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| | #31 | |
| Lives for gear | Quote:
because you wrote: (Bolded by me) | |
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| | #32 |
| Gear addict | Enhanced Porous Absorber Yes, it's a porous absorber combined with a steel plate without rigid backing. From what I've found out since then thickness both of the absorbents and the plate is critical. Still I'm not sure why it works much better than typical wall mounted configurations.
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| | #33 | |
| Lives for gear |
EDIT: I have wrong assymption that your "vpr-inspired" is mounted as is described in patent... sorry. Quote:
Can you try this "enhanced 'porous' absorber" (which isn't porous anymore, this is a resonant membrane absorber) freely hanged vertically in air from ceiling and, how it works rigidly backed to wall (you can use some screwed chipboard to wall to simulate rigid backing without much mess with glueing directly to wall)... where stell plate didnt touch anything other than glue on IsoBond. Also, this "vpr-inspired" absorber may be tested hanged in four point on ceiling, not rigidly backed (this may form a "parasite" poly-diffuser with Euler-Bernoulli shape, but who cares! )EDIT: Publishing graphical ARTA tone burst testing results before and after, like you already did in your old post, is absolutely ok (or prefered?) for me... | |
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| | #34 | |
| Gear nut Joined: Jul 2007 Location: Bavaria / Germany
Posts: 78
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Yes we will :-). Thanks for listening. | |
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| | #35 |
| Gear addict | ? |
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| | #36 |
| Lives for gear Joined: Jan 2007 Location: Lisbon, Portugal
Posts: 998
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Hi It would be interesting to test a low perforated MDF board with absorbent on the back and air cavity... maybe 16 or 22 mm MDF with a 1 or 2 % perforated area and foam glued behind the MDF plus air cavity. MDF board should not be clamped to the wall if you need more info PM me
__________________ Singer/Songwriter/Producer/Acoustical Engineer http://www.onlineacoustics.com - Acoustics ! http://www.mel-music.com - project of mine with a female singer http://www.sonicflames.com - Indie Label & Audio/Music Services http://www.spinousmusic.com - my one man band project |
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| | #37 |
| Gear addict | Helmholtz Details There's a Helmholtz absorber included in the Sketchup file. It's (airtight) constructed like this (see image). Detailed suggestions are up to you -- I've always failed with my Helmholtz-devices.
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| | #38 | |
| Gear addict | Scheme Posting Quote:
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| | #39 | |
| Gear nut Joined: Jul 2007 Location: Bavaria / Germany
Posts: 78
| Quote:
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| | #40 |
| Gear addict | Positioning the Same Absorber In this case I prefer to compare absorbers of the same size (here: the same absorber) only varying the position:
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| | #41 |
| Gear nut Joined: Jul 2007 Location: Bavaria / Germany
Posts: 78
| Yes you are right, in terms of material expense this is even more interesting. However terms of space expense ("how can I get the most effect out of treating one corner") this isn't as significant.
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| | #42 |
| Lives for gear | |
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| | #43 |
| Gear addict | Space Expenses ... sure, that's a different question. Doubling the trap would look like this (floor usage: 0,44m^2 [~4,74 square feet] versus 0,45m^2 [~4.84 square feet] for the corner mount variant):
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| | #44 | |
| Lives for gear |
1. I hope that I don't ask too much but, can you recreate measurements of influence of your Enhanced Porous Absorber with Stell Plate (EPAwSP) between two CIB panels, with different stell plate thickness? At least it is most interesting to have measurement reasults for 2.5mm and 1mm steel plates, but if it's not to difficult to measure more different steel plates with different thickness, this other measurements may be also great. This question come from here. 2. Also, it can be possibly interesting how this "enhanced" perform when is stacked, two or more, in same position, where already one work excellent, in corner, with same stell plates or with different stell plates... 3. Hanging of this absorber (freely) may be done with piece of rope, two holes in steel plate, and piece of double side adhesive tape (or more rope). Measurement results of this will be also interesting. I mostly ask this because we have ceiling corners which can't be treated using "lying enhanced absorber" method of mounting... we have to hang it from the ceiling. If you find my suggestions are too difficult to realize, please reject it, as you already announce in your rules: Quote:
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| | #45 | |||
| Gear addict | Comparing Quote:
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| | #46 |
| Lives for gear Joined: Mar 2007 Location: Athens, Ohio
Posts: 1,263
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For comparing options in corners, would it not help magnify differences by placing similar setups in multiple locations? This could help combat missing something due to standard deviation and such. Neil
