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| | #1 |
| Gear nut Join Date: Aug 2009 Location: Austin
Posts: 126
Thread Starter | Industrial Music Techniques? I am very interested in industrial music and was wondering if anyone had tips for me for production. Trent reznor is my hero any feed back would be appreciated cuz im a noob to the max |
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| | #2 |
| Lives for gear Join Date: Aug 2009
Posts: 2,989
| He uses fuzz pedals and sexy modular synths |
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| | #3 |
| Lives for gear | What have you already done with the answers given in Getting started electronic music - or will this thread not get any further replies either? ![]() |
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| | #4 |
| Gear Head Join Date: Dec 2009 Location: Berlin
Posts: 62
| Trent uses Metasonix gear a lot. Vacuum Tube Modules for Electronic Music by Metasonix - Home
__________________ Magnetic Processing Suite Berlin Synclavier / Emax I & EII+ HD / Toft ATB 24 / Fucifier / Q-Faktor / UBK Fatso / Moog Voyager / Eventide H8000FW / Poly Evolver & Mopho / Sherman Filterbank / Culture Vulture / Clavia G2 / Jomox Sunsyn & T-Resonator / Yamaha FS1R, TX16W & TX81Z / Metasonix TM6 & R54 / Matrix 1000 / Moogerfooger Freq-Box / Microwave Green Machine / Studio Electronics ATC-Xi / Lemur / Roland V-Synth GT & D-550 / modules from Doepfer, Livewire, Metasonix and MOTM / OP-1 |
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| | #5 |
| Lives for gear | - distortion on almost everything - interesting sound design - running synths through guitar amps - processing guitar tracks with synths - avoiding 4/4 - arrangement-wise - don't make it sound boring and forget anything you heard so far trying to copy it - make your own unique sound - you can even forget all mentioned above and experimenting with your own visions |
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| | #6 |
| Lives for gear Join Date: Jul 2009 Location: UK
Posts: 531
| Sample machines making noises (or sample machine noises from films). Load samples into sampler/drum machine. Program midi pattern to trigger noises. Season with distortion.
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| | #7 |
| Gear maniac Join Date: Aug 2009
Posts: 153
| Not needing tips for "industrial music" production is probably a big one. |
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| | #8 |
| Lives for gear Join Date: Aug 2009
Posts: 2,989
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| | #9 |
| Lives for gear | Case in point: However, it's more effective to ask for specifics. You can pen down a zillion pages about industrial and how to do stuff, but it's a lot more encouraging for anyone typing the answer to hear some results first - what has been tried already, what didn't work, what direction does the topicstarter want to go in, etc. This, IMHO, makes the difference between a beginner with promise and one who just wants to have everything handed to him/her on a silver platter. |
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| | #10 |
| Gear maniac Join Date: Nov 2009
Posts: 158
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| | #11 |
| Lives for gear Join Date: Aug 2007 Location: Seattle, WA
Posts: 3,120
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| | #12 |
| Lives for gear Join Date: May 2009 Location: HELL
Posts: 4,825
| lots of modular synthesizers, fuzz pedals, reaktor, vintage synths and talent |
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| | #13 |
| Gear nut Join Date: Oct 2008
Posts: 101
| Samplers |
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| | #14 |
| Lives for gear Join Date: Dec 2008
Posts: 1,222
| none of the above mentioned things... industrial music is more of a conceptual attitude so to speak than a production method. the same basic production methods you would use for recording a jazz trio or a death metal band apply equally well. what i mean by this is if you are recording a guitar you concentrate at the guitar as to what it sounds like and at the mixer, recording device as to how to go about to best capture that sound. industrial music is more about how you feel about something your writing about than any specific sound source or effect etc... industrial can cover scraping and banging on actual industrial appliances ala einsturzende nuebauten or lyrics portraying a drab and bleak lifestyle in a modernized world ala nitzer ebb it can range in actual musical style from trance to euro disco to metal to jazz or be a combo of any or all of those. first thing you need to do is worry about the song you want to write, then worry about how to portray it the way you want (or as close as you can get within your budget) there is no magic item that will "sound industrial". you can take a casio keyboard and a cheap free vsti effect and get it to make industrial music. |
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| | #15 |
| Lives for gear Join Date: Aug 2005 Location: Between Harmony & Irregularity
Posts: 2,167
| Drum machine plus distortion pedal... Depends on what era of nin. My tip would be to get any synth with decent sounds and start playing around. Pretty easy, you'll find what you like as far as notes/chords just by trying out ideas you have.
