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Old 7th September 2006, 02:11 PM   #1
Johan VDS
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RE-CREATING cymbals by hand-hammering

Hi !
My name is Johan and I'm from Belgium.

I'm a drummer and I've always loved to play dark, rich sounding cymbals.

But at some point in the past I got a bit fed up with the kind of so called "dark" cymbals that were available in the shops. The modern Zildjian K's (not being hammered by hand anymore) lacked the darkness and complexity I was after. To me most sounded too one-directional and sterile. Even the new generation of Turkish cymbals (at that time being the Istanbul Mehmet Agops), although being handhammered, weren't quite what I wanted.

So I decided to rehammer cymbals to get the sound I wanted. After quite a bit of trial and error I started to understand the bronze, feel the correlation between shape-thickness-tension and gradually achieved the ability to guide the sound through strategical hand-hammering and lathing.

I've been doing this for 20 years now and lately people from all over te world have been sending me cymbals for modification, or let's say for a total re-creation into a totally different type of cymbal with a more complex or rich sound than can be expected from factory cymbals. Factory cymbals for me are basically "blanks".

Apart from light, dark or complex jazzcymbals I also create heavy cymbals with a complex and rich sound.

The cymbals I've hammered can be seen and heard HERE.

Some "before and after modification" files can be heard HERE.

Also check out some of the amateur cymbals I converted into professional cymbals HERE.




This is a Tony Williams-like 22" Complex Dark 22" ride I hammered from a Paiste Signature Power Ride. SOUNDFILE





A 20" Light Complex Dry Jazz ride made from a Zildjian Avedis Medium ride.
SOUNDFILE





A 17" Dark Thin Crispy Crash hammered from a Ufip Class. SOUNDFILE




A light 20" Deep TrashyFlatride made from a heavy Zildjian Avedis flatride. SOUNDFILE




An 18" Perforation Trash made from a Sabian AAX crash. SOUNDFILE.




This was a Zildjian ZBT 20" ride, now a light (professional !) very complex jazzride. A before and after SOUNDFILE



A 16" Reverse China hammered from a Paiste Dimensions crash. SOUNDFILE




A before and after pic and SOUNDFILE of a Paiste Traditional, made lighter, more jazzy and washy.




An 18" Ripple Trash, hammered from a Ufip ride. This unique cymbal has a very special SOUND and can be used as an alternatieve china, but also as a ride and crash:




Finally a "before and after" pic and SOUNDFILE of a cheap 16" Headliner B8 alloy crash cymbal, now a professional dark thin crash:
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Old 7th September 2006, 02:17 PM   #2
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I've personally had some work done by Johan!!! UNBELIEVEABLE!! RUSH TO THIS GUY!!!! Couldnt be nicer to work with either!! A very interesting service and PARTICULARLY useful to those with house kits who want custom cymbals!!!!!!!
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Old 7th September 2006, 10:38 PM   #3
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Wow! That looks really cool! Some of them look like UFO's from another galaxy!
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Old 16th September 2006, 11:28 AM   #4
Johan VDS
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Finished some hihats:

14" Complex Hihats 887-974gr-from Zildjian Avedis

SOUNDFILE









14" Dark Heavy Hihats -from Paiste 2002

SOUNDFILE

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Old 19th September 2006, 05:55 PM   #5
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Too bad your in Belgium.
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Old 22nd September 2006, 08:51 AM   #6
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Here are some hats Johan just did for me!! There were originally a pair of 10" SR hats. He also suggested making a 'whisper' top for them (hence the 'light-hats' file!!!)

