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| | #1 |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | Justice Style Glitching Hi, Has anyone got any ideas into how Justice are Glitching there beats/vocals/everything in general? Iv attached a few audio examples. Iv heard lots about Lucifer etc however I think this may be more Kontackt based?. The quality & precision of the edits is really impressive & as far as im aware, there's no program that can do it as well as the old manual cut & paste job. Which takes for ever of course, yet the results are much better?? Iv got a copy of Suppatrigger & Live Cut, but they are driven off random values. Im looking for something that I can program, if it exists?. All help appreciated. |
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| | #2 |
| Gear addict Join Date: Jul 2005
Posts: 409
| i'd like some tips on this, too |
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| | #3 |
| Gear Head Join Date: Jan 2005 Location: Chicago
Posts: 61
| Ableton live Well, I dont know for sure what they are using, but I can tell ya that Ableton live has a host plugin, its called beat repeat. And its very similar. Its a very cool/creative effect. Here is an example movie from there site http://www.ableton.com/_common/downl...eat_repeat.mov |
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| | #4 |
| Gear addict Join Date: Feb 2007
Posts: 468
| its very simple - no plug-ins required, just get your audio file of the vocal, stick it into a sampler like kontakt put the start point right up to the point in the vocal that you want to play it back from - then trigger it with midi - you can play with the length, amp envelope release times etc to get the effects also put the whole vocal phrase into the sampler several times so it can be triggered from several different keys, and then on each key you can adjust the start point to align with a different word or part of a word - whatever sounds cool if you want to do it a more technically advanced way, that is also fun try this take off any midi velocity - to - volume mapping that might be going on asign velocity - to - sample start point - now you can use different velocity levels to playback the vocals at various points in the phrase just by programming specific velocity levels. there's actually loads of amazing effects you can get using this method - if you got the time to experiment see if that works for you - btw -example 2 is vocoding - so you will need a vocoder or vocoder plug-in to get the basic sound quality to make the samples with |
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| | #5 | |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | Quote:
Hey Bleep, thanks for your input. Yeh I picked up on the Vocoding, iv got 2 hardware units, so I'll give those a try. I was just qurious on the programming side & it appears Kontackt's got some great ways of doing this. TBH i haven’t really got my head around Knotackt yet. Iv been using the EXS 24, but Kontackt seems to have greater capabilites when it comes to these techniques. The examples iv posted seem to have repeats of various parts of the track, so will I need to load 10 or so copies of the vocal into Kontackt to get the same effect?. Or can you load 1 copy, set region loop points & assign them to different keys & Aux channels? Im assuming pitch will then come into the picture, if I have to assign sample sections to different keys? Can you just disable the pitch so the root of the sample plays across all keys??? Thanks! | |
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| | #6 | |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | Quote:
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| | #7 |
| Gear addict Join Date: Feb 2007
Posts: 468
| when i have done this kind of vocal tricks in my productions i assign each word to its own key - i disable pitch, so it doesnt go higher or lower. Then - i do the modulation trick - assign velocity - to - sample start point, and disable velocity- volume, which tends to be a default on samplers. this gives me maximum flexability for stuttering effects. Kontakt is a great sampler for this, EXS24 is not so great, you can set start points for each sample, but off the top of my head, i dont think you can modulate the start point with velocity. A also like to experiment mith AMP envelope release to vary it betweem hard and staccato, and overlapping echoing effects. also sending vocals out of different AUX channels means we can add special effects, and eqs to different parts Have Fun |
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| | #8 |
| Gear maniac Join Date: Apr 2004 Location: Germany
Posts: 170
| sounds like they are only cutting there vocal samples up and repositioning them in a new way their edit window. i think its mainly audio cutting and repositioning |
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| | #9 |
| Gear Head Join Date: Oct 2005
Posts: 30
| In ableton, you can also drag clips or slices frpm the arrange view into the built in simpler,sampler or impulse and play them like an instrument. Kind of the same as editing start points. |
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| | #10 |
