Gearslutz.com

All Advertisers
Go Back   Gearslutz.com > The Forums > Studio building / acoustics > Bass traps, acoustic panels, foam etc


New Reply New Reply Thread Tools Search this Thread
Old 3 Weeks Ago   #1
Gear addict
 
Join Date: Sep 2005
Location: Puget Sound, WA
Posts: 453

Thread Starter
Can you give me a very GENERAL idea of what I need?

I am doing a fairly basic treatment of a mix room and tracking room for a friend wanting to do some fairly basic recording at his facility where they do music lessons and such..

The tracking room is large, roughly 420 sq ft, and the mix room is roughly 170 sq ft. Both rooms have a lot of windows; most of which are indoor windows into hallways. I would estimated a 75% wall to 25% window ratio. The walls are all made of 100% drywall, and there is no treatment done at this point.

I've been poking around the studio building / acoustics forum for awhile now. I realize that the room needs to be tested for very specific needs, but I'm hoping to get an idea of where I'm gonna be headed with this project. I'm a little overwhelmed by all of the different treatments. What I would like to accomplish is kill a lot of the liveliness of both rooms, first off. As I see it now, I am thinking that I will build a bunch of panels consisting of fabric glued over rigid fiberglass or rockwool. These I can hang all over both rooms. I will have several clouds in the live room, and focus on basic reflection points in the mix room to start out.

Where I'm a little confused is whether there is a need for additional items like broadband absorbers. Are these better bang for the buck in terms of killing the liveliness of a room in comparison to other materials? I would also like to build moveable panels as to create basic "rooms within rooms", but I have not seen a lot of ideas for building them. All of these things will be the DIY approach.

I expect to get the "you don't just go all willy nilly" responses. But I'm just trying to form a very GENERAL idea of what direction I should be headed as I begin to think about what I should be buying and building.

Thanks!
undermind is offline   Reply With Quote
Old 2 Weeks Ago   #2
Lives for gear
 
DanDan's Avatar
 
Join Date: Aug 2003
Location: Cork Ireland
Posts: 6,077

General

The Live Room and Mix Room require very different treatment.
To reduce Liveness, flutter echo etc. a 4 inch panel with a 4 inch gap behind is pretty decent. I would call it broad band.

Rooms within rooms is a phrase misplaced I would say. However you can create temporary macro acoustic areas and a little separation using Gobos.
The Abbey Road design may inspire you. Try to get them tight to the floor, many leave a big gap down there. And make sure the legs or wheels don't prevent them angling 90 to each other.

Courtesy of Fletcher http://lib.store.yahoo.net/lib/merce...udio/abbey.pdf

DD
DanDan is online now   Reply With Quote
New Reply New Reply Submit Thread to Facebook Facebook  Submit Thread to Twitter Twitter  Submit Thread to LinkedIn LinkedIn 



Thread Tools Search this Thread
Search this Thread:

Advanced Search

Similar Threads
Thread Thread starter Forum Replies Last Post
Give us your top 5 'hairyest' moments! Jules Remote Possibilities in Acoustic Music & Location Recording 122 13th May 2011 01:21 PM
What are some of your favorite live recordings and/or Broadcasts? Remoteness Remote Possibilities in Acoustic Music & Location Recording 62 10th April 2009 01:33 AM
What DAC are you using and why? mosrite Remote Possibilities in Acoustic Music & Location Recording 101 22nd January 2008 09:09 PM
Give an analog flavor to cold and digital loops coming from my DAW. cwar05 So much gear, so little time! 0 22nd February 2007 02:27 AM
DAV BG-1 and Millennia HV-3: you can listen with me ISedlacek Remote Possibilities in Acoustic Music & Location Recording 165 23rd July 2006 10:46 PM


All times are GMT +1. The time now is 08:07 PM.

 
 
Powered by vBulletin®
Gearslutz.com Limited - UK Company Number 7597610.
Registered Office: 35 Ballards Lane, London, N3 1XW.

SEO by vBSEO ©2010, Crawlability, Inc.