WOW WOW WOW WOW WOW!!!!
Attached Thumbnails
re-creating-cymbals-hand-hammering-hihat_trio.jpg  
Attached Files
File Type: mp3 Zildjian_Avedis_10_SR_Hihats_before_and_after.mp3 (831.4 KB, 171 views)
File Type: mp3 lighthatcombo.mp3 (547.8 KB, 141 views)
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the wise man can pick up a grain of sand and envision the whole universe. The fool, however,
will just lie down on some seaweed and roll around until he's completely draped in it. Then he'll
stand up and go "Hey, I'm vine man"
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Old 24th September 2006, 08:37 PM   #7
Johan VDS
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Here's a 7" bell cymbal I hammered from a flat B20 bronze alloy disc. (I've also shaped the cup by cold-hammering.)
It's shape is similar to that of a china, so it's perfect for reversed mounting (cup facing down) on top of another cymbal.

It kinda screams, so I called it the Yell Bell.

SOUNDFILE

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Old 27th September 2006, 01:15 PM   #8
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Here's a 20" Light Complex Full Bell Ride I hammered from a Sabian AA Medium ride.

This one is rather a special hammering concept because the bell has a deeper and fuller sound than you would expect from a cymbal this thin and high pitched.


SOUNDFILE


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Old 30th September 2006, 03:56 PM   #9
Johan VDS
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And a 20" Light Ride 1830 grams I hammered from a Zildjian Avedis Medium ride.

SOUNDFILE


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Old 5th October 2006, 09:23 AM   #10
Johan VDS
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20" Light Complex Ride 1830 grams, hammered from a Ufip Class ride.


SOUNDFILE


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Old 5th October 2006, 10:00 AM   #11
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Johan,

they look great.

Does this mean that you can even turn a terrible cheapy cymbal into something decent. I've loads of old junk cymbals around ?

I would have thought that the metal used would have been important too ?
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Old 5th October 2006, 12:52 PM   #12
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Quote:
Originally Posted by orange View Post
Johan,

they look great.

Does this mean that you can even turn a terrible cheapy cymbal into something decent. I've loads of old junk cymbals around ?

I would have thought that the metal used would have been important too ?
The different alloys used for various grades of cymbals all have different properties and Johan really knows how to bring the best out of all of them! Hopefully he'll be able to post a better reply than me!! :D
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the wise man can pick up a grain of sand and envision the whole universe. The fool, however,
will just lie down on some seaweed and roll around until he's completely draped in it. Then he'll
stand up and go "Hey, I'm vine man"
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Old 7th October 2006, 03:28 PM   #13
Johan VDS
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A 7" Splash, hammered from a flat B20 bronze alloy disc.

SOUNDFILE












Quote:
Originally Posted by orange View Post
Does this mean that you can even turn a terrible cheapy cymbal into something decent. I would have thought that the metal used would have been important too ?
The alloy is very important, not the grade of the cymbal line. Like all cheap cymbals from B8 alloy can be hammered into professional cymbals.
Not brass cymbals, most brass has no sound potential.

The criterium to decide if hammering makes sense is the volume and sustain of the original cymbal. Disregard the quality of sound. If it sounds dead and muffled like many used brass (or sometimes also nickelsilver) cymbals do, forget it.

Some alloys have an inherent character which may be impossible to remove completely, like the typical trashiness of chinese B20 alloy as found in Stagg or Wuhan cymbals. Getting a really mellow tone from these is rarely possible. But they can be greatly improved.
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Old 10th October 2006, 08:49 PM   #14
Johan VDS
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22" Dark Ride 2595 grams, re-created from a Paiste 3000 ride.


SOUNDFILE


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Old 19th October 2006, 09:21 AM   #15
Johan VDS
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18" Dry Reverse China, hammered from a Paiste 2002 18" Crash


SOUNDFILE


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Old 19th October 2006, 05:45 PM   #16
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Johan-- I've been trying to get my *hit together to get some cymbals out to you-

I'm thinking of sending an old Paiste Color Sound. It's ridiculously thick and "pingy" . You think there is any hope for it- ever worked on one of those?


