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| | #841 | |
| Lives for gear Join Date: Sep 2009
Posts: 634
| Quote:
The wooden strips appear to be screwed to the sides. I wonder what effect different tensions would cause, surely it must affect the resonant frequency. Or just how limp is 'limp' ? Looks like a great model for a corner absorber. Paul P | |
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| | #842 |
| Gear maniac Join Date: Mar 2009 Location: Athens, Greece
Posts: 168
| The primacoustic design is based around a 3" thick absorber panel mounted 5" away from the wall for a total thickness of 8" (as far as I understood the explanation and diagram). The limb mass is suspended in the back of the absorber panel allowed to freely vibrate. That means that it should have a clearance from any surface (either the absorber panel or the back of the cavity) of 1" or so. Now, as we all know, the wave velocity is higher as we move away from rigid boundaries, so the sheet is best suspended as close to the absorber panel as possible. At least that's how I understand it. Regarding mounting, I am considering to use two pieces of 30x40mm hardwood planks and sandwitch the bitumen sheet between them. Then mount the sandwitch to the wall. I am thinking of two scenarios. First scenario is for a corner trap and in such a case the sheet needs to hang at an angle to the wall-wall corner. My design for the corner traps calls for a 30 degree angle, so the bitumen sheet needs to hang at this angle behind the trap. Obviously I need to find a way to mount the wood planks at the two ends (angle cut to mate with the wall). I am not sure if it's feasible to hang a single 250cm (8ft) long bitumen sheet. It has to do with the weight. The 10meter long roll is a bitch to lift and carry but manageable for me. I haven't weighed it but I am guessing 35~40kg (70~80lbs), so I am looking at a 7~12kg weight for the sheet plus wood support. It's easy to lift 10kg but not that easy to make precision mating with a 10kg inflexible sheet 250cm long. I may have to split it into parts. I am also thinking that if I make a single sheet 250cm long, then the weight of the sheet itself will make the top part of it tension to the point that it defeats the point of "freely vibrate". I also need to think about ageing and the weight might elongate the sheet and deform it - perhaps to the point of failure. I have never worked with bitumen sheets before freely hanging. They are usually secured and glued in place. So, the alternative is perhaps to combine the sheet in the back of each corner trap module. I am planing to make the floor to ceiling trap in parts, each module being 2ft high. Perhaps I need to re-design the top part of the frame so that the bitumen sheet can hang from there in the back of the trap. |
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| | #843 | |
| Lives for gear Join Date: Sep 2009
Posts: 634
| Quote:
from a horizontal support at the top, but tied all along both sides to strips of wood that are screwed to the sides of the enclosure. So it's not just hanging free. Depending on how tight the fit is, the limp mass will be more or less taut. I can't find how the limp mass is attached in the other absorbers but I don't see why it wouldn't be the same. Paul P | |
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| | #844 |
| Gear maniac Join Date: Mar 2009 Location: Athens, Greece
Posts: 168
| It is likely that the free hanging limb mass will have an unsuitably low resonance frequency and that my mounting it at both edges (with some tension) tunes the sheet into a usable frequency range. Something like tuning the strings on a string instrument. More things to think about. Need to find a way of experimenting and measuring. Perhaps by hanging some weight from each sheet. Perhaps a long, 8ft, sheet of bitumen isn't a bad idea. The topmost part, tensioned by the weight of the material below will have a higher resonance frequency while the lower portion will tune lower in the spectrum. Question is what the range will be. Would it be a reasonable measurement to hang 3 to 5 sheets, each 8ft long at a distance of 1" from the wall and measure with REW before and after each sheet is mounted? |
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| | #845 |
| Lives for gear | Just built 4 custom bass traps for a client.. Fit very nice in the corners. |
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| | #846 |
| Gear maniac Join Date: Mar 2009 Location: Athens, Greece
Posts: 168
