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| | #1 |
| Gear nut Joined: Oct 2010
Posts: 91
Thread Starter | Noob question: When to use absorber, diffuser, bass traps?
I searched as usual, and I could get a simple answer. I'm a noob, yes, this get that out of the way... When exactly are you suppose to use absorption, a diffuser, or bass trap? I know that Bass Traps are exclusive to the corners in the room. They help absorb long waves that bass projects out. Broadband Absorbers....these are for High and Mids yes? and a Diffuser....I've seen these things...they look like they just send reflection out in different direction other than reflecting them back to you or the mic. They remind me of a stealth fighter in that it bounces radar away in not sending it to the source again. When do you use such a thing? Do you use them in the instrument room or in the control room? Where do you place such a thing? I've seen them used facing monitors, or behind the listening position facing the monitors. Probably so the audio doesn't bounce back behind you...right? Bass traps, absorbers, and diffusers can be used in both the mixing room and the instrument room right? Thanks in advance |
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| | #2 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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Rather than have people re-write what has already been written, have a look at other threads on these topics. And the websites for realtraps and gik acoustics have good basic explanations and diagrams of this stuff..
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| | #3 |
| Lives for gear Joined: Jun 2007 Location: somewhere in Tasmania
Posts: 1,262
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but basically speaking - broadband absorbers absorb sound at a wide range of frequencies evenly (ideally). Diffusers reflect sound but scatter it in a mathematically designed "random" way. These different treatments are used in both recording and mixing rooms, depending on what is required.
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| | #4 |
| Gear maniac Joined: Oct 2007
Posts: 269
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I was in the same position as you a few months ago. Knew absolutely NOTHING ![]() My advice, read this: Acoustic Treatment and Design for Recording Studios and Listening Rooms Read it a couple of times!! |
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| | #5 | ||||
| Gear Guru Joined: Jul 2005 Location: Atlanta, GA
Posts: 11,994
| Quote:
Quote:
Quote:
GIK Acoustics presents "How Diffusion Works!" Quote:
__________________ Glenn Kuras GIK Acoustics USA GIK Acoustics Europe 770 986 2789 (USA) +44 (0) 20 7558 8976 (UK) See the NEW Scopus Tuned Trap | ||||
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| | #6 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Quote:
Acoustic Basics --Ethan ________________ The Acoustic Treatment Experts | |
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| | #7 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
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Welcome sushi. Bass traps are not exclusive to corners, but it is a common placement. You have many loaded questions, as there are many theories. The simple answer is that there isn't a simple answer. Sorry. Imagine asking a guitar player when he should use a flanger... or a drummer about a cowbell... goodluck on your quest, and don't get discouraged. We're all a friendly bunch in here... for the most part
__________________ phantom power doesn't make your voice sound spooky |
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