__________________ "It ain't the instrument, Baby!" - Ray Charles |
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| | #16 |
| Lives for gear Join Date: May 2009 Location: HELL
Posts: 4,825
| been working on a track similar to that of nine inch nails the fragile era null dec09.mp3 - File Shared from Box.net - Free Online File Storage like rids said, it depends what are of nine inch nails you're speaking off it's not like trent ever really stuck to one sound/genre and although the songs in his albums tend to be similar style and production, different albums vary greatly |
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| | #17 |
| Gear addict Join Date: Mar 2006 Location: South Florida
Posts: 415
| I agree with this statement 100% and I like NIN. +1 to what W-W-Int said. It's where the music comes from.
__________________ 7 Hertz...so good. |
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| | #18 |
| Lives for gear Join Date: Aug 2007 Location: Seattle, WA
Posts: 3,120
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| | #19 |
| Lives for gear Join Date: Dec 2009
Posts: 1,958
| He's interested in making industrial sounds and using them in music, not your inner emo. |
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| | #20 |
| Gear interested Join Date: Dec 2009
Posts: 1
| maybe you should learn what industrial music really is. NIN is not really industrial music, just because Trent is sad about stuff and uses synths/distortion that doesn't make it industrial, maybe you should listen to bands like Coil, Throbbing Gristle, Legendary Pink Dots, Ministry (older stuff), chemlab, KMFDM, just to name a few. learn that industrial music isnt just about ultra quantized drum samples and crying about ex-girlfriends that F your best friend. |
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| | #21 | |
| Gear maniac Join Date: Nov 2009
Posts: 158
| Quote:
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| | #22 |
| Lives for gear Join Date: May 2009 Location: HELL
Posts: 4,825
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| | #23 | |
| Lives for gear Join Date: Mar 2009 Location: Pittsburgh
Posts: 562
| Quote:
On a different note I would really love to know more about Sleazy's production methods. I know he uses ableton and a lot of samples. Early stuff used a synthi and a mirage. I also know he used a roland sdx330. Given that he worked with trent on a few projects I am sure his methods may have trickled down to the more accessible pop-industrial NIN makes | |
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| | #24 |
| Lives for gear Join Date: Mar 2009 Location: Pittsburgh
Posts: 562
| Industrial records was founded by Genesis and Christopherson. The term industrial music was invented to market TG, and TG begot Psychic T.V. that begot Coil I would say that Coil has a better claim to the title industrial then most of the second wave and EBM bands that the term is applied to. |
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| | #25 | |
| Gear maniac Join Date: Nov 2009
Posts: 158
| Quote:
You've probably read it but this article is interesting (although it's about their Horse Rotorvator era) - Keyboard Magazine He mentions a... "Fairlight II and III for sequencing and editing, Emulator II as the main sound generator, Yamaha DX7, PPG Wave 2.2, and an EMS Synthi for the heavy, distorted sounds." | |
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| | #26 | |
| Gear maniac Join Date: Nov 2009
Posts: 158
| Quote:
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| | #27 |
| Lives for gear Join Date: Mar 2009 Location: Pittsburgh
Posts: 562
| Is RevCo Ministry? Granted Coil went in a slightly different direction but I would say that more then the other projects TG spawned they worked in the same sonic territory. I wish Sleazy would open a school. Coil FAQs has a little bit of info... |
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| | #28 |
| Gear maniac Join Date: Jan 2008 Location: USA
Posts: 166
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| | #29 |
| Lives for gear Join Date: Aug 2007 Location: Seattle, WA
Posts: 3,120
| Coil is more closely related to the original industrial sound than almost anything out right now. Just because Coil isn't TG, doesn't mean they don't carry on the torch. However, since JB died, there is no more Coil =o[
__________________ Synths: SH-101 . x0xb0x . SEM . FR XS . Oberkron v3 . uWave II . MoPho . UltraNova . Monotribe . Monotron Drum Machines: TR-707 . R-70 . Procussion New DJ Mix - AcidTed - Question Everything |
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| | #30 |
| Lives for gear Join Date: Mar 2009 Location: Pittsburgh
Posts: 562
| Nobody can agree on what industrial is, was, or should be. Granted most scenes are like that, but it seems industrial music fans take pride in developing their own list of what constitutes industrial. Going back to the original topic.... Mangling sounds with samplers/filters/distortion is a good start. Experimenting with non-standard arrangements/composition helps. Instead of thinking in terms of drum, baseline, pad, lead, etc. try using different parts of the audio spectrum to carry the melody. In quite a few "industrial" songs the lower voice "bass" instrument caries the main melody, while the higher portion of the spectrum may alternate between a voice elaborating/mirroring the main theme and pads or noises/samples. As for getting a sound closer to NIN, buy some '80's gear, listen to skinny puppy, chase Al Jurgensen around, and get Adrian Sherwood to teach you to mix. |
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