| Nice looking. Is the light coming through the trap what it appears to be? Light coming through pidgeonhole windows in the back of the trap? If so, then the trap must be pretty thin. A 4" thick panel would not allow light to be seen through. Can you describe the trap? |
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| | #847 |
| Gear nut Join Date: Jan 2009 Location: London
Posts: 84
| sweet traps! im off down to diy store this weekend! just moved into a new flat and i need to tune this horrible BOOOMY room! again.... very nice traps jim
__________________ www.londonaerialsystems.com |
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| | #848 |
| Gear Head Join Date: Feb 2008 Location: UK
Posts: 49
| Hi All I have been lurking around this great thread seeing how folks have been getting on with their projects - I am just about to do some corner experiments myself and was loking for the right Rockwool to use. For the UK folks, I came accross this place that has some info on the products and seems to be the cheapest going. rockwool flexi | universal slabs | rockfibre insulation | various densities | rwa45 | rw3 | rw4 | rw5 | rw6 The RW3 or RW4 (60 Kg/m3 and 80 kg/m3) seems to be the right stuff to use and comes in 100mm (4 inch slabs) - Any comments as to which is best? Regards Mike |
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| | #849 |
| Gear addict |
__________________ HP Pavilion Elite HPE-063uk, i7 860 Win 7 Ultimate, 8gb Ram (1060), EMU 0404 USB MPatch2, BCF2000 M-Audio FW1814, REAPER-software Vox AC-30 modded re-issue, 1979 Fender Stratocaster Pearl Echo Orbit-tape delay With great CPU-power comes high responsibility for your music... Ouch! My "studio": ![]() My band/recordings: Rakkauden Ammattilaiset |
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| | #850 |
| Gear addict |
__________________ HP Pavilion Elite HPE-063uk, i7 860 Win 7 Ultimate, 8gb Ram (1060), EMU 0404 USB MPatch2, BCF2000 M-Audio FW1814, REAPER-software Vox AC-30 modded re-issue, 1979 Fender Stratocaster Pearl Echo Orbit-tape delay With great CPU-power comes high responsibility for your music... Ouch! My "studio": ![]() My band/recordings: Rakkauden Ammattilaiset |
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| | #851 |
| Gear Head Join Date: Feb 2008 Location: UK
Posts: 49
| Hi all - a question about the correct stuff to use in the construction of these absorbers. In the UK we have stuff called Rockwool which is made from "volcanic ash" - .i.e. it is neither fibreglass or mineral wool (or is it?). It comes in 60/80 and 100 Kg/m3 densities. Which would be the most appropriate to use for these absorbers? Thanks Mike |
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| | #852 | |
| Lives for gear Join Date: Sep 2009
Posts: 634
| Quote:
forum turned up 500 hits. Search is your friend. Paul P | |
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| | #853 |
| Lives for gear Join Date: Jan 2008 Location: Midwest
Posts: 1,806
| Paul, did you REALLY count? ![]() In terms of the question, use the denser stuff for 2-6" thick traps, less dense for 6"-12", and go with standard builder's grade fibre batts for anything over a 1' thick.
__________________ phantom power doesn't make your voice sound spooky MY BAND http://www.myspace.com/revisiontext OUR STUDIO http://www.gearslutz.com/board/bass-...-progress.html |
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| | #854 |
| Gear Head Join Date: Feb 2008 Location: UK
Posts: 49
| ooooops ![]() |
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| | #855 |
| Gear addict | All bass traps (and material) on the wall, I'll do some measurements with Room EQ Wizards tomorrow if I have to time. Traps on the wall
__________________ HP Pavilion Elite HPE-063uk, i7 860 Win 7 Ultimate, 8gb Ram (1060), EMU 0404 USB MPatch2, BCF2000 M-Audio FW1814, REAPER-software Vox AC-30 modded re-issue, 1979 Fender Stratocaster Pearl Echo Orbit-tape delay With great CPU-power comes high responsibility for your music... Ouch! My "studio": ![]() My band/recordings: Rakkauden Ammattilaiset |
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| | #856 |
| Gear addict |
__________________ HP Pavilion Elite HPE-063uk, i7 860 Win 7 Ultimate, 8gb Ram (1060), EMU 0404 USB MPatch2, BCF2000 M-Audio FW1814, REAPER-software Vox AC-30 modded re-issue, 1979 Fender Stratocaster Pearl Echo Orbit-tape delay With great CPU-power comes high responsibility for your music... Ouch! My "studio": ![]() My band/recordings: Rakkauden Ammattilaiset |
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