__________________ My Recording Studio Build Thread: http://www.gearslutz.com/board/photo...hens-ohio.html Photobucket Page with TONS more studio photos: http://s152.photobucket.com/albums/s...ding%20Studio/ www.myspace.com/amishelectricchair www.gcrecords.com |
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| | #47 | |
| Gear addict | Scaling Quote:
EDIT: you've probably meant to test the same trap in different corners, don't you? From my experience this kind of test (reduction of the T60 times of the lowest modes) shows quite small deviations for different corners. I'll include a check in the beginning of the test series. | |
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| | #48 |
| Lives for gear Joined: Mar 2007 Location: Athens, Ohio
Posts: 1,263
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G.E. I think you had it the first time. I meant using an identical (as close to as possible) trap in multiple corners simultaneously in different configurations (i.e. the same area configured differently). Since just altering positioning is likely to prove very little difference in performance, you could multiply that subtle difference by using more than one instance of the same configuration. Neil |
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| | #49 | ||
| Lives for gear | Quote:
, so, as I already said, this is absolutely acceptable for me.I'd expect that stacking with or without the gap, makes difference too ![]() Quote:
If you don't like holes in your ceiling, ... you can knock off some stands using wooden batons... btw, i never attach panels from the ceiling directly, i always use some additional construction. I don't like to make holes in my customers walls. ![]() Also, hanging this panels to the ceiling (parallel or "parallel" to it) will help understand how this will works for ceiling-floor resonances, when we don't have anything other than ceiling where we can mount absorbers...and this frequencies can go pretty low too. As you can see, I'm interested only for your "Enhanced Porous Absorbers" (EPA?) and different ways of designing/using it. | ||
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| | #50 |
| Gear addict | Items The list of available items is in the Sketchup file.
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| | #51 | ||
| Gear addict | More Mounting Details Quote:
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Could you please explain what you mean with "laying" and where the noise comes from? | ||
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| | #52 | |
| Gear addict | 2012 Quote:
Happy 2012 bass trapping! | |
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| | #53 | |||
| Lives for gear | Quote:
Quote:
Theory: 1. It is good to keep in mind that music is the mix of discontinued signals (with beginning and end), so it is better to include step response (response to Heaviside function) in overall absorption analysis because we have significant increase of energy in every beginning of bass note (not only energy of duration of this note), which may be called apperiodic... so I do not see any harmful effect in (extra) VLF component of absorption if we talk about music, not continous noise (printing house, industry, etc) 2. Also, even very powerfull subwoofer can't move hanged traps more than couple of parts of millimeter, rarely couple of millimeters.... this is only vibrations... and this "part of millimeter" vibrations are responsible for killing room modes in your room... so it is unreasonable to expect that pendulum motion of hanged absorber may be something like "jumping" or "shaking"... its not a case. Quote:
Plates must be firmly screwed to the floor, or mounted on the stands, or hanged from the ceiling (or stands, no matter) and they must not touch ANYTHING (stiff)* ....... if we like NOT to have a possibility to have a buzz noise in control room sometimes when one or two (particular) bass note appears (sometimes I spent weeks to find out WHAT generate noise, which is easily audible, but "generator" is buried in other acoustic treatment )Great discussion... *EDIT | |||
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| | #54 |
| Gear addict | Laying This is what I mean with "laying" on the floor -- there's absorbent underneath (otherwise there's no absorption):
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| | #55 | |
| Lives for gear | Quote:
![]() Also there are no use in studio of absorber which laying on the floor as you show on picture in your post above, except for measurement purposes... For ceiling/walls we must glue it to ceiling, screw it someway or hang it from with rope/chain... this is some real situations. In all this cases we change tension of steel plate, and I'm afraid that this may have influence to characteristics of absorption, so if you will to measure, it is good to measure some of this real aplications, this is my point. If you find this is too complicated, I will understand you. | |
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| | #56 | ||
| Gear addict | Bedded Sandwich Construction Quote:
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| | #57 |
| Lives for gear | |
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| | #58 |
| Gear addict | Support ... some (hanging or self-standing) support from underneath:
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| | #59 |
| Lives for gear | |
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| | #60 |
| Gear addict Joined: Oct 2003 Location: $%^f%$^%
Posts: 324
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I'm sorry if i missed it but has anyone mentioned possibility of mineral wool - metal plate - mineral wool sandwich construction (glued or not) ? thanks |
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