| Gear Head Join Date: Nov 2006
Posts: 46
| I like the illformed glitcher VST, it's very efficient and programable step by step. You can get nice random cutups on your beat that is really close to what you want. I think it's the same used by Para one and feadz for Uffies sounds. http://illformed.org/glitch/ |
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| | #11 | |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | Quote:
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| | #12 |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | Yeh I think this may be the way as well, but im sure there's some sort of sampler interaction involved. It would take a long time to get the sample so precise when doing it this way! |
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| | #13 |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | Can anyone who knows anything about Kontackt 2 please have a look at this? When you are in the Loop Editor, there's a yellow loop repeat, or span distance type thing that covers the audio file. I want to know how I can automate this so I can drag the loop span to get the cool effects. When I go to "Auto" in Kontackt, it ask's you to click on one of the automation assignments & drag a knob or fader. Unfortunately it doesn’t register anything when I move the loop distance. Maybe this is going to have to be an old school tape job, or recording it into Logic manually! That’s been a while! |
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| | #14 |
| Gear nut Join Date: Feb 2007 Location: brooklyn, ny
Posts: 75
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| | #15 | |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | Quote: | |
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| | #16 |
| Lives for gear Join Date: Apr 2005 Location: France
Posts: 519
| Hey nice thread with great artist !!!! I was more wondering on the distortion they use on their bass in tracks like "waters of nazareth "! Got idea It sounds crazy and dirty !! Peace Sergio |
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| | #17 | |
| Lives for gear Join Date: Jul 2005
Posts: 1,013
| Quote:
I will refrain from any musical critique of your examples, only to say it does not float my boat at all.
__________________ "You're going to AMPLIFY this crap?!?!?" | |
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| | #18 |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | |
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| | #19 |
| Lives for gear Join Date: Dec 2005
Posts: 879
| I tend to agree with bleepbleep, it seems a "classic" sampler related technique. |
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| | #20 |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | |
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| | #21 |
| Gear maniac Join Date: Nov 2006 Location: Seattle
Posts: 166
| Quite a few glitches in my new track.... check our myspace to check them out. It's called "Ride" http://www.myspace.com/theoryinmotion |
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| | #22 | |
| Lives for gear Join Date: Apr 2005 Location: France
Posts: 519
| Quote:
Nobody have any idea on the kind of distortion they use on their bass and leads ? ? ? ?? ? Thanks Sergio | |
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| | #23 | |
| Gear Head Join Date: Nov 2006
Posts: 46
| Quote:
They should work with DAW's like Ableton live to make stretched tempo changes and cutups like they often do. So try the ableton live distortion unit saturator or Dynamic Tube, or try something easy like the one on the waldorf D-pole filter it's really close to that. | |
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| | #24 |
| Lives for gear Join Date: Apr 2006 Location: Melbourne, Australia
Posts: 2,711
| Sounds like cutting and pasting to me because you can hear the dc offset in example 3. Malcom Mclaren was doing this sort of thing in the early eighties. I think he used the AMS DMX for it. |
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| | #25 |
| Lives for gear Join Date: Jul 2005 Location: Mar Vista, CA
Posts: 740
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| | #26 |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | |
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| | #27 |
| Gear maniac Join Date: Feb 2005
Posts: 150
| check out this tool http://illformed.org/glitch/ made this demo tune within 10 mins i think the whole ed banger stuff was just made with this plugin ![]() |
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| | #28 | |
| Gear nut Join Date: Dec 2006
Posts: 124
Thread Starter | Quote:
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| | #29 |
| Gear maniac Join Date: Feb 2005
Posts: 150
| you can run windowns with bootcam these days ![]() nice way to use both au and vst |
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| | #30 |
| Gear maniac Join Date: Aug 2007
Posts: 197
| I was able to create that 'crunch' in the bassline that you hear in alot of Justice tracks in reason using the Malstrom with the sawtooth*16 oscillators and by playing with the motion. Are there any hardware synths that can do something similar? |
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