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Old 24th January 2006, 12:02 AM   #1
Double Tones
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Acoustics: Real Traps Vs. Ready Traps ?

Hi,

Does anyone have experience with either real traps or ready traps? OR even better, both? The ready traps seem to be the same product but less expensive.

Any help is appreciated, thanks!
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Old 24th January 2006, 01:32 AM   #2
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I haven't heard the ready traps...have the "Real" ones....from the looks I'd rather have the pro look of the real trap..than the "did-it-myself" look of the other....ymmv
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Old 24th January 2006, 01:50 AM   #3
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http://www.radford.edu/~shelm/acoustics/bass-traps.html

Found this on "GOOGLE" better save the info to your harddrive.
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Old 24th January 2006, 06:54 AM   #4
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anythin' else?
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Old 24th January 2006, 07:07 AM   #5
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Quote:
Originally Posted by Double Tones
anythin' else?

u can spend all that money if u want......... DIY DIY DIY DIY
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Old 24th January 2006, 08:37 AM   #6
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http://www.radford.edu/~shelm/acoustics/bass-traps.html

"Below is a graph showing before and after installing the acoustical treatment. The severe dip at 105Hz. and peak at 138 Hz. have both been tamed. The peak at 90Hz. has been completely annihilated by -12db! Overall bass response has been greatly flattened."

I wish I could see more of these kind of results from your control room. I mean measured results and what kind of they are. In that way I would know how far I am from my goal...

Hey guys! Post your own measures!

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Old 24th January 2006, 04:37 PM   #7
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They are different products. Ready Traps are bags that can be filled with the standard acoustic foam. Real Traps are a line of products, non of which are simply foam - though I never did see a cross-section of any so I may be wrong. I think they are tuned slightly, as opposed to completely broad-band. Personally I think the best bang-for the buck are "StudioTips Super Chunks" which are simple to construct and do a good deal of treatment...

http://forum.studiotips.com/viewtopic.php?t=536;
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Old 24th January 2006, 06:29 PM   #8
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I didn't want to pay the high prices for Realtraps either, so I bought a whopping 19 panels from GIK Acoustics. Cost me just over $1000 shipped for 19. They were relatively easy to install and my room sounds really good now! Definitely check them out if you are on a budget. www.gikacoustics.com
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Old 24th January 2006, 07:00 PM   #9
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So how does the GIK Acoustics panel [GIK 244] compare to the same size Real Traps [Mini Traps] ?
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Old 24th January 2006, 09:17 PM   #10
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Old 25th January 2006, 04:33 AM   #11
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If you want to do it yourself-great. I didn't so I bought some real traps- and they're great too. One of the best studio investments I've made. All my mics sound better.

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Old 25th January 2006, 05:03 AM   #12
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Quote:
Originally Posted by Darius
If you want to do it yourself-great. I didn't so I bought some real traps- and they're great too. One of the best studio investments I've made. All my mics sound better.

Darius
Did you mean your monitors sound better?
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Old 25th January 2006, 01:20 PM   #13
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Quote:
Originally Posted by mykla
So how does the GIK Acoustics panel [GIK 244] compare to the same size Real Traps [Mini Traps] ?
I have no way of directly comparing them. I've never used Realtraps. However I am very happy with the GIK panels. They have definitely made my room sound MUCH better! The reason I went with GIK as opposed to Realtraps was purely an issue of cost. The GIK were just much cheaper. I'm sure they would be even cheaper if you made your own. I'm NOT handy at all though!
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Old 25th January 2006, 04:10 PM   #14
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Did you mean your monitors sound better?
maybe he put em in the tracking room!
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Old 25th January 2006, 04:21 PM   #15
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Quote:
Originally Posted by nukmusic
u can spend all that money if u want......... DIY DIY DIY DIY

I built my own too and hung them on the sides of my control room. Just a 2" thick sheet of mineral wool framed by 2x3's and wrapped with Guildford fabric. Works well for what I'm doing.

I haven't "graphed" it yet, but will do someday.

I just don't have the money to be ordering a bunch of pre-fab'd panels when I can build them myself

Real-traps are great products though, as evidenced by their specs. It's kinda hard to fake good acoustic treatments. If your in doubt, ask some users.
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Old 25th January 2006, 06:32 PM   #16
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Quote:
Originally Posted by mykla
So how does the GIK Acoustics panel [GIK 244] compare to the same size Real Traps [Mini Traps] ?
Actually, if you compare the GIK 244 data to the Real Traps MondoTrap when mounted across a corner you will have a better comparison. And if you do your own plot comparing the numbers the GIK 244 does as good or better than the MondoTrap. So for that particular mounting configuration the GIK 244 will theoretically outperform the MiniTraps as well. The GIK website had RealTraps data overlayed on their measurements when the test was first completed. That comparison data quickly got taken down...hmmm...someone must have been a little sensitive to the competition.

