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| | #1 |
| Gear interested Joined: Jul 2011
Posts: 2
Thread Starter | metal snares with good strong ring
I want to get a metal snare drum specifically to produce a strong ring for a continuous backbeat - I figure a steel snare would likely offer the most potential but am open to any other possibilities. Any suggestions for particular models and sizes please? |
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| | #2 |
| Gear maniac |
By 'ring' do you mean overall sustain (body) or ringing overtones?
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| | #3 |
| Gear nut Joined: Jan 2009
Posts: 145
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I believe Matt Cameron used a Keplinger steel snare for many Soundgarden recordings. Then there is the famous Bill Bruford pang on Roundabout which was rim shots played toward the edge of a Supraphonic 400. Lots of ways to ring a bell. How about a Tama bell brass?
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| | #4 |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,836
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Probably the best I've heard for ringing overtones is the Ludwig Hand Hammered Brass (6.5"). I think the irregular shell surface makes for more overtones (but I could be wrong about that). Other than that it's a great sounding snare anyway! Simple steel drums do tend to ring, but I find often that ring a little thin and pingy, not so nice.
__________________ Chris Whitten |
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| | #5 | |
| Gear interested Joined: Jul 2011
Posts: 2
Thread Starter | Quote:
Thanks for all the useful suggestions so far - I'll try to play them all if I can, or at least listen to recordings. | |
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| | #6 |
| Gear Head Joined: Dec 2002 Location: Wellington, New Zealand
Posts: 55
| snare tones
I'll second the Ludwig Supraphonic 400 and 402. Actually every metal shell snare I've tried will do it. Avoid "dry" heads though, they'll tend to mute it. The striking of the drum with the right technique* is the key to producing the note - a dead-center hit will typically sound sharp with a short snap and will minimize the note, whereas striking a rimshot somewhat off-center will really set off the note. The sweetspot will vary depending on the drum/tuning/taste, 1"-3" out is roughly where you'll find it. You can maximize the note volume by tuning the drum while striking rimshots off-center, you can get most snares to seriously honk if that's your thing. * or wrong technique - some people really hate the dinner gong sound but I don't mind in the right musical context.
__________________ Analogue Drums - the original sampled drums from tape Last edited by dylanr; 30th July 2011 at 05:04 AM.. Reason: fixed typos |
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| | #7 | |
| Gear Head Joined: May 2010
Posts: 57
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| | #8 |
| Gear Guru Joined: Oct 2002 Location: Oz
Posts: 16,836
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You maybe right. I screwed up, I meant to suggest the bronze not brass. The HH Bronze is one of the honkiest, ringey snares I've played. http://www.musiciansfriend.com/drums...nze-snare-drum |
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| | #9 |
| Gear maniac |
Don't forget to use compressor release times to bring out the ring.
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| | #10 |
| Gear Head Joined: Jul 2008
Posts: 40
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acrolite.black beauty.supraphonic.
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| | #11 |
| Lives for gear Joined: Jul 2002 Location: San Francisco
Posts: 4,779
| The same reason that more thoroughly hammered cymbals produce more complex overtones when struck is true for hammered metal snare shells. That said, I'm no metallurgist and can't explain it scientifically.
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| | #12 |
| Lives for gear Joined: Mar 2006 Location: Bahstahn, MA
Posts: 2,687
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Ludwig Black Beauty, 14 x 6.5 Look no further. Keep in mind that how exactly the drum is hit will determine ring just as much as the drum itself. Totally a 50/50 thing.
__________________ Sean Eldon Qualls Mercenary Audio / sean@mercenary.com "They don't think it be like it is...but it do" - Oscar Gamble |
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