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| Gear nut Join Date: May 2006 Location: Switzerland
Posts: 128
Thread Starter | your approach to a mix hi bruce What is your scenario when you start a mix? All faders down - all faders up? Is there any specific order of instruments, coulours, elements that you follow while building up the mix? I know the "no rules"-rule but: What's the typical swedien way of approaching a mix? thanks a ton |
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| | #2 | |
| Viking Join Date: Jul 2005
Posts: 418
| "Mixing - The Short Story".... Quote:
I’ve always felt that music mixing is, in reality, an extension of arranging. I think that gut reactions translated to music recordings are the most believable. Therefore, it follows that music mixing has to be entirely instinctive and intuitive. To be working on a piece of music, and then having to stop the creative flow, to think through a technical function, is absolutely impossible for me. The comprehensive strength of a powerful automation system enhances my creative energy by providing new working options. One of the features I always look for in any desk is if it has the capacity to free my creative process. I'm much more impressed by being able to put myself and my imagination into the music, than I am about any specific technical feature on the desk itself. Beyond the technology and the studio environment, is the love of music itself that defines my approach to my projects. I think music is really the only true magic in life. If I can't put my imagination into the music and create a sound field that exists first in my mind, and is not necessarily pre-thought, I will most definitely have a difficult time with a project. If the technology gets in the way of my imagination, I get very quickly bored and I’ll frequently start yawning. For me, as you can see, reacting to the sound of the music is enormously important. Of course, that's the SHORT STORY.... Bruce Swedien ![]() | |
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| | #3 |
| Lives for gear | Care to share the long story? I know about 20,000 (ish) people who are interested. Well, I am anyway ![]()
__________________ _________________ "What is a crossfire hurricane & why wasn't I born in one?" Randy Wright |
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| | #4 |
| Lives for gear Join Date: Jan 2005
Posts: 663
| Hi Mr Swedien, When you are recording, what´s your aproach about recording levels ? Do you set the faders at 0 and get a level where that instrument or instruments are at "mix" level or do you always "maximise" the input level ( I don´t mean getting them near 0dbfs if working in the digital domain ) and lower the fader on playback if necesary ? I´m quite instered in this aspect of recording because that implies a kind of mixing as long you are recording and it´s faster to go from one song to another. I know that with a DAW you can move the fader on the DAW and leave the fader at the console at 0 but I´m very interested in hear your opinion. Thank you. |
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| | #5 | |
| Lives for Jesus Join Date: Oct 2005 Location: orange county ca.
Posts: 2,935
| Quote:
(if you need to remix) ,............. Do you recall mixes or start from scratch ? Thanks, steve ![]()
__________________ Steve Perkins Steve Perkins Fishing.com Creation Recording Studios .com Take a Kid Fishing Outreach John 3:16 | |
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| | #6 |
| Lives for gear | |
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| | #7 | |
| Viking Join Date: Jul 2005
Posts: 418
| Whether my recording system is digital or analogue.... Quote:
Going faster from one song to another could never be an issue to me..... Whether my recording system is digital or analogue.... I am ONLY interested in the music involved.... Bruce Swedien ![]() | |
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| | #8 | |
| Viking Join Date: Jul 2005
Posts: 418
| And NOT UNTIL THEN!!!! Quote:
You'll know that I have committed to a mix when you can buy my musicical projects at Tower Records... And NOT UNTIL THEN!!!! Bruce Swedien ![]() | |
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| | #9 | |
| Lives for Jesus Join Date: Oct 2005 Location: orange county ca.
Posts: 2,935
| Quote:
in this DAW world its easy to recall But........ I work with a Large console and outboard....... so........???? do you just leave it on the desk until its done ? Thank you, steve ![]() | |
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