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| | #1 |
| Gear maniac Joined: Aug 2006 Location: Germany /Frankfurt
Posts: 227
Thread Starter | quick answers on quick sound fields
Hello friends of acoustics ![]() Since this mornig i can`t stop to think about, how i will record some drums in my half finished studio. Just the controlroom and a good sizend but very dry sounding vocal booth of about 15m² is usable, until march of 2011, when the live room will be ready. so i have to find a solution to get a good drumsound out of this dead vocalbooth. My idea was to build some small(6c, radius) but high 2,5 meters) polydiffusors out of insulation filled PVC pipes, screw them on stands an place them around the drumkit while recording. I know bruce swedian did that "quick soundfield" for micheal jacksons vocals, but how could it sound with drums? It should be a temporary solution so i don`t want to spent that much money. With the waterpipes (PVC with about 6cm radius) i can build about 20 diffusorstands with my given budget. Do you think this idea could work? cheers mika |
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| | #2 |
| Gear maniac Joined: Aug 2006 Location: Germany /Frankfurt
Posts: 227
Thread Starter |
i can`t belive that there is no person out there ,with experience with a QSF. for all, the people who don?t know the idea of a QSF you can rede here ASC Quick Sound Field for Control Room and Mix Environments cheers Mika |
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| | #3 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
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well you did give the thread all of two hours to develop. you should change the title to "quick answers on quick sound fields"
__________________ phantom power doesn't make your voice sound spooky |
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| | #4 | |
| Gear maniac Joined: Aug 2006 Location: Germany /Frankfurt
Posts: 227
Thread Starter | Quote:
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| | #5 |
| Lives for gear Joined: May 2004 Location: Hamilton, On Canada
Posts: 3,697
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Who knows with all details you gave on the current state of the room. Short answer is try it! It will be useful for other instruments in the future regardless. Andre
__________________ Good studio building is 90% design and 10% construction. |
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| | #6 |
| Gear addict Joined: Jul 2002 Location: Woodland Hiils, CA
Posts: 438
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The reflective side of a Studio Trap is not the same as a PVC pipe. Some sort of special grated metallic thing that provides some scattered high frequency reflections is what it has that I don't think you can obtain from plain old PCV.
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| | #7 |
| Lives for gear | Plywood
I use sheets of plywood leaning against the wall. The angle prevents flutter and redirects the very early reflections, hopefully up into a 'cloud'. DD |
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| | #8 | |
| Gear addict | Quote:
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| | #9 |
| Gear addict | See images for room situation while recording -- the absorption behind the drumset remained unchanged.
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| | #10 |
| Gear maniac Joined: Aug 2006 Location: Germany /Frankfurt
Posts: 227
Thread Starter |
Thank you very much, Gernot I will listen to it later in the studio |
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