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| Gear maniac | Which Drumkit for my small live room? Hey everyone, I've been playing for about 12 years or so and work in a fairly small studio here in NYC. I've been searching around for different types of kits (5 piece) to put in our very small, dry live room. I do a lot of Metal/Rock/Pop stuff (A lot of dbl bass too) and am looking for a kit with a nice tone, nice attack but has bottom end to it. Yea I know everyone says get a birch kit for tracking because of the attack and tone, but latley I've really been digging the GMS special edition series North Amercian Hard White Ash kits. Everytime I watch the videos with Nathaniel Townsley playing I swear the kit sounds sooo amazing. (Hes playing in a live type situation though) I'm looking to drop no more than $2500 on a shell pack. Any suggestions DrumSlutz? Obviously I'm not gonna buy anything without playing/hearing it first, but I'd love to hear what you guys are playing on. Keep in mind our room is very small and treated with many panels (DRY!) I'm thinking a Maple kit might be best in such a small dry room, because anything thats not boomy or round sounding might get the life sucked out of it in our room. Thanks guys! |
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| | #2 |
| Gear Head Join Date: Jul 2006 Location: K-Dubs, Canader
Posts: 63
| Toughy Man, this is a tricky one. Metal-Pop huh? Maple Custom Absolute. I think you're sizes will be just as crucial as the shells thoug. You can always tune a small drum to sound big, but to get a big drum to sound poppy never works. 10x9, 13x11, 16x14 mounted, maybe a 20 x 18 kick to get deffinition outta the faster 20" head and 18" depth for sub frequency. 14 x 6.5. That's what I'd suggest. Okay everyone else, cut this up. jl |
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| | #3 | ||
| Lives for gear Join Date: Oct 2002 Location: Oz
Posts: 3,125
| Quote:
Ludwig (1960's), Camco (Oaklawn or LA era) and Gretsch (70's and 80's). Those are often what the top studio drummers use. You can pick up a 'shell pack' for much less than $2500 and use the loose change to buy some stellar recording cymbals. Quote:
Most just say, get a nice sounding kit, but the drummer is the key element. Most modern kits are good, GMS, Yamaha etc, but the older ones I've mentioned sound the warmest (nice tone/bottom end) in my opinion. I wouldn't go with a 20" bass drum if you do a lot of dbl pedal work either. | ||
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