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| | #121 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
Thread Starter |
So here they are. I hope the mounting is depicted intuitively enough. After a few days time with them up, the imperfections are bothering me less. We'll see in time what the verdict is. ![]() ![]() ![]()
__________________ phantom power doesn't make your voice sound spooky |
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| | #122 |
| Lives for gear Joined: Mar 2007 Location: Athens, Ohio
Posts: 1,266
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Those look awesome, John. Have you noticed much with the sound by ear yet? I'm assuming you plan to update your 'binder' at each step? I am excited to see it. Neil
__________________ My Recording Studio Build Thread: http://www.gearslutz.com/board/photo...hens-ohio.html Photobucket Page with TONS more studio photos: http://s152.photobucket.com/albums/s...ding%20Studio/ www.myspace.com/amishelectricchair www.gcrecords.com |
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| | #123 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
Thread Starter |
Hey Neil, thanks. They are not all up yet. Observations to this point: after installing 5 around the drum corner, in a practical sense the snare has a lot more snap... attack. The cymbals for sure are brighter. Whether or not it's gone too far I'm yet to decide. It may be a bit harsh but the difference is so jarring at this point; I need some time with it and ideally a track and mix is coming within a month or so. Experiencing them with less than drum SPLs, standing and talking in this corner is far less oppressive feeling. There are still 5 more of these that can be installed in the rest of the room. I'm holding off to decide whether or not they offend me visually. I may end up painting them a satin grey to give less contrast on the holes. I may end up covering them with a very thin fabric. Either way, my room is so cluttered with control room gear and multiple drum sets, that finishing and measuring at this point would be so skewed due to gear that it will have to wait. |
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| | #124 |
| Gear addict Joined: Sep 2011
Posts: 358
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JohnD..... It wasen't my intention at all to get you upset with my comments. I feel sorry if I have. I have the upmost respect for your craftmanship and I have never critisized you for that. I know how hard it is to build something acoustically, a hell of a jobb. I only gave comments of the measurements. Thanks |
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| | #125 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
Thread Starter |
water under the bridge McTwins. I'm not as bothered as perhaps my reply suggests.
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| | #126 |
| Lives for gear Joined: Jan 2008 Location: Midwest
Posts: 4,580
Thread Starter | ![]() ![]() ![]() ![]() ![]() First session with the bad panels. Also happens to be my first session with my 7th Circle pres, and I also borrowed some new mics. So.......... Far and away my best drum tracking session. Is it the panels? Is it the pres? Is it the mics? Is it more experience? I think there's a natural progression with all engineers that makes specific improvements impossible to nail down as the reason of greater success. Most dramatic improvements: Snare drum. Far and away. Crazy nice transient with the the condenser. SM57 pushing the limits of the API-esque 7thO sounds exactly like I want a snare to sound. There's a considerable difference with the room's sonic outside of the recording chain, so I'm confident in saying the BAD panels are a huge factor here. Overheads. Cymbals sound less choked. Track count: 1. Kick- Beta 52>N72 2. Kick- Homemade subkick>Ghost 3. Snare top- SM57>A12 4 Snare top- SM81>Ghost 5. Snare bottom- SM57>Ghost 6. Rack- MD421>Ghost 7. Flr1 top- MD421>Ghost 8. Flr1 BTM- ATM450>MPA Gold 9. Flr2 top - MD421>Ghost 10. Flr2 BTM- ATM450>MPA Gold 11. Overhead Rack - C42>C84 12. Overhead Floor - C42>C84 13. HiHat - AT4081>Ghost 14. Ride spot mic - KSM141>Ghost 15. Drummer's ear -AT4060>N72 After I get the tracks leveled out, I'll post a clip of the premix drums. |
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| | #127 | |
| Lives for gear | Quote:
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| | #128 |
| Lives for gear | |
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