I'm going to send 3 cymbals at once btw ( one is a friends )

awesome work man.
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Old 24th October 2006, 08:53 AM   #17
Johan VDS
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Quote:
Originally Posted by cajonezzz View Post
I'm thinking of sending an old Paiste Color Sound. It's ridiculously thick and "pingy" . You think there is any hope for it- ever worked on one of those?
Sure, I'll transform it into a totally different cymbal if you want.
Just MAIL me if you want to go for it.


Here are 2 turkish cymbals I just re-created for a Belgian jazzdrummer. Each time you can hear a before and after clip.

- Bosphorus Ferit Turk 20" ride:

http://jvds.byethost15.com/3_BEFORE_..._and_after.mp3


- Agop Mel Lewis 21". This one had a very bad "barking seal" (a hollow gongy sound) stretching from the cup to halfway down the bow. That's completely gone now.

http://jvds.byethost15.com/3_BEFORE_..._and_after.mp3
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Old 25th October 2006, 02:40 PM   #18
Johan VDS
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Here's a set of cheap Sabian B8's which I just finished hammering for an Italian drummer into a set of (more or less) pop/rock oriented cymbals.

"Before and after" clips and pics here:
http://jvds.byethost15.com/3_BEFORE_..._complete_set/
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Old 28th October 2006, 02:25 PM   #19
Johan VDS
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20" Light Jazzride 1850 grams, hammered from a Zildjian Avedis.


SOUNDFILE


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Old 14th November 2006, 06:55 PM   #20
Johan VDS
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16" Brash Crash, hammered from a Zildjian Avedis 16" Medium Crash.



SOUNDFILE


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Old 14th November 2006, 11:03 PM   #21
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Nice work Johan! Your cymbals look & sound beautiful. How much do you charge and how long does it typically take? I have a few cymbals I'd love to have improved.

Oops, sorry, I just saw those links on your posts. Very reasonable.
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Old 19th November 2006, 03:48 PM   #22
Johan VDS
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20" Complex Flatride (2205 grams) hammered from a Zildjian Avedis.


SOUNDFILE

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Old 19th November 2006, 07:48 PM   #23
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I love stuff like this.

So, this is creating more harmonics and overtones by making a more complex shape?
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Old 19th November 2006, 07:51 PM   #24
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This is amazing. I'll be contacting Johan very soon.
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Old 21st November 2006, 08:47 PM   #25
Johan VDS
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So, this is creating more harmonics and overtones by making a more complex shape?
Yes, but shape is only one aspect. There's also tension and the way it's distributed over the surface, thickness, taper, hammering depth... many things together create a certain sound.
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Old 28th November 2006, 08:32 PM   #26
Johan VDS
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Here's a 17" Perforation Trash which I made from a Zildjian Z Custom Crash.


The SOUNDFILE is a little distorted because of the very loud peak of the crash sound... Still this cymbal can speak very softly too and opens up at the slightest touch. It has a very wide dynamic range and can produce anything from a very quiet warm trashy wash to a fierce oriental crash. It's also very ride-able.

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Old 28th November 2006, 08:41 PM   #27
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Quote:
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It's also very ride-able.
mmm.. Lovely!


Serious; have to pass this to my drummer, this is some cool stuff!
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Old 1st December 2006, 06:31 PM   #28
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Beautiful stuff.
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Old 3rd December 2006, 01:22 PM   #29
Johan VDS
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20" Complex Ride 2215 grams -from Sabian AA


SOUNDFILE


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Old 4th December 2006, 10:36 PM   #30
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Quote:
Originally Posted by Johan VDS View Post
Here's a 17" Perforation Trash which I made from a Zildjian Z Custom Crash.


The SOUNDFILE is a little distorted because of the very loud peak of the crash sound... Still this cymbal can speak very softly too and opens up at the slightest touch. It has a very wide dynamic range and can produce anything from a very quiet warm trashy wash to a fierce oriental crash. It's also very ride-able.

I must do this to my Z Custom 18" crash! I currently disdain ever having bought this cymbal. If it can be transformed into something like that sample, it's as good as DONE!
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