds of yesterday.. And back to the future I go! |
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| | #47 | ||
| Moderator | Quote:
Quote:
There is also a major difference in converter quality between these two units. I've tried the same patches on both units, and 2080 came as a much weaker in stereo field and dynamic range. The same patch sounded more fuller, wider in stereo field on 5080. | ||
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| | #48 |
| Gear interested Joined: Nov 2010
Posts: 1
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I've had these machines, with the exception of the XP-30. My latest is the Fantom-XR, and I have to say, it is really poor. The XV-5080 is gorgeous, and the 5050 still beats the XR. I've moved all my SRX cards back into my 5080s, that's how bad the XR sounds to me. I realize it's all a matter of taste, but wow, the pianos are thin, the waveforms are clumsily looped - I've written it off. I suspect the XR's DA converters are not nearly what the XV series was. Just MHO. |
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| | #49 |
| Gear addict Joined: Jun 2009
Posts: 327
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fantom x6 that i have. barely sees use. i dont really like the sounds on it. the waveforms are looped bad and the piano sucks. it is good for SOME things but it will not be your go to synth. i drooled over this board for a while and convinced my wife to let me buy it. Should of saved for a Virus instead.
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| | #50 |
| Lives for gear Joined: Mar 2009
Posts: 963
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Hmm ... Not my experience ... Have had my fully expanded Fantom X7 for five or so years now ... Since then, lots of gear has come and gone, but I still love it and complements the rest of my setup very nicely ... I use it everyday for practice and think the pianos are very expressive ... Granted, when it comes time to record, the Fantom only gets called on for certain sounds 'cause that's when the Jupiters and V-Synth come to call ... but the Fantom has it's place for orchestral textures, pianos, choirs and some other sampled sounds ... On the other hand, I'd never buy an XR simply because its a one-space unit and seems crippled from a UI standpoint ... |
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| | #51 | |
| Moderator | Quote:
Damn! Even now i regret selling mine. I went 5050 just because i've heard it's full 44.1k (5080 is mixed 44.1 and 32k). The sound on 5050 is maybe crystal clear but it lacks the low end of 5080. I'm sure i'll get 5080 sooner or later simply because i've exploited absolutely everything i could on JD-990. Read this: http://acapella.harmony-central.com/...7&postcount=30 Note: It contains just one small incorrect info about 5080 being 32k. I've actually discovered (and later got confirmed by Roland) it is mixed 32k and 44.1k ROM. | |
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| | #52 |
| Lives for gear Joined: Oct 2008 Location: Europe
Posts: 717
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Don - > Go towards the light. There is somewhere a 5080 with your name on it....
__________________ Gear: FocusritePro40+Octopre2, MackieOnyx32, Korg TritonExtr+MOSS+EX800+TRRack, Roland XV5080+D550+MKS7+MKS50+MKS70+MKS80+S550+JP8080+Juno60+JD990+DR660, NordRack2, ATC1, ESQM, Yamaha A5k+An1x+TX802+TG77+TX7+MotifRackES, Akai S5k+MPC1k, Blofeld, Pulse, Mopho, Indigo2, ESynth, Emax, Rogue, MachineDrum, KawaiR100, ProOne, Drumulator, M1AM1, Linndrum, CZ101, CR78 Effects: API 512C+525, Boss SE50+SE70+CE300, UAD2Duo, Powercore, SRV330, MPX550, Rev2496, 1204, DP2, Filterbank, 9010, 1178clone |
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| | #53 |
| Gear maniac |
I got a like new XP-30 finally. Its extremely awesome. I got lost playing it for about 2 hours. It compliments my V-synth really well and sounds more musical, more complex. XP-30 has more useful sounds than an un-upgraded Fantom X if you are into old pop/dance styles. Everything seems to be EQ'd well like someone really obsessive programmed it. It is not hard to use either. Pianos are below average but oh well. I love the keys on it. They are fast, responsive, and not very loud. Its really good.
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| | #54 |
| Gear addict Joined: Oct 2006 Location: lake district
Posts: 334
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| | #55 | |
| Lives for gear Joined: Apr 2010 Location: London
Posts: 661
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| | #56 |
| Lives for gear Joined: Feb 2011 Location: Australia
Posts: 1,921
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running the sawtooth and square waves through a FFT should tell you the answer |
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| | #57 |
| Lives for gear Joined: Sep 2002 Location: NYC
Posts: 1,123
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It's like this folks; The XV-5080 was the king of Synths/sample playback in it's time (2000's) and holds up extremely well today. When someone describes it as "thin" you know you have a crimson red flag telling you to steer clear of that someone. The XP-30 was an outstanding value with great and useful sounds/features for live performance. When isolated and listened to critically in a recording scenario you'll notice a constant low-level hiss that could or could not work in your recordings. |
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