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| | #1 |
| Lives for gear Joined: May 2004 Location: Atlanta, GA
Posts: 2,979
Thread Starter | Hand drums for recording
Wanted to get some ideas.. if I were to pick up some hand drums for the studio - mainly congas/bongos - what would you recommend? Brands, models, sizes, quantity? Wood or fiberglass? etc, etc. |
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| | #2 |
| Lives for gear Joined: Mar 2005
Posts: 834
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LP Classic congas are always good. Kinda of pricey new. Recommend wood over fiberglass but either will work. Conga sets usually come with three basic sizes; quinto (smallest) conga (middle) tumba (biggest) If you can only get one, get the quinto. They provide a clearer bass tone. Then the conga. Then the tumba (mine gets little use). Bongos: mid level LPs should be fine. CP bongos are good too. Get 2-3 different cow bells 1-2 agogo bells 1-3 shakers 2 tambourines
__________________ "The fact is that censorship always defeats its own purpose, for it creates, in the end, the kind of society that is incapable of exercising real discretion." -Henry Steele Commager |
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| | #3 |
| Gear addict Joined: Apr 2009
Posts: 305
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I can vouch for the LP stuff, the bongos especially. Usually something I just take to parties around here if my band/other bands aren't playing! Always a great sound, just avoid humidity... obviously! Keep 'em tuned up and you barely need to touch 'em to cut through even the most stoic of mixes! |
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| | #4 |
| Moderator | Thats a sure way to go through a lot of heads... Its definitely advisable to slacken off the heads of your congos/bongos after a session...
__________________ Emre Ramazanoglu http://www.emremusic.com the wise man can pick up a grain of sand and envision the whole universe. The fool, however, will just lie down on some seaweed and roll around until he's completely draped in it. Then he'll stand up and go "Hey, I'm vine man" |
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| | #5 |
| Gear addict Joined: Apr 2009
Posts: 305
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Roooooight! But when you're playing, those bongos need the cut! "Keep 'em tuned up..." doesn't mean keep constant tension on the heads, just means keep 'em sounding good! |
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| | #6 |
| Lives for gear Joined: Oct 2006 Location: Near Rome, Italy
Posts: 829
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Congas aren't easy to play, so most players will have their own. I would buy some cheaper toys/things: shakers, djembe, cajon, rainstick...
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| | #7 | |
| Lives for gear | Quote:
Fiberglass is acceptable for casual use, if you can find and install good natural hide heads on them. My preference for a size to begin with is actually the middle drum, aka the "conga." IMO, the conga has more usable bass tones than most quintos (the smaler size). Otherwise, I agree with drumzealot about the tumba (the largest drum) being the least used one. Brand preference is subjective after a certain price point. LP, Toca, Meinl are all good brands if you look beyond the entry level. In addition to a pair of bongos and one or two good congas, see if you can also start a crate of small goodies: shakers (small, medium and large, both metallic and non-metallic), scrapers, vibra-slap, cowbells (various sizes), woodblocks, tongue drums, jam blocks and brazilian frame drums and agogo bells. RMV is a good brand (with US distribution) for the frame drums. LP makes good agogo bells, but if you can find a Gope, or similar Brazilian brand in ATL, you'll be better off. Have fun, ++aldo | |
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| | #8 | |
| Lives for gear Joined: Jun 2002 Location: New York
Posts: 9,908
| Quote:
better off with djembes and dumbeks for the casual bangers nothing worse IMO than monotonous, "drum circle" type playing on a big old conga. any one who can actually play the conga almost certainly has one, and it is almost certainly better than the one you will get, so if you are looking for percussion stuff to make available for your studio clients, stick to more forgiving instruments. almost anyone can get two distinct tones out of a dumbek, for example, without knowledge of particular strokes or technique. That's what it is for: "dum" and "bek"
__________________ . “What you ask about is music. What you like is sound. Now music and sound are akin, but they are not the same.” — Confucius | |
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| | #9 |
| Lives for gear Joined: May 2004 Location: Atlanta, GA
Posts: 2,979
Thread Starter |
well - it'll mostly be for me to play (I stopped taking in clients a long time ago!).. and I'm willing to learn how to actually PLAY the things - I just don't want to waste money on entry level stuff if it won't record well (assuming I can get a good sound out of it).
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| | #10 |
| Gear maniac Joined: Oct 2009 Location: Tarzana, CA
Posts: 233
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I've played percussion for many years (as well as electronic music). I highly recommend LP drums. Some of the Toca and Meinl stuff isn't bad, but I prefer the LPs. Avoid the entry level stuff. The Performer series aren't bad to learn on (I did) but they don't record very well. Matadors and Classics are fine with the right heads. I recommend you match your bongos to the series of drums you buy to get a more balanced tone. I went with the full set of Giovanni's (T, C, Q, RQ + B and Dj) which are the best drums I've ever owned, bar none. And with natural heads tuned well, they record beautifully!
__________________ Moog IIP, Dot.Com 66, Cubase 6.5, i7920/EX58UD5/9Gigs Dominator1600, 2xMR816, MidiExpress128, Novation SL61MKII, HR824s, NS10Ms, Komplete 7, Omnisphere, RMX, Trilian, MMV, Z3ta, Slate VCC, Axon AX50, Variax700, Alembic Rogue 5, LP Giovannis... |
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| | #11 |
| Gear addict Joined: Apr 2009
Posts: 305
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The above is very true! /signed |
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