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Old 14th November 2008   #1
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Favorite plugin compressor

Hey Just wondered what your fav pluggin compressors are for electronic music.
I use and love the sonalksis 315 and I'm looking for something a little different to go alongside it.

cheers
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Old 14th November 2008   #2
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UAD LA2A
a few of the focusrite liquid mix emulations
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Old 15th November 2008   #3
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Software:

I use the waves rcomp for general purpose,
logic comp for sidechaining,
sonalksis 315 for drums / general purpose,
and vintage warmer 2 for warmth.
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Old 15th November 2008   #4
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It must be said that the Logic 8 compressor is pretty darn good. Largerfelds SSL presets are also worth grabing
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Old 15th November 2008   #5
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The Waves SSL setup is quite nice!


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Old 15th November 2008   #6
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+1 on the Waves SSL and from what I can recall the demo I tried of the Waves API wasn't too shabby.
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Old 15th November 2008   #7
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colour URS
clean-ish RenComp or RenVox
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Old 15th November 2008   #8
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UAD Precision Buss Comp. Not just fer busses.

Magix Am-Suite. Samplitude, Sequoia, Sam for Rent

All sorts of different comp goodies as a silly price. Check the demo.

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Old 15th November 2008   #9
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Originally Posted by allcentury View Post
UAD LA2A
thumbsup My favourite too thumbsup

It's simple and it works!

- CM
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Old 15th November 2008   #10
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Largerfelds SSL presets

Hi Kristoff , Where do you find these presets ? Tried Google with no luck.

Cheers
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Old 15th November 2008   #11
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FabFilter Pro-C - the best native compressor out there

i also love the compressor of ableton 7
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Old 15th November 2008   #12
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Hi Kristoff , Where do you find these presets ? Tried Google with no luck.

Cheers
Right here on gearslutz

SSL 4000 G presets for Logic 8 Compressor (download)
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Old 15th November 2008   #13
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I like the native compressor in Sonar. On my BDs anyway.
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Old 15th November 2008   #14
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cubase 4 and nuendo compressor does a good job too. theres no need for other plugins but i like urs ans oxford and psp compressors too. Mostly i go with psp. and sequencer intern compressors
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Old 15th November 2008   #15
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Out Of interest has anyone used the Abbey Road TG12413 Limiter on electronic music, I make tech/house and wondered if it would be suitable for club style production.
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Old 15th November 2008   #16
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Quote:
Originally Posted by krisstoff View Post
Out Of interest has anyone used the Abbey Road TG12413 Limiter on electronic music, I make tech/house and wondered if it would be suitable for club style production.
I tried the TG limiter and wasn't to crazy about it. Not that its bad, it just wasn't the best for the situations I needed. For electronic stuff maybe try the PSP Vintage Warmer or the PSP Xenon limiter. Those are both amazing plugs.
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Old 15th November 2008   #17
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My favorite compressor depends completely on the given audio material, and how or to what degree am I going to apply the compressor to achieve my desired audio objectives.

You can rant about your favorites, but I have discovered it really depends on if you are compressing a pipe organ solo or reggae music. It also depends on whether or not you are using a low or high ratio and gain make-up. Some compressors are nice with 3:1 but that same compressor is lousy at 8:1 and you can't assume if it's nice at one end it will be nice at the other end. It also depends on if you are running that compressor in series or parallel. (sometimes 2 or 3 compressors in SERIES, not necessarily the same compressor and you have to know the theory behind your settings) can achieve excellent results. It also depends on how much if any color you want added.

See why it's difficult to give an honest accurate reply? Maybe someone should ask about their favorite EQ's.

With that said, and in no order....

