Drum Mic Selection - Gearslutz.com

Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > So much gear, so little time! > Sub forums > Drums!


Drum Mic Selection

New Reply New Reply Thread Tools Search this Thread
Old 6th February 2007   #1
Gear nut
 
kenny_popper's Avatar
 
Joined: Jul 2005
Location: Boca Raton, Florida
Posts: 88

Thread Starter
Smile Drum Mic Selection

Hi Guys

If anyone can help me on this...

I am finally going to try + experiment on recording drums in my project studio + I am trying to use the microphones that I have now without buying any additional ones. I realize that down the road I will have to get some better ones, but this is what I own now. I have 8 pre's to put these mics through. Fully realizing that this is totally subjective, I am looking for advise on what mic to use where. Sorry, but I am new at recording.

Shure SM7B

Shure SM 57

Shure SM 58

AKG C-3000 B

EV N/D 257A

Studio Projects B1

Octava MK-012 (pair)

Rode NT-1

Cascade Fathead Ribbon

Thanks,

Kenny
kenny_popper is offline   Reply With Quote
Old 6th February 2007   #2
Lives for gear
 
lpkyer's Avatar
 
Joined: May 2006
Location: Montréal
Posts: 1,809

Send a message via Skype™ to lpkyer
Shure SM7B - kick

Shure SM 57 - snare

Shure SM 58 - tom

AKG C-3000 B - dont use it

EV N/D 257A - floor

Studio Projects B1 - room

Octava MK-012 (pair) - overhead

Rode NT-1 - hi hat

Cascade Fathead Ribbon - room
__________________
Louis
lpkyer is offline   Reply With Quote
Old 6th February 2007   #3
Gear nut
 
kenny_popper's Avatar
 
Joined: Jul 2005
Location: Boca Raton, Florida
Posts: 88

Thread Starter
Thanks Lou....man that was quick...!!!

groovy
kenny_popper is offline   Reply With Quote
Old 6th February 2007   #4
Lives for gear
 
Joined: Oct 2006
Location: Scotland, UK
Posts: 717

I agree, you've got everything pretty much covered with that.
thumbsup
-Noodles- is offline   Reply With Quote
Old 6th February 2007   #5
Lives for gear
 
Joined: Jan 2003
Posts: 1,124

Lou pretty much nailed it but I'll tell you on drums in the home/project studio setting I've found less is more. I normally use four mics ala Fletcher's three mic drum technique with the snare close mic'ed.
ozraves is offline   Reply With Quote
Old 6th February 2007   #6
Gear nut
 
kenny_popper's Avatar
 
Joined: Jul 2005
Location: Boca Raton, Florida
Posts: 88

Thread Starter
Quote:
Originally Posted by ozraves View Post
Lou pretty much nailed it but I'll tell you on drums in the home/project studio setting I've found less is more. I normally use four mics ala Fletcher's three mic drum technique with the snare close mic'ed.
So would that be kick,snare + 2 overheads?
kenny_popper is offline   Reply With Quote
Old 7th February 2007   #7
Lives for gear
 
lpkyer's Avatar
 
Joined: May 2006
Location: Montréal
Posts: 1,809

Send a message via Skype™ to lpkyer
Quote:
Originally Posted by kenny_popper View Post
So would that be kick,snare + 2 overheads?
Yeah, myself I use that almost all the time on decent drummers. But you need to take a good amount of time on placing your mics. Just dont place and foget.Take the time to listen and move them.
lpkyer is offline   Reply With Quote
Old 7th February 2007   #8
Lives for gear
 
drumkideric's Avatar
 
Joined: Apr 2006
Location: Nashville
Posts: 591

I would probably put up 2 room mics with that 4 mic choice. I really love the sound of drums with room mics, it adds alot to the sound.
drumkideric is offline   Reply With Quote
Old 8th February 2007   #9
Gear addict
 
Joined: Aug 2005
Location: philadelphia!
Posts: 400

i suggest using the c3000 as a Front Of Kick mic. LDC as FOK are awesome. i think they sound way more natural than a close mic. sometimes you need the close mic to cut but yea. actually the sm7 is going to sound sweet either way.

my 2cents
against88 is offline   Reply With Quote
Old 8th February 2007   #10
Gear nut
 
kenny_popper's Avatar
 
Joined: Jul 2005
Location: Boca Raton, Florida
Posts: 88

Thread Starter
Quote:
Originally Posted by against88 View Post
i suggest using the c3000 as a Front Of Kick mic. LDC as FOK are awesome. i think they sound way more natural than a close mic. sometimes you need the close mic to cut but yea. actually the sm7 is going to sound sweet either way.

my 2cents
Man...you guys are awesome for all these great suggestions...!!! I am really tired of manipulating midi drum tracks. I've got a great room with good acoustic treatment, so this is a new era for me. I am a bass player that can play in the pocket drums, but I can't doing anything fancy at all. I will bring in the real drummers,(like you guys) for projects. Us bass players + drummers need to stick together.

Thanks guys,

Kenny
kenny_popper is offline   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Drum preamp/mic selection help for recording on monday tomwehrle High end 17 17th December 2006 05:29 PM
Drum mic selection for 70's funk / soul sound? - sub 1500 euro!!! I.R.Baboon So much gear, so little time! 16 5th November 2006 06:40 AM
mic selection/kit set up sadworld High end 3 5th December 2004 06:28 PM
OZ Mic selection hammer So much gear, so little time! 15 12th December 2003 06:00 AM
Drum Micpre selection-- you decide??? ron florentine So much gear, so little time! 11 17th November 2003 08:37 AM


All times are GMT +1. The time now is 08:24 PM.

Home - Search Forum - Contact Us - Terms Of Use - Advertise on Gearslutz - All Advertisers - Archive - Top
 
 
Powered by vBulletin®
Gearslutz.com LTD - UK Company Number 7597610.
Registered Office - 35 Ballards Lane, London, N3 1XW.
Hosted by Nimbus Hosting.

SEO by vBSEO ©2010, Crawlability, Inc.