I currently own some MondoTraps in my control room. I'm about to order some GIK 244's to throw in there as well. It should be interesting.

There was a cool Japanese vendor at NAMM making really nice looking traps very similar in design to the RealTraps stuff, but just more aesthetically interesting. www.aygosound.com

Brad
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Old 25th January 2006, 06:54 PM   #17
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Quote:
Originally Posted by Brad McGowan
Actually, if you compare the GIK 244 data to the Real Traps MondoTrap when mounted across a corner you will have a better comparison. And if you do your own plot comparing the numbers the GIK 244 does as good or better than the MondoTrap. So for that particular mounting configuration the GIK 244 will theoretically outperform the MiniTraps as well. The GIK website had RealTraps data overlayed on their measurements when the test was first completed. That comparison data quickly got taken down...hmmm...someone must have been a little sensitive to the competition.

I currently own some MondoTraps in my control room. I'm about to order some GIK 244's to throw in there as well. It should be interesting.

There was a cool Japanese vendor at NAMM making really nice looking traps very similar in design to the RealTraps stuff, but just more aesthetically interesting. www.aygosound.com

Brad

>That comparison data quickly got taken down...hmmm...someone must have been a little sensitive to the competition. <

Ethan and I are really good freinds, so the more I thought about the comparing thing the more I did not like it.. You think the 244 has good numbers you should see the new trap we have out.. The GIK Monster Bass Trap..

Check this out!!!

Sabins / Coefficient
50hz / 5.06 / 0.63
63 / 10.16718 / 1.27
80 / 23.97018 / 3.00
100 / 18.69531 / 2.34
125 / 16.03005 / 2.00
160 / 14.83462 / 1.85
200 / 15.76 / 1.97
250 / 16.47977 / 2.06
315 / 16.70001 / 2.09
400 / 16.82887 / 2.10
500 / 14.9268 / 1.87
630 / 13.31032 / 1.66
800 / 11.34136 / 1.42
1000 / 9.25368 / 1.16
1250 / 8.04945 / 1.01
1600 / 7.13705 / 0.89
2000 / 7.13705 / 0.89
2500 / 6.63483 / 0.83
3150 / 6.22435 / 0.78
4000 / 6.2129 / 0.78
5000 / 5.81151 / 0.73

Wall Mounted
Sabins / Absorption Coefficient
50hz/ 1.46 / 0.18
63/ 3.25354 / 0.41
80/ 4.52446 / 0.57
100/ 7.56871 / 0.95
125/ 16.45525 / 2.06
160/ 14.11184 / 1.76
200/ 16.20953 / 2.03
250/ 15.92303 / 1.99
315/ 16.66551 / 2.08
400/ 17.46593 / 2.18
500/ 15.32155 / 1.92
630/ 14.05176 / 1.76
800/ 12.50539 / 1.56
1000/ 10.84612 / 1.36
1250/ 9.78454 / 1.22
1600/ 8.78007 / 1.10
2000/ 8.31903 / 1.04
2500/ 7.82578 / 0.98
3150/ 7.62539 / 0.95
4000/ 7.6723 / 0.96
5000/ 7.65318 / 0.96
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Old 25th January 2006, 06:59 PM   #18
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>There was a cool Japanese vendor at NAMM making really nice looking traps very similar in design to the RealTraps stuff, but just more aesthetically interesting. www.aygosound.com<

Very cool looking panels but I do not see any test numbers on them.. You really have to be careful of companies that do not have test data.. Just like any other piece of equipment in your room..

Glenn
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Old 25th January 2006, 09:55 PM   #19
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Glenn,

I'm going to call you. I want to find out more about the Monster bass trap!

Brad
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Old 25th January 2006, 10:03 PM   #20
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Lightbulb

Guys,

As Glenn said, we're good friends and neither of us is interested in getting into a "who's d!ck is bigger" competition. But I will address this:

One of the realities of acoustic testing is that all labs do not give the same results, even though the goal is for all labs to give the same data for the same tested material. But some labs tend to measure much higher than others, especially at low frequencies where the different lab sizes and shapes have a big effect. Disparities as large as 50 percent are possible at 125 Hz, and even more at lower frequencies.

This is why RealTraps publishes low frequency data for other products only when we have measured them ourselves in the same lab we do, in the exact same places within the lab room. To do otherwise is not reliable or even ethical, and this is why Glenn removed comparative data. The lab he used (Riverbank) is not the same as the lab we use (IBM), and Glenn understands that a direct comparison between different labs is unreliable, especially at frequencies below 100 Hz where labs aren't even certified to test.

Also, there is acoustic data on the Aygo site, but you have to dig a bit to find it. I assume they used yet another lab...