Waves Ren Comp.
Waves multiband (used maybe once a month)
Waves C4
SSL Comp
API Comp
UA Fairchild
UA LA-2A (I will admit that is often a go-to for pianio)
1176LN
The Rocket (By Stillwell but mostly for problem transients)

I could probably have more favorites, but after many years I am still learning to really LEARN and know these tools, know their limits, and how and when to apply them. There could be many other incredible compression tools, but if I don't know them well enough to achieve my audio objectives, and really learn them through experiences, then I can't really comment on them.

I apologize for being anal, but this is the best reply I could give.
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Old 15th November 2008   #18
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Plugin compressor?

WinZIP. It compresses all my plugins in a smaller single file.
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Old 15th November 2008   #19
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Sonnox Dynamics is hands down the best all purpose plugin. Closest to the analog vibe and colour is Nebula.
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Old 15th November 2008   #20
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waves SSL

and when its not glitching out my audio, the new t-racks opto comp. (LUSH)!!!
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Old 16th November 2008   #21
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Stillwell Rocket

--
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l.......l
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Old 16th November 2008   #22
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A lot depends on the sounds and what you want out of them

For general purposes, I have always favored the Waves C1 Compressor for its
all-in-one features, and the way they have designed in so many options and
possibilities in a single plug-in. But it's best for situations where maximum
transparency is the desiderata - great for accoustic sources but maybe too
subtle for electro stuff. Again, depending: I've enjoyed the hell out of it on some
Metasynth sounds. For totally un-subtle in-your-lap compressor effects, I still
like the 1176 emulations, pretty much any of them from Bomb Factory to UA.
Recalling that it's probably the comp heard on most pop vocals over the last
30 years, it's the thing you need to put bass sounds over the top and yet leave
some room for other low-end noizes, or any time one element of the texture
has STAY PUT, wherever that is. On buses, my most-used is the T-Rax "tube"
compressor; it'll do ya for functionality and a really nice tube-like color. If you
have a bit more money to spend, Trillum Lane's Agro is great almost anywhere,
from single tracks to buses. I've had a lot of fun with Digidesign's SMACK too.
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Old 16th November 2008   #23
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UAD 1176 (drums, guitars)
UAD LA-2A (vocals)
UAD LA-3A (bass)

Sonnox is very good and all purpose, just not as vibe-y.

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Old 16th November 2008   #24
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Quote:
Originally Posted by warhead View Post
UAD 1176 (drums, guitars)
UAD LA-2A (vocals)
UAD LA-3A (bass)

Sonnox is very good and all purpose, just not as vibe-y.

War
sonnox attack its a bit limited for my taste
t-racks3 red-opto much more x-treme.

uad-1 its great, but i like more the 1176 emulation from bombfactory, but i dont like pt

havent heard the powercore 27.4c , or the vinco in direct comparation.

my favorite ?
its ...........
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Old 16th November 2008   #25
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Any of the PSP compressors.
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Old 16th November 2008   #26
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Thanks Krisstoff...

Cant wait to give em' a go.
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Old 16th November 2008   #27
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i can't believe no one mentioned the massey ct4.

it's one of my favorite comps.
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Old 16th November 2008   #28
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Quote:
Originally Posted by krisstoff View Post
Out Of interest has anyone used the Abbey Road TG12413 Limiter on electronic music, I make tech/house and wondered if it would be suitable for club style production.
if it does not have fast AR, forget it

crysonic spectraphy
better than sonictimeworks mastering compressor
waves L1,L2,L3
sonnox
and any other.

better = fast, trasnparent, warm if you like or not, hard to distort, no compressed mids, etc...

but havent done an A/B test against the new tracks3, uad precision limiter, or the powercore system 6000
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Old 16th November 2008   #29
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Quote:
Originally Posted by krisstoff View Post
Out Of interest has anyone used the Abbey Road TG12413 Limiter on electronic music, I make tech/house and wondered if it would be suitable for club style production.
Not in my opinion. I've been playing with it for a while... not for techno or house. Maybe
for Chemical Brothers style drums/live bass, but not so much for electronic drums.
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Old 16th November 2008   #30
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Mixbuss.
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