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| | #1 |
| Gear interested Joined: Sep 2009 Location: Tornto, Ontario, Canada
Posts: 15
Thread Starter | Cheap DIY Diffuser Panel Idea Hi all, Let's say I: -want some diffusion panels to balance with / mess with my existing absorption panels -don't have the expertise or access to shop environment for crafting proper quadratic residue/root diffusers -don't have a bunch of bookcases filled with books How about this for a less than perfect DIY diffusion project, but better than none at all(?): 1. I buy a variety of different diameter PVC tubes form a plumbing/construction store. 2. I cut them all into 4' or 2' lengths. 3. I split (cut) all of the 4' or 2' pieces diametrically in half, long-ways, so now I have twice as many 'half-tubes' (cross-section is u-shaped instead of a complete circle). 4. I epoxy a random assortment of diameters side-by-side onto a 2x4ft. back-panel, until the panel is filled. So it's basically a bunch of different size half-cylinders all glued onto a board side-by-side. Could paint it, too. Again, the 'randomness' is not as good as a proper QRD math job, but would this be better than nothing? Other concern: would the fact that the half-tubes are hollow present any problems (resonance) - enough to outweigh the benefits? This could be a really cheap, easier and very effective DIY diffuser. What kind of effective bandwidth could I get, say with many pipes 6" through 1/2" used? Guesses? Critiques welcome! |
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| | #2 | |
| Lives for gear Joined: Sep 2009
Posts: 1,196
| Quote:
the semi-cylinders, or bending thin plywood or hardboard for larger profiles. Adding your smaller pipes would give me a wider range. I have a feeling small pipes won't do much for low frequencies. In my fifth edition Master Handbook of Acoustics most of the real-world examples suggest using polys on the ceilings and walls. Polys have the avantage that they can be stuffed with absorbant to get some absorption as well as diffusion. I've been reading quite a bit lately on diffusion and there isn't much in the way of agreement as to what's best. One argument in favour of rpg's (not the company) is their ability to diffuse temporally in addition to spacially, something polys aren't supposed to do. A question I have is if a poly disperses spacially, won't the sound be sent back into the room along different vectors so that for a single person in one spot only one thin slice of the reflection will be received while the rest of the sound will end up being reflected at different times when it encounters the room's surfaces in different spots. So wouldn't the sound end up getting dispersed in time ? I find myself attracted to polys for their ease of construction and light weight, especially for the ceiling. I'm still trying to figure out a good pattern. One rule is to have the polys run in different directions on the various surfaces of the room. Paul P | |
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| | #3 |
| Gear interested Joined: Sep 2009 Location: Tornto, Ontario, Canada
Posts: 15
Thread Starter |
Will reply more thoroughly tomorrow. Can you post a link to a good photo of a "poly". Thanks. |
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| | #4 |
| Lives for gear Joined: Sep 2009
Posts: 1,196
| The term poly is short for polycylindrical which Everest/Pohlmann use for describing "a convex section of a cylinder". So your pipes cut in half are polys. Yesterday evening I came across these posts that show some nice (big) ones by matucha : http://www.gearslutz.com/board/1178295-post378.htmlI've been thinking of polys mainly for my ceiling which are 9' (2.7m) high. Full absoption across the ceiling with (smaller) polys underneath spread out in some yet to be determined pattern. Paul P |
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| | #5 |
| Gear interested Joined: Sep 2009 Location: Cleveland Oh
Posts: 25
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This will do something, but there's no way to tell exactly what it will diffuse at. It would be probably easier and more functional to build standard poly diffusers.