--Ethan
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Old 25th January 2006, 11:26 PM   #21
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>One of the realities of acoustic testing is that all labs do not give the same results, even though the goal is for all labs to give the same data for the same tested material. But some labs tend to measure much higher than others, especially at low frequencies where the different lab sizes and shapes have a big effect. Disparities as large as 50 percent are possible at 125 Hz, and even more at lower frequencies.<

With all due respect Ethan I understand what you are saying, but are you saying that Riverbank is 50% off?? I hope you are not because you know that would not be right.. Riverbank lab is the one of the highest regarded labs.. Heck Dr Sabin found it! The reason I took your numbers off is because your a friend..
BTW, the 50% was during a round robin and that was not Riverbank... Maybe it was IBM??? ha ha ha just kidding sir

>As Glenn said, we're good friends and neither of us is interested in getting into a "who's d!ck is bigger" competition. But I will address this:<

you can be the bigger d!ck thats fine...

Glenn
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Old 25th January 2006, 11:50 PM   #22
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Where can I get information on the GIK monster bass traps?
-- also are you planning on offering pure white color traps?
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Old 26th January 2006, 12:13 AM   #23
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Quote:
Originally Posted by Beneficial
Where can I get information on the GIK monster bass traps?
-- also are you planning on offering pure white color traps?
For right now you will have to call or email me for the info.. As soon as we update the website the info will be on it..

Basics about the panel

Weight is 29 pounds
Size is 2 x4 7.50 inches thick, thus the Monster!
Comes in black and off-wht
Price is $109.00 per panel plus shipping.. The price when it hits the website will start at $109.00 but only for the first 30 days.. Then it is going to be between $119.00 and $129.00 each..

Hope that helps..

Glenn
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Old 26th January 2006, 12:54 AM   #24
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Quote:
Originally Posted by bjornson
maybe he put em in the tracking room!
Sorry, I wasn't very clear. I track and mix in the same room so, my mics sound better because the room sounds better, and I can hear my monitors better too.

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Old 26th January 2006, 06:05 PM   #25
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Lightbulb

Glenn,

> are you saying that Riverbank is 50% off?? <

As I explained in my email to you earlier, when MiniTraps were tested at Riverbank the absorption reported was twice as high at 100 Hz as when we measured them at IBM. So in this case the disparity is 100 percent, not 50 percent. I'm not saying that testing is not useful - if nothing else it helps to weed out obvious frauds like Foam By Mail. But to deny that labs vary a large amount, especially at low frequencies, is to deny reality. Perhaps we should test our traps at Riverbank in the same corner locations as you did, or maybe you should test your traps at IBM in the same corner locations as we did. That would be the only honest way to compare them.

> you can be the bigger d!ck thats fine <

That was uncalled for, no?

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Old 26th January 2006, 07:24 PM   #26
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Quote:
Originally Posted by Ethan Winer
> you can be the bigger d!ck thats fine <

That was uncalled for, no?

--Ethan
I don't think he meant it like that, just that he didnt' want to fight with you........

If you 2 wanna go at it I'm sure we'd all love to see it though :)


I got $20, who's in?
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Old 26th January 2006, 07:33 PM   #27
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Quote:
Originally Posted by Ethan Winer
Glenn,

> are you saying that Riverbank is 50% off?? <

As I explained in my email to you earlier, when MiniTraps were tested at Riverbank the absorption reported was twice as high at 100 Hz as when we measured them at IBM. So in this case the disparity is 100 percent, not 50 percent. I'm not saying that testing is not useful - if nothing else it helps to weed out obvious frauds like Foam By Mail. But to deny that labs vary a large amount, especially at low frequencies, is to deny reality. Perhaps we should test our traps at Riverbank in the same corner locations as you did, or maybe you should test your traps at IBM in the same corner locations as we did. That would be the only honest way to compare them.

> you can be the bigger d!ck thats fine <

That was uncalled for, no?

--Ethan
Yeck yes I think you should go to Riverbank... Let me know when you might be there and I will fly up to have a beer!
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Old 26th January 2006, 07:35 PM   #28
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Quote:
Originally Posted by djui5
I don't think he meant it like that, just that he didnt' want to fight with you........

If you 2 wanna go at it I'm sure we'd all love to see it though :)


I got $20, who's in?
That is what I ment.. Sorry Ethan if you took it any other way..
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Old 26th January 2006, 09:47 PM   #29
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The hostility

At the end of the day, all that matters is the product coming out of the studio, regardless of the way the studio sounds. better acoustics will yield better mixes yes, but knowing what the capabilites of your room are to begin with and knowing how it will affect your mixes will give you better direction in your mixes. tech talk is good, but there is no reason to get fired up about it. You guys need to go pick up some *****s or something and relax.
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Old 26th January 2006, 11:00 PM   #30
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Glenn was clearly joking guys...

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