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| | #6 | |||
| Gear interested Joined: Sep 2009 Location: Tornto, Ontario, Canada
Posts: 15
Thread Starter | Quote:
Indeed ... however it's now my understanding that bass TRAPS (diffusion) are the best for our typical home studio applications. A bass diffuser would have to be HUGE to do anything. I'm viewing the general, broadband diffuser as something that would work along with bass traps – as a system. Quote:
Makes perfect sense to me - yes. Without getting too hung up on specific diffuser design ideas, I think the general idea is to DISORGANIZE the sound. As long as we’re accomplishing that – we’ve done tons for the cause. I remember "retro-reflection" in the optics part of physics class .Quote:
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| | #7 |
| Gear interested Joined: Sep 2009 Location: Tornto, Ontario, Canada
Posts: 15
Thread Starter | Thanks. What would you call a "standard" poly diffuser? Are there rule-of-thumb measurments? Can you refer to a photo link?
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| | #8 |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
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| | #9 |
| Gear interested Joined: Sep 2009 Location: Tornto, Ontario, Canada
Posts: 15
Thread Starter | Thanks Ethan. What effective bandwidth would a bunch of them, say 2ft and 1ft alternating produce - realizing this is a really crude estimate? Is your 2ft spec for a broadband-type application? I'm not intending this proposal be for bass improvement - that would be handled by traps. Actually, there are 2ft diametre PVC available ... could still be a neat design ... bunch of these 8ft long... Thanks. |
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| | #10 |
| Gear interested Joined: Sep 2009 Location: Tornto, Ontario, Canada
Posts: 15
Thread Starter | I really need to review what actually happens when different shaped wave fronts (straight, circle-section) encounter planes, curvatures, cylinders and polyhedra in general which present sizes relevant to the frequency of the wave front. Have you ever seen a downloadable simulator or illustration that shows (possibly in more than one projection) how various wave fronts are effected and reflect in/out of: -half-cylinders -RPG style QRD units -Helmholtz resonators -any polyhedron I mean a computerized version of a simple wave-pool. Did you ever do wave interference labs with lights and a large tray of water and mechanical point or line wave generator? Totally illuminating! I'd love to see a software modeling app to mess around with. |
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| | #11 | |
| Lives for gear Joined: Sep 2009
Posts: 1,196
| Quote:
Ripple Tank Simulationthough it won't be easy to similate a Helmhotlz resonator. It would be nice if frequency and dimensions were shown. Paul P | |
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| | #12 |
| Gear interested Joined: Sep 2009 Location: Tornto, Ontario, Canada
Posts: 15
Thread Starter |
Awsome. Awsome. Awsome. Feels like Christmas. (Forgive my exuberance.) |
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| | #13 | |
| Gear Guru Joined: Oct 2002 Location: New Milford, CT, USA
Posts: 12,334
| Quote:
--Ethan
__________________ Ethan's audio book is now available! | |
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| | #14 | |
| Lives for gear Joined: Sep 2009
Posts: 1,196
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Here's a quote from p.133 of the Master Handbook of Acoustics : Quote:
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| | #15 |
| Gear interested Joined: Sep 2009 Location: Tornto, Ontario, Canada
Posts: 15
Thread Starter |
Thanks. That really covers it.
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| | #16 |
| Lives for gear |
Good post Paul. Frank |
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| | #17 |
| Gear interested Joined: Apr 2011
Posts: 14
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Did anyone ever construct any of these? Curious to know if how well they work. Bob Last edited by bobbybovine; 18th January 2012 at 06:17 PM.. Reason: Spelling Error |
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| | #18 |
| Gear maniac Joined: Nov 2011 Location: Sarasota, FL USA
Posts: 174
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I'm probably gonna catch crap for this, but I thought I'd mention it... I built some poorman's polys by cutting a 12" diameter tubular cardboard concrete form into thirds. This results in a 12.5" arc that is 10.4" wide and 3" high. I filled the back with SAFB insulation, faced them with some kraft paper (not that I think they really needed the paper now), and covered 'em in fabric. And surprisingly, they actually worked a bit to even out some of the upper-mid and upper ranges and even helped with some peaks and nulls down low, especially for the rear speakers. They did add to a couple other problems, but it's kinda a "6 of one, half dozen of another" kinda thing. Most importantly, they solved some phasing issues I was having when I moved too far out of the "sweet spot" between the front and rear monitors. There it is for whatever it's worth.
__________________ -Wyatt Composer, researcher, educator |
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